Published online by Cambridge University Press: 22 September 2009
Because my voice is barren as a flagpole
and my hand empty as a national anthem
and because my shadow is vast as a festival
and the lines of my face go for a ride in an ambulance
because of all of this
I am a citizen of an unborn kingdom.
Mahmud Darwish, Psalm ElevenA political demonstration ends at the Shatila Martyrs' Cemetery, where orators point to the grave of Ghassan Kanafani and remind the demonstrators of the obligation the martyrs have placed on their shoulders. An elderly woman wearing an embroidered dress waves a large old-fashioned key in the air. A young girl receives via email a digital image of the remnants of the destroyed village her grandparents inhabited. A calendar published by a political faction chronicles battles and massacres on every page. The image of a young martyr stares out from a large and colorful mural on the walls of a camp alongside ubiquitous posters commemorating Abu Jihad. During a tour of Burj al-Shamali camp's monument to unsung martyrs, a young NGO activist pleads for international sympathy.
In the realm of commemorations, Palestinian political institutions and the refugees themselves have a mutual relationship. The refugees' lives, language, and experiences provide the raw materials co-opted by the institutions and transformed into the narrative content of their commemorations. On the other hand, the manner in which the refugees engage in or reject these practices indicates the extent to which these commemorations resonate with them – or not.
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