Book contents
- Frontmatter
- Contents
- Acknowledgments
- List of abbreviations
- Introduction
- 1 Indiscreet anatomies and protogay aesthetes in Roderick Hudson and The Europeans
- 2 The elusive queerness of “queer comrades”: The Tragic Muse and “The Author of ‘Beltraffio’”
- 3 The Turn of the Screw, or: The Dispossessed Hearts of Little Gentlemen
- 4 Masculinity “changed and queer” in The Ambassadors
- 5 Gratifying “the eternal boy in us all”: Willa Cather, Henry James, and Oscar Wilde
- 6 “The other half is the man”: the queer modern triangle of Gertrude Stein, Ernest Hemingway, and Henry James
- Coda: “Nobody is alike Henry James.” Stein, James, and queer futurity
- Notes
- Bibliography
- Index
Index
Published online by Cambridge University Press: 22 September 2009
Book contents
- Frontmatter
- Contents
- Acknowledgments
- List of abbreviations
- Introduction
- 1 Indiscreet anatomies and protogay aesthetes in Roderick Hudson and The Europeans
- 2 The elusive queerness of “queer comrades”: The Tragic Muse and “The Author of ‘Beltraffio’”
- 3 The Turn of the Screw, or: The Dispossessed Hearts of Little Gentlemen
- 4 Masculinity “changed and queer” in The Ambassadors
- 5 Gratifying “the eternal boy in us all”: Willa Cather, Henry James, and Oscar Wilde
- 6 “The other half is the man”: the queer modern triangle of Gertrude Stein, Ernest Hemingway, and Henry James
- Coda: “Nobody is alike Henry James.” Stein, James, and queer futurity
- Notes
- Bibliography
- Index
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- Henry James and Queer Modernity , pp. 259 - 265Publisher: Cambridge University PressPrint publication year: 2003