, A. B., A letter of advice concerning marriage (1676)Google Scholar

Agazzari, Agosto, Del sonare sopra’l basso con tutti stromenti (Siena, 1607)Google Scholar

Amat, Joan Carles. See under Hall in ‘Modern editions and facsimiles’Google Scholar

Anonymous, The academy of pleasure (1656)Google Scholar

Anonymous, An account of the days of the going out of all the carriers, waggoners, and stage-coaches, that come to London, Westminster and Southwark, from all parts of England and Wales also of fairs and roads (1690)Google Scholar

Anonymous, Ape-gentle-woman, or, the character of an exchange-wench (1675)Google Scholar

Anonymous, The batchellors banquet (1677)Google Scholar

Anonymous, By heavens decree the sound of musick by Davids hand … (1600–1700)Google Scholar

Anonymous, A catalogue of the genuine collection of pictures of His Grace James Duke of Chandos, lately deceas’d (1747)Google Scholar

Anonymous, Catalogus Bibliothecae Kingstonianae (?1727)Google Scholar

Anonymous, The character of a town-gallant (1675)Google Scholar

Anonymous, Choice novels, and amorous tales (1652)Google Scholar

Anonymous, The country gentleman’s vade mecum (1699)Google Scholar

Anonymous, The courtier’s calling (1675)Google Scholar

Anonymous, Englands Parnassus: or the choysest flowers of our moderne poets, with their poeticall comparisons (1600)Google Scholar

Anonymous, L’Entrée du roy et de la royne dans sa ville de Lyon (1624)Google Scholar

Anonymous, An exact account of the receipts, and disbursments expended by the Committee of Safety, in The Harleian Miscellany, vii (1746), 188–93Google Scholar

Anonymous, The humours and conversations of the town expos’d in two dialogues (1693)Google Scholar

Anonymous, The invincible pride of women (1670)Google Scholar

Anonymous, A just and seasonable reprehension of naked breasts and shoulders written by a grave and learned papist (1678)Google Scholar

Anonymous, A key to Count Grammont’s memoirs (1715)Google Scholar

Anonymous, The ladies cabinet broke open (1710)Google Scholar

Anonymous, The Levellers: a dialogue between two young ladies, concerning matrimony (1703), known only from the reprint in The Harleian Miscellany, v (1745), 417–33Google Scholar

Anonymous, La maniere de bien et iustement entoucher les Lucz et Guiternes (1556)Google Scholar

Anonymous, Musick, or, a parley of instruments (1676)Google Scholar

Anonymous, (trans.), Ovid De arte amandi and The remedy of love Englished (1701), includes The mock romanceGoogle Scholar

Anonymous, The petition of the ladies at court (1681)Google Scholar

Anonymous, Poor Robins Character of France (1666)Google Scholar

Anonymous, Remarques on the humours and conversations of the gallants of the town (1673)Google Scholar

Anonymous, (trans.), The rules of civility (1678). See also Courtin, Antoine deGoogle Scholar

Anonymous, Three alamode songs. Or, wit and fancy revived (?1650)Google Scholar

Anonymous, A vade Mecum for the Lovers of Musick Shewing the Excellency of the Rechorder (1679)Google Scholar

Anonymous, Vertue rewarded, or, The Irish princess (1693)Google Scholar

Anonymous, Westminster-drollery, or, a choice collection of the newest songs and poems, both at court and theaters by a person of quality, i (1671) and ii (1672)Google Scholar

Anonymous, The young gallants whirligigg (1629)Google Scholar

Apronius, Aulus (=Adam Ebert), Reise-Beschreibung von Villa Franca der Chur-Brandenburg (Villa Franca, 1723)Google Scholar

Astell, Mary, Reflections upon marriage (3rd edn, 1706)Google Scholar

Astell, Mary, A serious proposal to the ladies (1694)Google Scholar

Atkinson, Benjamin Andrewes, Good princes nursing fathers and nursing mothers to the church. A sermon preach’d in London, May 2, 1736. On the marriage of his Royal Highness (1736)Google Scholar

Ayres, Philip, The revengeful mistress (1696)Google Scholar

Bailey, Nathaniel, An universal etymological English Dictionary (edn of 1726)Google Scholar

