Book contents
- Frontmatter
- Contents
- List of Contributors
- Preface
- Handbook of Creativity
- PART I INTRODUCTION
- PART II METHODS FOR STUDYING CREATIVITY
- PART III ORIGINS OF CREATIVITY
- PART IV CREATIVITY, THE SELF, AND THE ENVIRONMENT
- 10 Creative Cognition
- 11 From Case Studies to Robust Generalizations: An Approach to the Study of Creativity
- 12 Creativity and Knowledge: A Challenge to Theories
- 13 Creativity and Intelligence
- 14 The Influence of Personality on Artistic and Scientific Creativity
- 15 Motivation and Creativity
- 16 Implications of a Systems Perspective for the Study of Creativity
- PART V SPECIAL TOPICS IN CREATIVITY
- PART VI CONCLUSION
- Author Index
- Subject Index
11 - From Case Studies to Robust Generalizations: An Approach to the Study of Creativity
Published online by Cambridge University Press: 05 June 2014
- Frontmatter
- Contents
- List of Contributors
- Preface
- Handbook of Creativity
- PART I INTRODUCTION
- PART II METHODS FOR STUDYING CREATIVITY
- PART III ORIGINS OF CREATIVITY
- PART IV CREATIVITY, THE SELF, AND THE ENVIRONMENT
- 10 Creative Cognition
- 11 From Case Studies to Robust Generalizations: An Approach to the Study of Creativity
- 12 Creativity and Knowledge: A Challenge to Theories
- 13 Creativity and Intelligence
- 14 The Influence of Personality on Artistic and Scientific Creativity
- 15 Motivation and Creativity
- 16 Implications of a Systems Perspective for the Study of Creativity
- PART V SPECIAL TOPICS IN CREATIVITY
- PART VI CONCLUSION
- Author Index
- Subject Index
Summary
TWO APPROACHES TO SOCIAL SCIENCE
There are two distinct bases on which contributions in the social sciences can be constructed. The first can be termed the “cumulative” approach. Here, one takes as a point of departure the most closely related scientific work done by previous theoreticians and researchers and attempts to build upon it. The contrasting approach can be called the “phenomenon” approach. Here one begins with the clearest instance of the phenomenon in general and attempts to construct a social-scientific explanation, and program of research, based upon a thorough understanding of the phenomenon.
The study of intelligence provides a ready example of these two approaches. In the cumulative approach, researchers begin with earlier attempts to operationalize intelligence - typically through standardized tests - and then they either correlate psychometric intelligence with some other variable of interest (say, creativity or success at work) or vary the actual tests in some way. In the phenomenon approach, the investigator begins with an unambiguous example of intelligent behavior and then tries to derive social-scientific principles there-from. Such otherwise diverse instances as Wertheimer's (1945) Gestalt examination of Einstein's thinking process and de Groot's (1965) cognitive approach to chess players reflect the latter approach.
These two approaches have also been manifest in studies of creativity. While there have been earlier efforts to look at creative thought and production (Freud, 1958; Ghiselin, 1952; H.A. Murray, 1938), sustained psychological work began only with the postwar studies of Getzels and Jackson (1962), Guilford (1950), Torrance (1962), and their colleagues.
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- Handbook of Creativity , pp. 213 - 225Publisher: Cambridge University PressPrint publication year: 1998
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