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Introduction

Published online by Cambridge University Press:  01 June 2011

Richard Adelman
Affiliation:
University of Dundee
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Summary

William Wordsworth's poems The Brothers, published in 1800, and ‘Gipsies’, published in 1807, both begin with a denunciation from their different speakers of the apparent idleness of the men and women visible to them. This is the ‘priest of Ennerdale’ in The Brothers censuring the ‘tourists’ (Brothers, 16, 1) he can see from his cottage:

some glance along,

Rapid and gay, as if the earth were air,

And they were butterflies to wheel about

Long as their summer lasted; some, as wise,

Upon the forehead of a jutting crag

Sit perch'd with book and pencil on their knee,

And look and scribble, scribble on and look,

Until a man might travel twelve stout miles,

Or reap an acre of his neighbour's corn.

(Brothers, 2–10)

This judgement clearly contrasts vain movement with honest toil. The objects of the priest's attention ‘wheel about’ ‘as if the earth were air’ or sit and ‘scribble’ for the same length of time it would take a man to ‘reap an acre of his neighbour's corn’. Such an opposition between work and leisure is further underlined in the poem's second verse paragraph. There we learn that the priest is not simply surveying the scene before him, but is ‘Employed’ in his ‘winter's work’ (Brothers, 20):

Upon the stone

His Wife sat near him, teasing matted wool,

While, from the twin cards tooth'd with glittering wire,

He fed the spindle of his youngest child,

Who turn'd her large round wheel in the open air

With back and forward steps.

(Brothers, 20–25)
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Publisher: Cambridge University Press
Print publication year: 2011

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  • Introduction
  • Richard Adelman, University of Dundee
  • Book: Idleness, Contemplation and the Aesthetic, 1750–1830
  • Online publication: 01 June 2011
  • Chapter DOI: https://doi.org/10.1017/CBO9780511675706.001
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  • Introduction
  • Richard Adelman, University of Dundee
  • Book: Idleness, Contemplation and the Aesthetic, 1750–1830
  • Online publication: 01 June 2011
  • Chapter DOI: https://doi.org/10.1017/CBO9780511675706.001
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Introduction
  • Richard Adelman, University of Dundee
  • Book: Idleness, Contemplation and the Aesthetic, 1750–1830
  • Online publication: 01 June 2011
  • Chapter DOI: https://doi.org/10.1017/CBO9780511675706.001
Available formats
×