Barbon, Nicholas, A discourse of trade (1690)Google Scholar

Batchiler, John, The virgins pattern (1661)Google Scholar

Bermudo, Juan, Declaracion de inst[r]umentos musicales (Osuna, 1555)Google Scholar

Boyer, Abel, The compleat French-master for ladies and gentlemen (1694)Google Scholar

Boyer, Abel, The history of the life and reign of Queen Anne (1722)Google Scholar

Boyer, Abel, (trans.), Memoirs of the life of Count de Grammont (1714)Google Scholar

Briçeño, Luis de, Metodo mui facilissimo para aprender a tãner la guitarra a lo español (Paris, 1626; R 1972)Google Scholar

Brossard, Sebastien de, Dictionaire de musique, 3rd edn (Paris, c. 1708)Google Scholar

Brown, Thomas, Collection of miscellany poems, letters (1699)Google Scholar

Bruce, Thomas, Earl of Ailesbury, Memoirs, written by himself (Westminster, 1890)Google Scholar

Burke, Edmund, A philosophical enquiry into the origins of our ideas of the sublime and beautiful (1757)Google Scholar

Caccini, Giulio, L’Euridice composta in musica in stile representativo (1602)Google Scholar

Caccini, Giulio, Le nuove musiche di Giulio Caccini Detto Romano (Florence, 1601)Google Scholar

Callières, François de, Historie poétique de la guerre nouvellement déclarée entre les Anciens et les Modernes (Paris, 1688)Google Scholar

Carbonchi, , Antonio Sonate di chitarra spagnola (Florence, 1640)Google Scholar

Carew, Thomas, Poems (1640)Google Scholar

Carr, Robert The delightful companion, or, choice new lessons for the recorder or flute (1686)Google Scholar

Carré, Antoine, Livre de pieces de guitarre et de musique. See under Hall in ‘Modern editions and facsimiles’.Google Scholar

Carte, T., An history of the life of James, Duke of Ormonde, 3 vols. (1735–6); quoted from the edition published as The Life of James, Duke of Ormond, 6 vols. (Oxford, 1851)Google Scholar

Cavendish, Margaret, A true relation of my birth, breeding and life, in Natures pictures drawn by fancies pencil to the life (1656), 368–91Google Scholar

Cavendish, William, The country captain. See under Johnson, and Woudhuysen, in ‘Modern editions and facsimiles’Google Scholar

Cavendish, William, The Varietie (1649)Google Scholar

Chabran, F., Compleat instructions for the Spanish guitar (1795)Google Scholar

Chamberlayne, Edward, The present state of England (editions of 1669 and 1683)Google Scholar

Clavell, Robert, A catalogue of books printed in England since the dreadful fire of London in 1666 to the end of Michaelmas Term, 1695 (1696)Google Scholar

Coffey, Charles, The boarding-school, or, the sham captain (1733)Google Scholar

Collins, Arthur, The Peerage of England: or an historical and genealogical account of the present nobility (London, 1717)Google Scholar

Commissioners of Customs, The rates of the custome house bothe inwarde and outwarde the dyfference of measures and weyghts and other co[m]modities very necessarye for all marchantes to knowe newly correctyd and imprinted (1545)Google Scholar

Commissioners of Customs, The rates of marchandizes, as they are set downe in the Booke of rates, for the custome and subsidie of poundage, and for the custome and subsidie of clothes the same being signed by the Kings Maiestie (1608)Google Scholar

Corbetta, Francisco, [Easie lessons on the guittar for young practitioners; single, and some of two parts (1677)]Google Scholar

Corbetta, Francisco, La guitarre royalle (Paris, 1671) Facsimile by Éditions Minkoff (Geneva, 1975)Google Scholar

Corbetta, Francisco, La guitarre royalle (Paris, 1674) Facsimile by Forni Editore (Bologna, 1971). Facsimile of the accompanying booklet (cahier), with the duet parts, by Scelti, Edizioni (Florence, 1983)Google Scholar

Corbetta, Francisco, Varii capricci per la ghitarra spagnuola (Milan, 1643) Facsimile by Edizioni Scelti (Florence, 1980)Google Scholar

