Book contents
- Imagining Reperformance in Ancient Culture
- Cambridge Classical Studies
- Imagining Reperformance in Ancient Culture
- Copyright page
- Contents
- Illustrations
- Contributors
- Acknowledgements
- Abbreviations
- Introduction What Is Reperformance?
- Part I Interpretive Frames
- 1 Archives, Repertoires, Bodies, and Bones: Thoughts on Reperformance for Classicists
- 2 Performance, Reperformance, Preperformance: The Paradox of Repeating the Unique in Pindaric Epinician and Beyond
- 3 Thebes on Stage, on Site, and in the Flesh
- Part II Imagining Iteration
- Part III Texts and Contexts
- Part IV Reflections
- Bibliography
- Index of Passages Discussed
- General Index
2 - Performance, Reperformance, Preperformance: The Paradox of Repeating the Unique in Pindaric Epinician and Beyond
from Part I - Interpretive Frames
Published online by Cambridge University Press: 15 June 2017
- Imagining Reperformance in Ancient Culture
- Cambridge Classical Studies
- Imagining Reperformance in Ancient Culture
- Copyright page
- Contents
- Illustrations
- Contributors
- Acknowledgements
- Abbreviations
- Introduction What Is Reperformance?
- Part I Interpretive Frames
- 1 Archives, Repertoires, Bodies, and Bones: Thoughts on Reperformance for Classicists
- 2 Performance, Reperformance, Preperformance: The Paradox of Repeating the Unique in Pindaric Epinician and Beyond
- 3 Thebes on Stage, on Site, and in the Flesh
- Part II Imagining Iteration
- Part III Texts and Contexts
- Part IV Reflections
- Bibliography
- Index of Passages Discussed
- General Index
- Type
- Chapter
- Information
- Imagining Reperformance in Ancient CultureStudies in the Traditions of Drama and Lyric, pp. 42 - 62Publisher: Cambridge University PressPrint publication year: 2017
- 5
- Cited by