Book contents
- Frontmatter
- Table of Contents
- List of Illustrations
- Indecent Bodies in Early Modern Visual Culture: An Introduction
- 1 Taste, Lust, and the Male Body: Sexual Representations in Early Sixteenth-Century Northern Europe
- 2 Private Viewings: The Frankfurt Context of Sebald Beham’s Die Nacht
- 3 To Show or Not to Show? Marcantonio Raimondi and the Representation of Female Pubic Hair
- 4 Treating Bodily Impurities: Skin, Art, and Medicine
- 5 Indecent Exposure and Honourable Uncovering in Renaissance Portraits of Women
- 6 Lust in Translation: Agency, Sexuality, and Gender Configuration in Pauwels Franck’s Allegories of Love
- 7 ‘So this guy walks into a forest…:’ obscenity, humour, sex, and the equine body in hans baldung’s Horses in a forest woodcuts (1534)
- 8 Indecent Creativity and the Tropes of Human Excreta
- 9 ‘It All Turns to Shit’ – The Land of Cockaigne in Sixteenth-Century German Woodcuts
- 10 Noëls and Bodily Fluids: The Business of Low-Country Ceremonial Fountains
- Index
2 - Private Viewings: The Frankfurt Context of Sebald Beham’sDie Nacht
Published online by Cambridge University Press: 19 April 2023
- Frontmatter
- Table of Contents
- List of Illustrations
- Indecent Bodies in Early Modern Visual Culture: An Introduction
- 1 Taste, Lust, and the Male Body: Sexual Representations in Early Sixteenth-Century Northern Europe
- 2 Private Viewings: The Frankfurt Context of Sebald Beham’s Die Nacht
- 3 To Show or Not to Show? Marcantonio Raimondi and the Representation of Female Pubic Hair
- 4 Treating Bodily Impurities: Skin, Art, and Medicine
- 5 Indecent Exposure and Honourable Uncovering in Renaissance Portraits of Women
- 6 Lust in Translation: Agency, Sexuality, and Gender Configuration in Pauwels Franck’s Allegories of Love
- 7 ‘So this guy walks into a forest…:’ obscenity, humour, sex, and the equine body in hans baldung’s Horses in a forest woodcuts (1534)
- 8 Indecent Creativity and the Tropes of Human Excreta
- 9 ‘It All Turns to Shit’ – The Land of Cockaigne in Sixteenth-Century German Woodcuts
- 10 Noëls and Bodily Fluids: The Business of Low-Country Ceremonial Fountains
- Index
Summary
Abstract
Combined with the shocking documentation of his life in Nuremberg in the1520s, erotic prints such as Die Nacht have long servedto support the scholarly presentation of Sebald Beham as anonconformist. The problem with such interpretations is that DieNacht is dated 1548, nearly two decades after Beham hadmoved to Frankfurt am Main. This chapter therefore places the print inthe Frankfurt context. Setting Die Nacht andBeham's late life against the catastrophe of the SchmalkaldicWar, the chapter fills in its sketch with details of the twice-yearlyFrankfurt fair and humanists in city government. The evidence suggeststhat far from being a permanent outsider, in Frankfurt Beham transformedinto a true insider – and an intelligent businessman.
Keywords: Die Nacht; Frankfurt am Main;Frankfurt fair; humanism; Sebald Beham; Schmalkaldic War
A wasteland of tree stumps ringed Frankfurt am Main in 1548, two years aftercitizens had cleared land outside their walls while preparing defencesduring the Schmalkaldic War. Now that the war was over, Frankfurt and itsresidents struggled with crippling debt. The city had borrowed and spentenormous sums and had lost income from its fair, among Europe'sforemost trade events, which had seen weak participation in 1546, as warmoved from rumour to reality. The fair did not take place at all in 1547.Rather than offering room and board to thousands of paying, internationalguests, Frankfurt's citizens endured over nine months, from lateDecember 1546 to early October 1547, when they were forced to quarterimperial soldiers, who spread dysentery and diphtheria to their unwillinghosts. By January 1547, rising food prices provoked the bitter,‘[N]othing was cheaper than sick people and lice’. So fiercewas the cold that some soldiers became ‘Egyptian locusts’,helping themselves to firewood and breaking up panelling and furniture toburn. They stank up the town with excrement, urine, and vomit; they drank,cursed, gambled, fought, beat civilians, whored. Frankfurt was notorious forprostitution, but now multiple women were punished for fornication oradultery with the soldiers; a Lutheran preacher described with approval onewoman's flogging. Where in a normal year visitors from all overEurope milled about market stands, on the Romerberg, a military executionerlopped off heads, sometimes leaving the malefactor's corpse lying asa warning until burial at sundown.
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- Indecent Bodies in Early Modern Visual Culture , pp. 65 - 86Publisher: Amsterdam University PressPrint publication year: 2022