This chapter uses contemporary Haitian fiction by feminist authors to explore the Haitian uses of the erotic. Emmelie Prophète’s Un ailleurs à soi (2018) and Kettly Mars’s Je suis vivant (2015) offer rich examples of how representations of same-sex desire map feminist geographies that foreground the relationship between the body, intimacy, and identity. I begin with a brief discussion of how representations of the erotic have evolved in Haitian literature, then continue with close readings of Prophète and Mars’s women-loving-women protagonists physical and verbal interactions. Guided by Caribbean feminist methodologies, I argue that these authors actively amplify the erotic as a source of freedom that can be powerfully ordinary and quietly mundane which is especially significant in the context of twenty-first-century literature.