Book contents
- Haydn and Mozart in the Long Nineteenth Century
- Haydn and Mozart in the Long Nineteenth Century
- Copyright page
- Dedication
- Contents
- Acknowledgements
- Abbreviations
- Introduction
- Chapter 1 Papa and the Matador, Alive and Dead
- Chapter 2 Biographical and Critical Narratives and Perspectives, 1811–1830
- Chapter 3 Anniversaries, Commemorations, Writings
- Chapter 4 Scholarship and Fiction in the Late Nineteenth Century, 1861–1890
- Chapter 5 Anniversaries in Context, 1891–1914
- Epilogue
- Select Bibliography
- Index
Chapter 1 - Papa and the Matador, Alive and Dead
Haydn and Mozart, 1792–1810
Published online by Cambridge University Press: 08 August 2023
Book contents
- Haydn and Mozart in the Long Nineteenth Century
- Haydn and Mozart in the Long Nineteenth Century
- Copyright page
- Dedication
- Contents
- Acknowledgements
- Abbreviations
- Introduction
- Chapter 1 Papa and the Matador, Alive and Dead
- Chapter 2 Biographical and Critical Narratives and Perspectives, 1811–1830
- Chapter 3 Anniversaries, Commemorations, Writings
- Chapter 4 Scholarship and Fiction in the Late Nineteenth Century, 1861–1890
- Chapter 5 Anniversaries in Context, 1891–1914
- Epilogue
- Select Bibliography
- Index
Summary
Among critics in the first decade of the nineteenth century, Johann Friedrich Reichardt and E. T. A. Hoffmann lay especially strong claims to promoting a Viennese triumvirate of composers. In one of a series of letters from a trip to Vienna in 1808, subsequently published in the Allgemeine musikalische Zeitung (AmZ) in 1810, Reichardt described a sequence of Haydn, Mozart, and Beethoven string quartets played by violinist Ignaz Schuppanzigh’s ensemble.
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- Haydn and Mozart in the Long Nineteenth CenturyParallel and Intersecting Patterns of Reception, pp. 14 - 45Publisher: Cambridge University PressPrint publication year: 2023