This chapter focuses on the ways in which Act Two of Sean O’Casey’s 1926 play, The Plough and the Stars, has appeared onstage at the Abbey theatre between 1991 and 2016. The chapter shows how these four versions of O’Casey’s script navigate a set of contemporary concerns, from historical revisionism, through the Celtic Tiger boom, to the economic crash, and into the era when various kinds of institutional and state abuse have been revealed. Shifts in performance style also reveal changes in thinking about theatrical form in Ireland and help illuminate the role of the Irish national theatre during a period when other nearby national theatres have come to operate in profoundly different ways.