Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-8bhkd Total loading time: 0 Render date: 2024-11-17T14:10:19.379Z Has data issue: false hasContentIssue false

5 - Literary Influences

Published online by Cambridge University Press:  19 December 2020

Janet Todd
Affiliation:
University of Aberdeen
Get access

Summary

In a letter of December 1798 Jane Austen told Cassandra that they were subscribing to a new library. The proprietress had written with the assurance that her collection was not limited to novels, prompting Austen to comment: ‘She might have spared this pretension to our family, who are great Novel-readers & not ashamed of being so’ (L, 18–19 December). Mr Austen's taste was liberal, encompassing ‘every species of literature’, according to Henry Austen’s ‘Biographical Notice’. The family's enthusiasm for the stage meant that the barn at the rectory at Steventon was fitted up as a theatre and Austen's earliest experiences of English drama was in hearing rehearsals of comedies or farces by writers like Isaac Bickerstaffe, Susannah Centlivre, Hannah Cowley, Henry Fielding, David Garrick and Richard Brinsley Sheridan. Despite her brother’s emphasis on serious literature in his memoir Jane Austen was as fond of low comedy and sensational novels as collections of sermons. Theatrical productions helped to populate her work with comic archetypes: rakes, hypocrites, simperers, blusterers, garrulous purveyors of scandal and trivia and grumpy spouses wearily resigned to the incorrigible folly of their partners.

Gothic fiction also found its way into the parsonage: JaneAusten described her father in the evening reading The Midnight Bell (1798) by Francis Lathom (L, 24 October 1798). Isabella Thorpe's enthusiasm for the same story in Northanger Abbey (1:6) explains why Mr Austen borrowed it from the library rather than buying it. He did, however, acquire Arthur Fitz Albini (1798) a novel by Sir Samuel Egerton Brydges, who had rented the parsonage at Deane. Austen found it odd ‘that we should purchase the only one of Egerton's works of which his family are ashamed’. But, she told Cassandra, ‘these scruples … do not at all interfere with my reading it’ (L, 25November 1798). Austen's toleration for those who defied convention was not unlimited, however, and she later discarded a translation of Madame de Genlis's Alphonsine (1807). ‘We were disgusted in twenty pages … it has indelicacies which disgrace a pen hitherto so pure’ (L, 7–8 January 1807). Mr Austen's library of more than 500 books had to be sold when the family left the parsonage at Steventon and moved to Bath.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2005

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×