Book contents
- A History of World Egyptology
- A History of World Egyptology
- Copyright page
- Dedication
- Contents
- Figures
- Notes on Contributors
- Preface
- A Note on Academic Titles
- Abbreviations and Conventions Used in Text
- Maps
- Introduction
- Chapter 1 The Prehistory of Egyptology
- Chapter 2 Egypt
- Chapter 3 France
- Chapter 4 The British Isles
- Chapter 5 The Netherlands
- Chapter 6 Belgium
- Chapter 7 The Nordic Countries
- Chapter 8 Prussia and Germany
- Chapter 9 The Empire of Austria-Hungary and the Republic of Austria
- Chapter 10 Switzerland
- Chapter 11 Hungary
- Chapter 12 Czechoslovakia
- Chapter 13 Poland
- Chapter 14 Russia
- Chapter 15 Italy
- Chapter 16 Spain
- Chapter 17 United States of America
- Chapter 18 Canada
- Chapter 19 Japan
- Chapter 20 Australasia
- Chapter 21 Ancient Egypt in the Cinema
- Chapter 22 Past and Future
- Bibliography
- Index
Introduction
Published online by Cambridge University Press: 01 June 2021
- A History of World Egyptology
- A History of World Egyptology
- Copyright page
- Dedication
- Contents
- Figures
- Notes on Contributors
- Preface
- A Note on Academic Titles
- Abbreviations and Conventions Used in Text
- Maps
- Introduction
- Chapter 1 The Prehistory of Egyptology
- Chapter 2 Egypt
- Chapter 3 France
- Chapter 4 The British Isles
- Chapter 5 The Netherlands
- Chapter 6 Belgium
- Chapter 7 The Nordic Countries
- Chapter 8 Prussia and Germany
- Chapter 9 The Empire of Austria-Hungary and the Republic of Austria
- Chapter 10 Switzerland
- Chapter 11 Hungary
- Chapter 12 Czechoslovakia
- Chapter 13 Poland
- Chapter 14 Russia
- Chapter 15 Italy
- Chapter 16 Spain
- Chapter 17 United States of America
- Chapter 18 Canada
- Chapter 19 Japan
- Chapter 20 Australasia
- Chapter 21 Ancient Egypt in the Cinema
- Chapter 22 Past and Future
- Bibliography
- Index
Summary
Although the civilisation of the ancient Egyptians may have died thousands of years ago, modern cultures around the world continue to connect with it, from collections of antiquities, pyramids on US dollar bills and Egyptianising buildings, to Egypt-inspired motifs in clothing and the visual and plastic arts. Indeed, the Great Pyramid, Tutankhamun’s gold burial mask, hieroglyphs and even mummies are instantly recognisable as Egyptian by people from countries across the world. The familiarity that modern audiences have with the remnants of ancient Egyptian material culture and the Egyptian aesthetic are due to a well-established (and apparently endless) stream of books, articles, documentaries and touring museum exhibitions. Periods of what we call ‘Egyptomania’, when ancient Egypt has influenced popular, and even high, culture, have also contributed considerably to people’s interest and familiarity.
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- Information
- A History of World Egyptology , pp. 1 - 7Publisher: Cambridge University PressPrint publication year: 2021