Corbetta, Francisco, Varii scherzi di sonate per la chitara spagnola (Brussels, 1648) Facsimile by Edizioni Scelti (Florence, 1983)Google Scholar

Corrette, Michel, Les dons d’Apollon (Paris, 1762)Google Scholar

Cotton, Charles, Poems on several occasions (1689)Google Scholar

Courtin, Antoine de, Nouveau traité de civilité (Paris, 1671)Google Scholar

Covarrubias, Sebastián de, Tesoro de la lengua castellana o española (1611)Google Scholar

Crowne, J., Charles the Eighth (1672)Google Scholar

Crowne, J., Sir Courtly Nice (1685)Google Scholar

Darrel, William, A supplement to the first part of the Gentleman instructed (1708)Google Scholar

Davenant, William, Britannia Triumphans, a masque, presented at White Hall, by the Kings Majestie and his lords, on the Sunday after twelfth night, 1637 (1637)Google Scholar

Davenant, William, The law against lovers (1662)Google Scholar

Davenant, William, The mock romance. See Anonymous (trans.), Ovid De arte amandi and The remedy of love EnglishedGoogle Scholar

Defoe, D., A journal of the plague year (1722)Google Scholar

Derosiers, Nicolas, Principes de la guitarre (c. 1690) Facsimile in Saint-Arroman, and Delume, , Méthodes et traités, Guitare, i, 34–45Google Scholar

De Visée, Robert, Livre de guitarre (1682)Google Scholar

De Visée, Robert, Livre de pieces pour la guitarre (1686)Google Scholar

Digby, Kenelm, Two treatises in the one of which the nature of bodies, in the other, the nature of mans soule is looked into in way of discovery of the immortality of reasonable soules (1644)Google Scholar

Drayton, Michael, Poly-Olbion (1612)Google Scholar

Dryden, John, The assignation, or, love in a nunnery (1673)Google Scholar

Dryden, John, The conquest of Granada (1672)Google Scholar

Dryden, John, An evening’s love (1668)Google Scholar

Dryden, John, The Indian emperour (1665)Google Scholar

Dryden, John, Marriage a-la-mode (1673)Google Scholar

Dryden, John, Secret love, or, the maiden-queen (1668)Google Scholar

Dryden, John, The Spanish fryer (1680)Google Scholar

Duffet, Thomas, Beauties triumph (1676)Google Scholar

D’Urfey, Thomas, The banditti, or, a ladies distress (1686)Google Scholar

D’Urfey, Thomas, The intrigues at Versailles, or, a jilt in all humours (1697)Google Scholar

D’Urfey, Thomas, Love for money, or, the boarding school (1691)Google Scholar

D’Urfey, Thomas, Madam Fickle, or, the witty false one (1676)Google Scholar

D’Urfey, Thomas, New poems, consisting of satyrs, elegies, and odes (1690)Google Scholar

Dyche, T. and Pardon, W., A new general English dictionary; peculiarly calculated for the use and improvement of such as are unacquainted with the learned languages (1737)Google Scholar

Dymoke, Tailboys, Caltha poetarum, or, the bumble bee (1599)Google Scholar

Etherege, George, She wou’d if she cou’d (1668)Google Scholar

Festeau, Paul, A new and easie French grammar (1667)Google Scholar

Fleckno[e], Richard, Enigmaticall characters, all taken to the life from severall persons, humours, and dispositions (London, 1658)Google Scholar

Florio, John, Essays written in French by Michael Lord of Montaigne (1613)Google Scholar

Foster, J., London marriage licences, 1521–1869 (London, 1887)Google Scholar

Fuenllana, Miguel de, Libro de musica para vihuela (Seville, 1554)Google Scholar

Gage, T., The English-American his travail by sea and land (1648)Google Scholar

Gailhard, Jean, The compleat gentleman, or, directions for the education of youth as to their breeding at home and travelling abroad in two treatises (1678)Google Scholar

Gailhard, Jean, The present state of the princes and republicks of Italy (1668)Google Scholar

Granata, Giovanni Battista, Nuovi souavi concenti di sonate musicali … opera sesta (1680)Google Scholar

Granata, Giovanni Battista, Soavi concenti di sonate musicali per la chitarra spagnuola (Bologna, 1659)Google Scholar

