Introduction

The two stanzas reproduced above come from one of the most famous works of medieval literature, the Song of Roland, first of the chansons de geste or “song of deeds,” depicting in a highly fictionalized manner what would ironically become Charlemagne's most remembered battle, the defeat of his rearguard at Roncevaux. Prominent among those named in the chanson as having died fighting at Roland's side was Archbishop Turpin of Rheims, to whom the passages refer. Although the appearance of the poem around 1100 converted Turpin into the prototype “warrior churchman” of the age, there is no certainty that such an individual actually existed outside of legend. To the extent that the fictional character accords with reality, he was probably a conflation of several clerics who held the see in the late eighth century, the best-known of whom was no warrior at all.

In contrast to such a shadowy figure, one encounters throughout the medieval period real flesh-and-blood warrior churchmen about whom a good deal can be known, men who make it possible to arrive at a better understanding of just what it meant to combine the two roles. One such individual who lived in the late Middle Ages was the cardinal-archbishop of Toledo, Pedro González de Mendoza (1428–95), who occupied the primate see in the Castilian church near the end of the fifteenth century and was dubbed by one of his early biographers el gran cardinal.