Book contents
- A History of English Georgic Writing
- A History of English Georgic Writing
- Copyright page
- Contents
- Contributors
- A Note on National Designations
- Abbreviations
- Introduction
- Part I Turnings
- Part II Times
- Chapter 5 Jacobean Georgic
- Chapter 6 ‘Varieties too Regular for Chance’
- Chapter 7 Enlightenment, Improvement and Experimentation
- Chapter 8 Georgic, Romanticism and Complaint
- Chapter 9 Rural Labour in an Age of Industry
- Chapter 10 Labour Isn’t Working
- Chapter 11 Twentieth-Century Georgic
- Chapter 12 Rags and Tatters
- Part III Territories
- Bibliography
- Index
Chapter 11 - Twentieth-Century Georgic
V. Sackville-West
from Part II - Times
Published online by Cambridge University Press: 01 December 2022
- A History of English Georgic Writing
- A History of English Georgic Writing
- Copyright page
- Contents
- Contributors
- A Note on National Designations
- Abbreviations
- Introduction
- Part I Turnings
- Part II Times
- Chapter 5 Jacobean Georgic
- Chapter 6 ‘Varieties too Regular for Chance’
- Chapter 7 Enlightenment, Improvement and Experimentation
- Chapter 8 Georgic, Romanticism and Complaint
- Chapter 9 Rural Labour in an Age of Industry
- Chapter 10 Labour Isn’t Working
- Chapter 11 Twentieth-Century Georgic
- Chapter 12 Rags and Tatters
- Part III Territories
- Bibliography
- Index
Summary
Vita Sackville-West’s book-length blank verse poems The Land (1926) and The Garden (1946) are unique in English poetry as the twentieth century’s sole exemplars of Virgilian formal georgic. This chapter discusses both poems in their historical context, reading them as distinguished receptions of classical as well as English literary models. The chapter focuses on Sackville-West’s recalibrations of Virgil, and assesses the implications of her work on conceptions of the georgic genre with regard to didacticism, linguistic experiment, aesthetic achievement and ideas about empire and national identity.
- Type
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- Information
- A History of English Georgic Writing , pp. 235 - 254Publisher: Cambridge University PressPrint publication year: 2022