Greene, Robert, Theeues falling out, true-men come by their goods: or, The belman wanted a clapper (1615)Google Scholar

Grenerin, Henry, Livre de guitarre (1680)Google Scholar

Grey, A., ed., Debates of the House of Commons from the year 1667 to the year 1693, 10 vols. (1763)Google Scholar

Hamilton, A., Mémoires de la vie du comte de Grammont (Rotterdam, 1716)Google Scholar

Hartlib, Samuel, A further discoverie of the office of publick addresse for accommodations (1648)Google Scholar

Herrera, Antonio de, Relación de lo sucedido en la ciudad de Valladolid (Valladolid, 1605)Google Scholar

Irvine, Alexander, A dialogue between A. and B. two plain countrey-gentlemen, concerning the times (1694)Google Scholar

Lacy, J., Sauny the Scot, or, the taming of the shrew (1698)Google Scholar

Lawes, Henry, Ayres and dialogues, for one, two, and three voyces, i (1653)Google Scholar

Lawes, Henry, The second book of ayres, and dialogues, for one, two, and three voyces (1655)Google Scholar

Leigh, Richard, Poems upon several occasions, and, to several persons (1675)Google Scholar

Leti, Gregorio, Il teatro britanico, 2 vols. (1683)Google Scholar

Locke, Matthew, Melothesia (1673)Google Scholar

Locke, Matthew and Playford, John, The present practice of musick vindicated against the exceptions and new way of attaining musick lately publish’d by Thomas Salmon, M.A. (1673)Google Scholar

Mace, Thomas, Musick’s monument (1676)Google Scholar

Mancini, Hortense, The memoires of the Dutchess Mazarine (1675)Google Scholar

Marston, J., The Dutch curtezan (1605)Google Scholar

Massinger, Philip, The city madam (1658)Google Scholar

Massinger, Philip, The renegado (1630)Google Scholar

Matteis, Nicola, The false consonances of musick (c. 1682)Google Scholar

Matteis, Nicola, Le false consonanse della musica (c. 1680)Google Scholar

Mauger, Claude (or Claudius), French and English letters, upon all subjects, mean and sublime (2nd edn, 1676)Google Scholar

Mauger, Claude (or Claudius), French grammar (editions of 1662, 1670, 1671, 1676 and 1693)Google Scholar

Mauger, Claude (or Claudius), The true advancement of the French tongue (1653)Google Scholar

Médard, Rémy, Pieces de guitarre (Paris, 1676)Google Scholar

Médard, Rémy(?), Obituary of Francesco Corbetta in Mercure Galant, April (1681), 127–33Google Scholar

Merchi, [ Giacomo], Le guide des ecoliers de guitarre (Paris, 1761)Google Scholar

Middleton, Thomas and Dekker, Thomas, The meeting of gallants at an ordinarie or the walke in Powles (1604)Google Scholar

Miège, Guy, A new dictionary French and English with another English and French according to the present use and modern orthography of the French (1677)Google Scholar

Milton, John, Areopagitica; a speech of Mr. John Milton for the liberty of unlicens’d printing, to the Parlament of England (1644)Google Scholar

Monconys, Balthasar de, Journal des voyages de Monsieur de Monconys, 3 vols. (1665–6)Google Scholar

Montesardo, Girolamo, Nuova inventione d’intavolatura per sonare li balletti sopra la Chitarra Spagniuola (Florence, 1606)Google Scholar

More, H., Divine dialogues containing sundry disquisitions and instructions concerning the attributes and providence of God (1668)Google Scholar

Morlaye, Guillaume, Le premier livre de chansons, gaillardes, pavannes, Bransles, Almandes, Fantaisies, reduictz en tablature de Guiterne par Maistre Guillaume Morlaye ioueur de Lut (1552)Google Scholar

Morlaye, Guillaume, Le second livre de chansons, gaillardes, paduanes, Bransles, Almandes, Fantasies, reduictz en tablature de Guiterne par Maistre Guillaume Morlaye joueur de Lut (1553)Google Scholar

Motteux, Peter Anthony, The novelty, every act a play (1697)Google Scholar

Mottley, John, The widow bewitch’d (1730)Google Scholar

Moulinié, Estienne, Airs de cour avec la tablature de luth et de guitarre (Paris, 1629)Google Scholar

