Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- Abbreviations, Translations, and Transcriptions
- Introduction
- 1 Grass’s Biography in Context: 1927–1959
- 2 Corporeal Memory, Trauma, and Art in The Tin Drum
- 3 Bildung, Heimat, and Gendered Modes of German Memory in The Tin Drum
- 4 A Patriarchal Arbiter of German Cultural Memory and His Feminized Others: Leveling Bildung, Opening Heimat, and Championing Art from the 1960s to the New Millennium
- 5 Grass’s Early Life Once Again: Broken Silence, Mourning, and Gendered Approaches to Memory in Peeling the Onion
- Epilogue
- Works Cited
- Index
Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- Abbreviations, Translations, and Transcriptions
- Introduction
- 1 Grass’s Biography in Context: 1927–1959
- 2 Corporeal Memory, Trauma, and Art in The Tin Drum
- 3 Bildung, Heimat, and Gendered Modes of German Memory in The Tin Drum
- 4 A Patriarchal Arbiter of German Cultural Memory and His Feminized Others: Leveling Bildung, Opening Heimat, and Championing Art from the 1960s to the New Millennium
- 5 Grass’s Early Life Once Again: Broken Silence, Mourning, and Gendered Approaches to Memory in Peeling the Onion
- Epilogue
- Works Cited
- Index
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- Günter Grass and the Genders of German MemoryFrom The Tin Drum to Peeling the Onion and Beyond, pp. 217 - 232Publisher: Boydell & BrewerPrint publication year: 2021