Context and Historical Background

Five tablet-woven hangings from Ethiopia are an obvious example of global trade, exchange, and knowledge transfer in the eighteenth century. They are made of silk apparently of Indian origin and were woven in Ethiopia under royal patronage by what were most likely to have been a weaver or weavers from Egypt. Consisting of panels measuring approximately 70 centimetres in width and just over 5 metres in length, they also represent the largest tablet-woven textiles ever known to have been produced anywhere on the face of the globe at any time in human history. Three of the five are today located in Western museums: two, each consisting of a single panel, are in the British Museum (BM) (Fig. 15.1) and another, made of three panels, is in the Royal Ontario Museum, Toronto (ROM) (Fig. 15.2). Two other triple-panelled examples are preserved in the ancient monastery of Abba Gärima, in Tǝgray Province, Ethiopia (Figs. 15.3–4). Their origins are entirely undocumented, although the iconography apparent on the BM and ROM pieces associates them with the reigns of the Gondärine Kings Bäkaffa (r.1721–1730) and his son Iyasu II (r.1730–1755). Since the time they were acquired during the British punitive expedition to Ethiopia in 1868, they have frequently been referred to as “Gondär” hangings and are thought to have hung in royal foundations in that capital town. The patronage of the hangings from Abba Gärima is attributed to Ras Mika’el “Sǝḥul,” governor of Tǝgray Province from 1759 to his death in 1777 and, from 1768, the son-in-law of Mǝntǝwwab, the consort of King Bäkaffa. The monks of Abba Gärima claim that their hangings were made by a foreign people known as Seglin or Sehlin working in the village of May Zbi south of Adwa.