Mudarra, Alonso, Tres libros de musica en cifras para vihuela (Seville, 1546)Google Scholar

Murcia, Santiago de, Resumen de acompañar la parte con la guitarra (Madrid, 1717)Google Scholar

Musophilus, , The card of courtship (1653)Google Scholar

Nabbes, Thomas, Covent-Garden: a pleasant comedie (1638)Google Scholar

Paixaõ Ribeiro, Manoel da, Nova arte de viola (1789)Google Scholar

Parravicino, Pietro, Choice proverbs and dialogues, in Italian and English (1660)Google Scholar

Pepusch, Johann Christoph, A short explication of such foreign words, as are made use of in musick books (1724)Google Scholar

Peyton, Edward, The divine catastrophe of the kingly family of the house of Stuarts (1652)Google Scholar

Philips, Katherine, Poems (1664)Google Scholar

Pineda, Fray Juan de, Los treynta libros de la monarchia ecclesiastica (Barcelona, 1594)Google Scholar

Playford, Henry, Apollo’s banquet containing instructions, and variety of new tunes, ayres, jiggs, and several new Scotch tunes for the treble-violin (1690)Google Scholar

Playford, Henry, A curious collection of musick-books, both vocal and instrumental (1690)Google Scholar

Playford, Henry, A general catalogue of all the choicest musick books in English, Latin French and Italian both vocal and instrumental (1695)Google Scholar

Playford, Henry, A musicall banquet set forth in three choice varieties of musick (1651)Google Scholar

Playford, Henry, A booke of new lessons for the cithern and gittern (1652)Google Scholar

Playford, Henry, The theater of music, or, a choice collection of the newest and best songs sung at the court and public theaters, ii (1685) and iii (1686)Google Scholar

Playford, John, A brief introduction to the skill of musick (editions of 1658 and 1664)Google Scholar

Playford, John, Musick’s delight on the cithren (1666)Google Scholar

Playford, John, Select musical ayres and dialogues in three bookes (1653)Google Scholar

Pope, Alexander, The first epistle of the second book of Horace, imitated (1737)Google Scholar

Porter, Thomas, The carnival (1664)Google Scholar

Purcell, Daniel, A new Scotch song. Sett by Mr. Daniel Purcell, and sung in the last reviv’d play call’d, the taming of the Shrew, or, Sawny the Scot. Sung by Mrs. Harris (1699)Google Scholar

Purcell, Daniel, [recte John Eccles for John Crowne’s play The married beau (1694)] A song in the Taming the Shrew or Sawny the Scot, sung by Mrs. Ciber set by Mr. Purcell and exactly engrav’d by Tho: Cross (1699)Google Scholar

Roncalli, Ludovico, Capricci armonici sopra la chitarra spagnola opera prima (1692)Google Scholar

Salter, H., The genteel companion being exact directions for the recorder (1683)Google Scholar

Sanz, Gaspar, Instruccion de musica sobre la guitarra Española (Zaragoza, 1674)Google Scholar

Sarasin, Jean-François, Les oeuvres de Monsieur Sarasin (1663)Google Scholar

Sedley, Charles, The mulberry-garden (1668)Google Scholar

Shadwell, Thomas, The amorous bigotte (1690)Google Scholar

Shadwell, Thomas, Bury fair (1689)Google Scholar

Shadwell, Thomas, The humorists (1671)Google Scholar

Shadwell, Thomas, The miser (1672)Google Scholar

Shadwell, Thomas, The royal shepherdess (1669)Google Scholar

Shield, William, Rudiments of thoroughbass for young harmonists (1817)Google Scholar

Shirley, James, The lady of pleasure (1638)Google Scholar

Terrones de Robres, Antonio, Vida, Martyrio, Translacion, y Milagros de San Euphrasio Obispo (Granada, 1657)Google Scholar

Torriano, Giovanni, Choyce Italian dialogues, accomodated to the modern stile of the best cities and courts of Italy (1657)Google Scholar

Treswell, R., A relation of such things as were observed to happen in the journey of the right Honourable Charles Earle of Nottingham (1605)Google Scholar

