Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-l7hp2 Total loading time: 0 Render date: 2024-11-25T08:45:25.605Z Has data issue: false hasContentIssue false

Introduction: Authorship and Dissidence

Published online by Cambridge University Press:  04 May 2023

Alison Ribeiro de Menezes
Affiliation:
University College Dublin
Get access

Summary

Com a mão firme [o revisor] segura a esferográfica e acrescenta uma palavra à página, uma palavra que o historiador não poderia ter escrito nunca, a palavra Não, agora o que o livro passou a dizer é que os cruzados Não auxiliarão os portugueses a conquistar Lisboa, assim está escrito e portanto passou a ser verdade.

José Saramago

The humble proof-reader in José Saramago's História do cerco de Lisboa, who inserts a negative in a text where the author had intended none, thus changing retrospectively the course of historical events, raises some of the most pressing questions preoccupying contemporary novelists: the issues of truth and relativity, the possibility and implications of multiple authoring, and the potency of authorship as narrative authority. Impersonalizing authorship, by turning it into a process involving one or more agents and various stages, does not, however, remove textual author-ity. As Cervantes magnificently demonstrated in Don Quixote five centuries ago, it can also, paradoxically, reinforce that which it seeks to obscure. The sovereign subject – the Cartesian cogito – may have been pronounced dead by mid-twentieth-century literary theory, but it would be premature to assume from this the demise of the closely related concept of authorship – all the more so since we are currently witnessing a ‘return’ or ‘rebirth’ of subjectivity, albeit in radically modified form. Indeed, one of the consequences of recent radical interrogations of the subject has been to decentre the notion of a unified and sovereign self in favour of multiple subjectivities writing from a plurality of perspectives. What has accompanied these changing views of the subject is a reconfiguration of authorship, and not for the first time in the history of Western letters.

An author is conventionally agreed to be the originator, creator, or primary source of something (auctor), whether text, act, or event; he or she bears responsibility for and carries authority over his or her creation (auctoritas). The origin of the word thus bears the traces of two fundamental ideas: genesis and control. Yet, the relationship between these is not necessarily simple or direct. To the medieval mind, the human author derived his creativity and authority from God, and worked within the field of a complex critical apparatus that allowed for the interplay of multiple determinants in Scriptural exegesis.

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2005

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×