Book contents
- A History of Irish Women’s Poetry
- A History of Irish Women’s Poetry
- Copyright page
- Contents
- Notes on Contributors
- Acknowledgements
- Introduction I
- Introduction II
- Chapter 1 Women in the Medieval Poetry Business
- Chapter 2 Seventeenth-Century Women’s Poetry in Ireland
- Chapter 3 The Oral Tradition
- Chapter 4 Archipelagic Ireland
- Chapter 5 Irish Romanticism
- Chapter 6 Mary Tighe in Life, Myth, and Literary Vicissitude
- Chapter 7 Masculinity, Nationhood, and the Irish Woman Poet, 1860–1922
- Chapter 8 The Eclipse of Dora Sigerson
- Chapter 9 Between Revivalist Lyric and Irish Modernism
- Chapter 10 The Other ‘Northern Renaissance’
- Chapter 11 Rematriating Mid-Century Modernism
- Chapter 12 Accidental Irishness and the Transnational Legacy of Lola Ridge
- Chapter 13 Crisis and Renewal: Irish-Language Poetry in the Twentieth and Twenty-First Centuries
- Chapter 14 The Poetry of Máire Mhac an tSaoi and the Indivisibility of Love
- Chapter 15 Biddy Jenkinson
- Chapter 16 Bilingual Poetry
- Chapter 17 Catholicism in Modern Irish Women’s Poetry
- Chapter 18 1970s–80s Feminism
- Chapter 19 The Art of Fabrication
- Chapter 20 Eavan Boland, History and Silence
- Chapter 21 Paula Meehan and the Public Poem
- Chapter 22 Formalism and Contemporary Women’s Poetry
- Chapter 23 ‘A Song Said Otherwise’
- Chapter 24 Contemporary Irish Women’s Poetry, beyond the Now
- Select Bibliography
- Index
Chapter 17 - Catholicism in Modern Irish Women’s Poetry
Published online by Cambridge University Press: 11 June 2021
- A History of Irish Women’s Poetry
- A History of Irish Women’s Poetry
- Copyright page
- Contents
- Notes on Contributors
- Acknowledgements
- Introduction I
- Introduction II
- Chapter 1 Women in the Medieval Poetry Business
- Chapter 2 Seventeenth-Century Women’s Poetry in Ireland
- Chapter 3 The Oral Tradition
- Chapter 4 Archipelagic Ireland
- Chapter 5 Irish Romanticism
- Chapter 6 Mary Tighe in Life, Myth, and Literary Vicissitude
- Chapter 7 Masculinity, Nationhood, and the Irish Woman Poet, 1860–1922
- Chapter 8 The Eclipse of Dora Sigerson
- Chapter 9 Between Revivalist Lyric and Irish Modernism
- Chapter 10 The Other ‘Northern Renaissance’
- Chapter 11 Rematriating Mid-Century Modernism
- Chapter 12 Accidental Irishness and the Transnational Legacy of Lola Ridge
- Chapter 13 Crisis and Renewal: Irish-Language Poetry in the Twentieth and Twenty-First Centuries
- Chapter 14 The Poetry of Máire Mhac an tSaoi and the Indivisibility of Love
- Chapter 15 Biddy Jenkinson
- Chapter 16 Bilingual Poetry
- Chapter 17 Catholicism in Modern Irish Women’s Poetry
- Chapter 18 1970s–80s Feminism
- Chapter 19 The Art of Fabrication
- Chapter 20 Eavan Boland, History and Silence
- Chapter 21 Paula Meehan and the Public Poem
- Chapter 22 Formalism and Contemporary Women’s Poetry
- Chapter 23 ‘A Song Said Otherwise’
- Chapter 24 Contemporary Irish Women’s Poetry, beyond the Now
- Select Bibliography
- Index
Summary
Women have paid a historically high price under the patriarchal Irish Catholic church. The wrongs of the church do not detract, however, from the rich vein of poems written by Irish women informed by Catholic spirituality. Traditionally, women have been scapegoats for the fallout from patriarchal theocracy, and any resistance has begun with acts of bodily reclamation. Nuala Ní Dhomhnaill reaches into Celtic tradition for paradigms of female empowerment that overturn more recent misogynistic palimpsests, and Medbh McGuckian filters an anti-colonial poetics through an engagement with her radical and ecstatic strain of Catholic spirituality, re-envisioning the leaders of the 1798 rebellion as ‘feminine Christs’. Earlier women poets engaging with religious material have fallen into neglect – Katharine Tynan’s Catholicism is often cited in evidence against her – and large bodies of work now pass unnoticed, such as the heavily female contributions to the Jesuit-edited The Irish Monthly. Restoring their work to visibility, and that of more recent writers such as Eithne Strong and Anne Le Marquand Hartigan, helps us read the work of Ní Dhomhnaill and McGuckian in a more informed and spiritually literate context.
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- Information
- A History of Irish Women's Poetry , pp. 303 - 325Publisher: Cambridge University PressPrint publication year: 2021