Treswell, R., Royal entertainement of the Right Honorable the Earle of Nottingham, sent Ambassador from his Maiestie to the King of Spaine (1605)Google Scholar

Trichet, Pierre, Traité des instruments (c. 1640) Facsimile in Saint-Arroman, and Delume, , Méthodes et traités, guitare, i, 15–17Google Scholar

Vanbrugh, John, The confederacy (1705)Google Scholar

Velasco, Juan Fernandez de, Relación de la Jornada del … Condestable de Castilla, a las paces entre Hespaña y Inglaterra, que se concluyeron y Juraron en Londres (1604)Google Scholar

Villalón, Cristóbal de, Ingeniosa comparación entre lo antiguo y lo presente (Madrid, Sociedad de Bibliófilos Españoles, 1898)Google Scholar

Vincent, Samuel, The young gallant’s academy, or, directions how he should behave himself in all places and company (1674)Google Scholar

Virdung, Sebastian, Musica getutscht und außgezogen (1511)Google Scholar

Visée, Robert de, Livre de guittarre dedié au roy (1682)Google Scholar

Treswell, R. Livre de pieces pour la guittarre dedié au roy (1686)Google Scholar

Walker, Obadiah, Of education, especially of young gentlemen, second impression with additions (Oxford, 1673)Google Scholar

Ward, Ned, The London spy, quoted from The London spy, compleat in eighteen parts (1709)Google Scholar

Woley, Hannah (attrib.), The gentlewoman’s companion (1673)Google Scholar

Wright, Thomas, The passions of the minde in generall (1604 edition)Google Scholar

Wycherley, William, The gentleman dancing master (1673)Google Scholar

Agulló y Cobo, M., ed., ‘Documentos sobre las fiestas del Corpus en Madrid y sus pueblos’, Segismondo, 8 (1965), 52–62Google Scholar

Arber, E., The Term Catalogues, 1668–1709 A.D., 3 vols. (London, 1903–6)Google Scholar

Ashford, G. M., ‘“Advice to a daughter”: Lady Frances Keightley to her daughter Catherine, September 1681’, Analecta Hibernica, 43 (2012), 17–46Google Scholar

Barlow, J., ed., The Complete Country Dance Tunes from Playford’s Dancing Master (1651– ca. 1728) (London, 1985)Google Scholar

Bestall, J. M. and Fowkes, D. V., eds., Chesterfield Wills and Inventories, 1521–1603 (Matlock, 1977)Google Scholar

Bevington, D., Butler, M. and Donaldson, I., eds., The Cambridge Edition of the Works of Ben Jonson, 7 vols. (Cambridge, 2012)Google Scholar

Bickford Jorgens, E., ed., English Song 1600–1675: Facsimiles of Twenty-Six Manuscripts and an Edition of the Texts, 12 vols. (New York and London, 1989)Google Scholar

Blom, W. H., Haitsma-Mulier, E. and Janse, R., eds., Algernon Sidney: Court Maxims (Cambridge, 1996)Google Scholar

Bloom, J. H., ed., Wayman Wills and Administrations Preserved in the Prerogative Court of Canterbury, 1383–1821 (London, 1922)Google Scholar

Bridge, H. J. and pointer, J. eds., Dioclesian, rev. Lauvie, M. (London, 1961)Google Scholar

Brooks, L. M., The Art of Dancing in Seventeenth-Century Spain: Juan de Esquivel Navarro and His World, Including a Translation of the Discursos sobre el arte del danzado (Lewisburg, 2003)Google Scholar

Browning, A., ed., Memoirs of Sir John Reresby: The Complete Text and a Selection From His Letters, 2nd edn with a new preface and notes by Geiter, Mary K. and Speck, W. A. (London, 1991)Google Scholar

Brunet, M. G., ed., Correspondence complète de madame duchesse d’Orléans, 2 vols. (Paris, 1857)Google Scholar

Butler, M., ed., The Fortunate Isles and Their Union, in Bevington, et al., v, 685–714Google Scholar

Butler, M., ed., Neptune’s Triumph for the Return of Albion, in Bevington, et al., v, 643–72Google Scholar

Cain, T. and Connolly, R., eds., The Complete Poetry of Robert Herrick, 2 vols. (Oxford, 2013)Google Scholar

