Book contents
- Irish Literature in Transition, 1780–1830
- Irish Literature in Transition
- Irish Literature in Transition, 1780–1830
- Copyright page
- Contents
- Contributors
- Series Preface
- General Acknowledgements
- Acknowledgements
- Introduction
- Part I Origins
- Part II Transitions
- Chapter 3 Irish Literary Theory: From Politeness to Politics
- Chapter 4 Whigs, Weavers, and Fire-Worshippers: Anglophone Irish Poetry in Transition
- Chapter 5 Metropolitan Theatre
- Chapter 6 Harps and Pepperpots, Songs and Pianos: Music and Irish Poetry
- Chapter 7 Enlightened Ulster, Romantic Ulster: Irish Magazine Culture of the Union Era
- Part III Reputations
- Part IV Futures
- Index
Chapter 5 - Metropolitan Theatre
from Part II - Transitions
Published online by Cambridge University Press: 28 February 2020
- Irish Literature in Transition, 1780–1830
- Irish Literature in Transition
- Irish Literature in Transition, 1780–1830
- Copyright page
- Contents
- Contributors
- Series Preface
- General Acknowledgements
- Acknowledgements
- Introduction
- Part I Origins
- Part II Transitions
- Chapter 3 Irish Literary Theory: From Politeness to Politics
- Chapter 4 Whigs, Weavers, and Fire-Worshippers: Anglophone Irish Poetry in Transition
- Chapter 5 Metropolitan Theatre
- Chapter 6 Harps and Pepperpots, Songs and Pianos: Music and Irish Poetry
- Chapter 7 Enlightened Ulster, Romantic Ulster: Irish Magazine Culture of the Union Era
- Part III Reputations
- Part IV Futures
- Index
Summary
Accounts of Irish romanticism have emphasised the centrality of primitivism and antiquarianism. This chapter argues that such accounts should be supplemented by considerations of the urban scene of Irish culture. With a particular emphasis on London, the chapter shows that Irish dramatists, particularly those associated with patriot thought, were keen to embrace urban culture and display their adroit capacity to write in that milieu. It pays particular attention to a 1780s generation of Irish playwrights, well connected to the burgeoning newspaper industry and to Foxite Whiggism, who built on the success of antecedents such as Oliver Goldsmith, Charles Macklin, and others. The chapter considers plays authored by John O’Keeffe, Frederick Pilon, Dennis O’Bryen, James Sheridan Knowles, and Alicia Lefanu.
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- Information
- Irish Literature in Transition, 1780–1830 , pp. 107 - 121Publisher: Cambridge University PressPrint publication year: 2020