Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- Introduction
- 1 Preludes and Returns: Popular Music, the ʿ68 Generation, and the Literarization of the Jukebox
- 2 Enter the Double Agent: The German Popular Musician as Novelist
- 3 Techno-Lit: Electronica and Its Impacts on Fiction
- 4 Analogue is Better: Rock- and Pop-centric Literature
- 5 After the GDR's “Musical Niche Society”? Popular Music in the Literature of Thomas Brussig
- 6 The Gendering of Popular Music in the Novels of Karen Duve and Kerstin Grether
- Conclusion: Out of the Groove?
- Bibliography
- Index
Frontmatter
Published online by Cambridge University Press: 05 May 2015
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- Introduction
- 1 Preludes and Returns: Popular Music, the ʿ68 Generation, and the Literarization of the Jukebox
- 2 Enter the Double Agent: The German Popular Musician as Novelist
- 3 Techno-Lit: Electronica and Its Impacts on Fiction
- 4 Analogue is Better: Rock- and Pop-centric Literature
- 5 After the GDR's “Musical Niche Society”? Popular Music in the Literature of Thomas Brussig
- 6 The Gendering of Popular Music in the Novels of Karen Duve and Kerstin Grether
- Conclusion: Out of the Groove?
- Bibliography
- Index
Summary

- Type
- Chapter
- Information
- Into the Groove?Popular Music and Contemporary German Fiction, pp. i - ivPublisher: Boydell & BrewerPrint publication year: 2015