Chapter 4 considers the division of texts into pages and leaves in manuscripts in English poetry and prose in the fifteenth century. It suggests that this material format allowed scribes to fanfare their own craft process, when they decorated the division of the codex into pages for its own sake, as a mere convention without textual function. But it then argues that page breaks contributed little to the text itself. It notes other methods used by scribes to override the page breaks and argued that they were more interested in the continuity of the text and of the reading process beyond the literal limits of the page.