Book contents
- Interpreting R. G. Collingwood
- Interpreting R. G. Collingwood
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Abbreviations
- Introduction
- Part I Situating Collingwood: Beyond Idealism
- Part II Issues in Collingwood’s Philosophy
- Chapter 7 Collingwood’s Logic of Question and Answer
- Chapter 8 Presuppositional Analysis and the Goal of Metaphysical Inquiry
- Chapter 9 Is Collingwood a Process Philosopher?
- Chapter 10 Collingwood on Imagination
- Chapter 11 Collingwood on “Painting Imaginatively” and the Expressive Nature of the Artwork
- Chapter 12 Collingwood’s Influence on Baxandall
- Chapter 13 “Reconsidering Questions of Principle”: Collingwood and the Revival of Celtic Art
- Chapter 14 What Is Living and What Is Dead in Collingwood’s New Leviathan?
- Bibliography
- Index
Chapter 14 - What Is Living and What Is Dead in Collingwood’s New Leviathan?
from Part II - Issues in Collingwood’s Philosophy
Published online by Cambridge University Press: aN Invalid Date NaN
- Interpreting R. G. Collingwood
- Interpreting R. G. Collingwood
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Abbreviations
- Introduction
- Part I Situating Collingwood: Beyond Idealism
- Part II Issues in Collingwood’s Philosophy
- Chapter 7 Collingwood’s Logic of Question and Answer
- Chapter 8 Presuppositional Analysis and the Goal of Metaphysical Inquiry
- Chapter 9 Is Collingwood a Process Philosopher?
- Chapter 10 Collingwood on Imagination
- Chapter 11 Collingwood on “Painting Imaginatively” and the Expressive Nature of the Artwork
- Chapter 12 Collingwood’s Influence on Baxandall
- Chapter 13 “Reconsidering Questions of Principle”: Collingwood and the Revival of Celtic Art
- Chapter 14 What Is Living and What Is Dead in Collingwood’s New Leviathan?
- Bibliography
- Index
Summary
This uninhibited book of Collingwood’s rounds off his contribution to philosophy in a fiercely personal style. Declaring his unbounded admiration for the Leviathan of Hobbes and following its fourfold structure, Collingwood offers a systematic account of man, society, civilization, and “barbarism” – the last being understood as active hostility towards civilization, or revolt against it. Collingwood’s thoughts on the meaning of “society” and “civility,” as well as on questions of peace and war, remain very much alive; of particular interest here are his distinction between “eristic” and “dialectical” approaches to disagreement, and his conception of a body politic as the scene of a “dialectical” relationship between social and non-social elements. Other discussions impose greater distance on a modern reader – among them his briskly affirmative treatment of the role of a “ruling class,” of our entry into a presumed “social contract,” and of the “intelligent exploitation of nature.”
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- Interpreting R. G. CollingwoodCritical Essays, pp. 262 - 279Publisher: Cambridge University PressPrint publication year: 2024