Book contents
- A History of American Literature and Culture of the First World War
- A History of American Literature and Culture of the First World War
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction America’s Great War at One Hundred (and Counting)
- Part I Genre and Medium
- Chapter 1 Poetry
- Chapter 2 Fiction
- Chapter 3 Film
- Chapter 4 Drama
- Chapter 5 Popular Music
- Chapter 6 Journalism
- Chapter 7 Memoirs
- Chapter 8 Art and Illustration
- Part II Settings and Subjects
- Part III Transformations
- References
- Index
Chapter 8 - Art and Illustration
Modes of Visual Persuasion
from Part I - Genre and Medium
Published online by Cambridge University Press: 23 January 2021
- A History of American Literature and Culture of the First World War
- A History of American Literature and Culture of the First World War
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction America’s Great War at One Hundred (and Counting)
- Part I Genre and Medium
- Chapter 1 Poetry
- Chapter 2 Fiction
- Chapter 3 Film
- Chapter 4 Drama
- Chapter 5 Popular Music
- Chapter 6 Journalism
- Chapter 7 Memoirs
- Chapter 8 Art and Illustration
- Part II Settings and Subjects
- Part III Transformations
- References
- Index
Summary
In the United States during the First World War, an assortment of fine artists, commercial illustrators, government-funded propagandists, and other professional image-makers devoted their talents to picturing and prosecuting the war abroad. Among these were acclaimed artists such as George Bellows, Childe Hassam, John Singer Sargent, and Paul Strand. Also engaged in visual commentary on the war were scores of poster designers whose names were far less recognizable but whose imagery was far more widely seen. Art that was meant to inspire enlistment and bolster morale—or, in some cases, buck the tide and resist militarization—became an essential aspect of total war in the new age of mechanical reproduction and modern mass communication.
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- Publisher: Cambridge University PressPrint publication year: 2021