Book contents
- Frontmatter
- Miscellaneous Frontmatter
- Contents
- Acknowledgements
- Introduction
- Chapter 1 The Invention of Photography, the Netherlands, and the Dutch East Indies
- Chapter 2 Journeys Completed and Journeys to Come in Indonesian Photography
- Chapter 3 Portraits of Power: From Aristocracy to Democracy
- Chapter 4 The Dance Photographs of Walter Spies and Claire Holt: A Biographical Study
- Chapter 5 Mid-century European Modernism and the March Towards Independence: Gotthard Schuh, Cas Oorthuys, Niels Douwes Dekker, and Henri Cartier-Bresson
- Chapter 6 A Short History of IPPHOS (Indonesian Press Photographic Services)
- Chapter 7 Art Photography in Indonesia: J.M. Arastath Ro’is, Trisno Sumardjo, and Zenith Magazine
- Chapter 8 Journalistic Circus: A Look at Photojournalism in Indonesia and the History of the Antara Gallery of Photojournalism
- Chapter 9 Reflections on Reformasi Photography (from the Vantage Point of the 2014 Elections)
- Chapter 10 New Media Culture
- Chapter 11 Development of Photographic Education in Indonesia
- Chapter 12 MES 56: Souvenirs from the Past
- Chapter 13 Hybrid Forms in the Practice of the Ruang MES 56 Photography Collective
- Chapter 14 Outsiders
- Chapter 15 On Silence, Seeking, and Speaking: Meditations on Identity, Photography, and Diaspora Through Family Albums
- Chapter 16 A City on the Move: Bandung Today
- Chapter 17 Urban Parallax: Jakarta Through A Street Photographer’s Lens
- Afterward: The Earth Beneath My Feet:Identity, Family, and Family Life
- Selected Bibliography
- Contributors
- Index
- Miscellaneous Endmatter
- A Note On the Publication
- Colophon
Introduction
Published online by Cambridge University Press: 16 November 2024
- Frontmatter
- Miscellaneous Frontmatter
- Contents
- Acknowledgements
- Introduction
- Chapter 1 The Invention of Photography, the Netherlands, and the Dutch East Indies
- Chapter 2 Journeys Completed and Journeys to Come in Indonesian Photography
- Chapter 3 Portraits of Power: From Aristocracy to Democracy
- Chapter 4 The Dance Photographs of Walter Spies and Claire Holt: A Biographical Study
- Chapter 5 Mid-century European Modernism and the March Towards Independence: Gotthard Schuh, Cas Oorthuys, Niels Douwes Dekker, and Henri Cartier-Bresson
- Chapter 6 A Short History of IPPHOS (Indonesian Press Photographic Services)
- Chapter 7 Art Photography in Indonesia: J.M. Arastath Ro’is, Trisno Sumardjo, and Zenith Magazine
- Chapter 8 Journalistic Circus: A Look at Photojournalism in Indonesia and the History of the Antara Gallery of Photojournalism
- Chapter 9 Reflections on Reformasi Photography (from the Vantage Point of the 2014 Elections)
- Chapter 10 New Media Culture
- Chapter 11 Development of Photographic Education in Indonesia
- Chapter 12 MES 56: Souvenirs from the Past
- Chapter 13 Hybrid Forms in the Practice of the Ruang MES 56 Photography Collective
- Chapter 14 Outsiders
- Chapter 15 On Silence, Seeking, and Speaking: Meditations on Identity, Photography, and Diaspora Through Family Albums
- Chapter 16 A City on the Move: Bandung Today
- Chapter 17 Urban Parallax: Jakarta Through A Street Photographer’s Lens
- Afterward: The Earth Beneath My Feet:Identity, Family, and Family Life
- Selected Bibliography
- Contributors
- Index
- Miscellaneous Endmatter
- A Note On the Publication
- Colophon
Summary
I was 22 the first time I went to Indonesia. I went simply on a college semester abroad. At the time, I was really interested in music, and went to study gamelan. The whole experience was eye-opening, and the amount of personal and cultural discovery has lasted me a lifetime, or at least was enough to initiate a much longer study and interest in Indonesia. I was just there about six months, but the impact on my creative and intellectual identity was enormous.▶0.1
Just a few months before I left for Bali this first time, I discovered photography. I know it sounds like a cliché (though maybe less so in our current digital age), but the first time I saw a print come up in the developer, I was hooked. I immediately threw myself into photography with incredible enthusiasm and abandon. In just a few months, I did everything I could do to learn about photography, even landing my first professional experience working at an important photographic archive in Colorado. Like my time in Indonesia, these first experiences with photography provided enough inspiration to sustain a lifetime. ▶0.2
When I discovered these things, it was an important time in my life, really a time with a strong development of identity. I think of it as no coincidence that I discovered photography for the first time just before departing for Bali. I still remember the feeling of engagement, creativity, and self-empowerment I discovered when I made my first photographs, really because I still feel the same when photographing today. I can say the same about my engagement with Indonesia; my time in Bali and Java always feels important, like an empowering time of creative and intellectual discovery.
For most of my adult life, I’ve pursued two distinct but parallel studies in the arts—as a photographer and artist of my own culture, and as a student and performer of Indonesian art and classical music. When I left college, I set off to begin my life as an artist. I moved to Denver, Colorado, to work with a group of musicians devoted to studying and advocating for Balinese and Indonesian arts.
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- Information
- A History of Photography in IndonesiaFrom the Colonial Era to the Digital Age, pp. 1 - 24Publisher: Amsterdam University PressPrint publication year: 2022