Contents

pp v-ix

List of Figures

pp x-xiv

Series Editor’s Preface

pp xv-xvii

Author’s Preface

pp xviii-xxi

Acknowledgements

pp xxii-xxiv

Prologue: Iconomania – On the Thinking-Image and Madness

pp xxv-xxx

1 - Introduction: Making as Thinking, and vice versa

pp 1-40

Part I - Keys to Intermediality

pp 41-42

2 - Time-Space: Spatialising Film

pp 43-89

3 - Who Speaks the Film, in Documentaries? A Thousand and One Voices

pp 90-130

4 - Multi-tentacled Time: Contemporaneity, Heterochrony, Anachronism for Pre-posterous History

pp 131-174

5 - Making Up, Making As: Fiction and/in/with Reality

pp 175-220

Part II - Special Issues, Special Pleading

pp 221-222

6 - Showing Trauma? Difficulty and Necessity

pp 223-251

7 - Agency, Facing

pp 252-285

8 - Cultural Citizenship vs Identity

pp 286-320

9 - Affect as an Artistic-Political Strategy

pp 321-366

10 - By Way of Conclusion – For Memory: Dis-remembered, Mis-remembered

pp 367-402

Author’s Filmography

pp 403-407

References

pp 408-434

Selective Index of Names and Titles

pp 435-440

Selective Index of Terms and Concepts

pp 441-448