Book contents
- Frontmatter
- Dedication
- Contents
- List of Figures
- List of Maps
- Acknowledgements
- Note to the Reader
- List of Abbreviations
- Maps
- Prologue – Whence and Whither: A Critical Review of Artistic Relations
- One A Prosopography of Encounters
- Two Southern Italy, Cyprus, and the Holy Land: A Tale of Parallel Aesthetics?
- Three Deconstructing Myths: Transmutations of Madonna and Panagia between Italy and Cyprus
- Four Thomas Aquinas, the Dominicans, and Artistic Patronage in Trecento Cyprus
- Five The Peregrinations of a Cypriot King in Italian Material Culture, 1362–1368
- Six Art in the Interstices: Hybrid Italian Panels and Cypriot Nobility
- Epilogue
- Appendix 1 Italian Clerics in Cyprus (or Related to Cyprus), c. 1250–1400
- Appendix 2 The Cult of the Virgin Hodegetria in Southern Italy
- Appendix 3 Saint Thomas Aquinas in Italian Art
- Bibliography
- Index
Appendix 3 - Saint Thomas Aquinas in Italian Art
Published online by Cambridge University Press: 25 August 2022
- Frontmatter
- Dedication
- Contents
- List of Figures
- List of Maps
- Acknowledgements
- Note to the Reader
- List of Abbreviations
- Maps
- Prologue – Whence and Whither: A Critical Review of Artistic Relations
- One A Prosopography of Encounters
- Two Southern Italy, Cyprus, and the Holy Land: A Tale of Parallel Aesthetics?
- Three Deconstructing Myths: Transmutations of Madonna and Panagia between Italy and Cyprus
- Four Thomas Aquinas, the Dominicans, and Artistic Patronage in Trecento Cyprus
- Five The Peregrinations of a Cypriot King in Italian Material Culture, 1362–1368
- Six Art in the Interstices: Hybrid Italian Panels and Cypriot Nobility
- Epilogue
- Appendix 1 Italian Clerics in Cyprus (or Related to Cyprus), c. 1250–1400
- Appendix 2 The Cult of the Virgin Hodegetria in Southern Italy
- Appendix 3 Saint Thomas Aquinas in Italian Art
- Bibliography
- Index
Summary
- Type
- Chapter
- Information
- Publisher: Cambridge University PressPrint publication year: 2022