Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Introduction: The Ways – Transformation, Binding and Presence
- 1 Axes: Ecstatic Heights and Nightmare Depths
- 2 Magic: Transformation and Self-determination
- 3 Music: Going Down to the Crossroads
- 4 Gods: Appointments with the Divine
- 5 Terminus: The Night, the Crossroads and the Stake
- 6 Literature: Liminal Ground in Early Modern Drama
- 7 Hallowed Roads: Routes to the Crossroads
- 8 Wanderers: The Predicament of a Stranger
- 9 Monsters: ‘Spirits of another sort’
- 10 Protection: The X in the Landscape
- Conclusion: The Parting – Intersections
- Notes
- Index
9 - Monsters: ‘Spirits of another sort’
Published online by Cambridge University Press: 23 November 2024
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Introduction: The Ways – Transformation, Binding and Presence
- 1 Axes: Ecstatic Heights and Nightmare Depths
- 2 Magic: Transformation and Self-determination
- 3 Music: Going Down to the Crossroads
- 4 Gods: Appointments with the Divine
- 5 Terminus: The Night, the Crossroads and the Stake
- 6 Literature: Liminal Ground in Early Modern Drama
- 7 Hallowed Roads: Routes to the Crossroads
- 8 Wanderers: The Predicament of a Stranger
- 9 Monsters: ‘Spirits of another sort’
- 10 Protection: The X in the Landscape
- Conclusion: The Parting – Intersections
- Notes
- Index
Summary
Just at the mirk and midnight hour
The fairy folk will ride,
And they that wad their true-love win,
At Miles Cross they maun bide.
Anon. Medieval Scottish ballad, ‘Tam Lin’
In his influential Declaration, Harsnett cautions against what he judges to be Catholic superstitions still haunting the nation. These are based upon his critique of the notoriously egregious exorcisms carried out in the 1580s by Catholic priests in Denham, Buckinghamshire. At one point, Harsnett emphasises his scepticism over the reality of things such as demons and the walking dead by contrasting this with the way that, he says, ‘our children, old women and maides [are] afraid to crosse … a three-way leet’. A ‘three-way leet’ is a Y-shaped crossroads, of the kind that has been particularly associated with ‘triple’ Hecate. Harsnett equates the fear to cross this space (especially if, for instance, one's church tithes were unpaid) with the necessity to ‘ware where you walke’ for fear of a menagerie of monsters which he helpfully lists as:
bull-beggers, spirits, witches, urchins, Elves, hags, fairies, Satyrs, Pans, Faunes, Syluans, Kit with the candlesticke, Tritons, Centaurs, Dwarffs, Giants, impes, Calcars, coniurers, Nymphs, changlings, scritchowles, Incubus the spurne, the mare, the man in the oake, helwayne, the fire-drake, the puckle, Tom thumbe, hobgoblin, Tom-tumbler, Boneles, and the rest.
The joyful linguistic expression of this passage merely adds to the weight of Harsnett's intended mockery but at the same time it serves to emphasise the cultural reality and breadth of the fear he describes. Its hyperbolic nature may suggest to the reader the obvious vacuum of any actual evidence of such spiritual monsters, but also this vacuum may attract a confluence of narratives around the pagan divine, monstrous nature, the demonic, the restless dead and the world of faerie which seem very much to flourish in the early modern period. A Swedish tradition alludes to the same danger when it dictates that on his marriage day a bridegroom might experience a great fear of trolls and sprites and should therefore sew pungent herbs into his clothes and avoid crossroads at all costs.
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- Information
- A History of Crossroads in Early Modern Culture , pp. 194 - 204Publisher: Edinburgh University PressPrint publication year: 2022