The georgic in English is often said to have receded after the 1770s. This chapter argues that in the Romantic period the georgic does not disappear, but assumes a new form: the ‘rural complaint’, a lyrical lamentation on social conditions in the countryside. Georgics in a more conventional didactic and descriptive form continued to be written, such as Robert Bloomfield’s The Farmer’s Boy and James Grahame’s British Georgics, but these incorporated rural complaint interludes. At the same time, standalone rural complaint poems, following Oliver Goldsmith’s The Deserted Village, consistently alluded to, and situated themselves within, a classical and neoclassical georgic tradition. Understanding the Romantic rural complaint as a form of georgic (rather than, or in addition to, pastoral) sheds light on the generic choices of poets such as Charlotte Smith, William Wordsworth and John Clare.