Callon, G. J., ed., Songs with Theorbo (ca. 1650–1663) Oxford, Bodleian Library, Broxbourne 84.9, London, Lambeth Palace Library, 1041 (Madison, 2000)Google Scholar

Canova-Green, M.-C., and Nédélec, C., eds., Ballets pour Louis XIII, 2 vols. (Paris, 2011–12)Google Scholar

Castillion, Jean de, Recueil des pieces de guitarre. Facsimile edition (Brussels, 1979). Facsimile of preface also in Saint-Arroman, and Delume, , Méthodes et traités, Guitare, i, 47–61.Google Scholar

Castillion, Jean de, La guitarre royalle (Paris, 1671) Facsimile by Éditions Minkoff (Geneva, 1975)Google Scholar

Castillion, Jean de, La guitarre royalle (Paris, 1674) Facsimile by Forni Editore (Bologna, 1971). Facsimile of the accompanying booklet (cahier), with the duet parts, by Edizioni Scelti (Florence, 1983)Google Scholar

Castillion, Jean de, Varii capricci per la ghitarra spagnuola (Milan, 1643) Facsimile by Edizioni Scelti (Florence, 1980)Google Scholar

Castillion, Jean de, Varii scherzi di sonate per la chitara spagnola (Brussels, 1648) Facsimile by Edizioni Scelti (Florence, 1983)Google Scholar

Cranstoun, J., Satirical Poems of the Time of the Reformation, 2 vols. (Edinburgh and London, 1891–3)Google Scholar

Crinò, A. M., ed., Lorenzo Magalotti Relazioni d’Inghilterra 1668 e 1688 (Florence, 1972)Google Scholar

De Beer, E. S., ed., The Diary of John Evelyn, 6 vols. (Oxford, 2000)Google Scholar

Dennison, P., ed., Ode on St. Cecilia’s Day 1692, The Works of Henry Purcell, viii (Borough Green, 1978)Google Scholar

Doscot, G., ed., Mémoires d’Hortense et de Marie Mancini (Paris, 1965)Google Scholar

Earwaker, J. P., ed., Lancashire and Cheshire Wills and Inventories, 3 vols. (Manchester, 1884–97)Google Scholar

Engel, C.-E., ed., Hamilton: Memoires du Chevalier de Gramont (Monaco, 1958)Google Scholar

Etiemble, R., Romanciers du dix-huitième siècle, 2 vols. (Paris, 1966 and 1969)Google Scholar

Exwood, M. and Lehmann, H. L., eds., The Journal of William Schellinks’ Travels in England 1661–63 (London, 1993)Google Scholar

Fenn, R. D., ‘William Percy’s Faery Pastorall: An Old Spelling Edition’, unpublished doctoral dissertation, University of British Columbia (1997)Google Scholar

George, E. and George, S., eds., Bristol Probate Inventories, i, 1542–1650 (Bristol, 2002)Google Scholar

Goodwin, C., The Lute in English Renaissance Verse 1500–1799: An Anthology (Albury 2007)Google Scholar

Goodwin, C., ‘Tronc, Tonc, Tonc, Preng, Preng, Preng: Onomatapoeic Words as an Indication of the Sound and Playing Technique of Early Stringed Instruments’, Fomrhi Quarterly, 118 (April 2011), Communication no. 1932. http://fomrhi.org/pages/fomrhi-118Comm.1932Google Scholar

Gray, T., ed., Devon Household Accounts, 1627–59, Exeter, Devon and Cornwall Record Society, new series, 38 (1995) and 39 (1996)Google Scholar

Green, M. A. E., Calendar of State Papers, Domestic Series, of the Reign of James I (1603–1610) (London, 1857)Google Scholar

Hall, M., ed., Antoine Carré: Livre de Guitarre (1671) (Westminster, CA, 2009)Google Scholar

Hall, M. ed., Joan Carles Amat, Guitarra española: Introduction to Facsimile Edition (Monaco, 1980)Google Scholar

Hammond, B., ed., John Vanbrugh: The Relapse, and Other Plays (Oxford, 2004)Google Scholar

Harcourt, E. W., ed., The Life of the Renowned Doctor Preston, writ by his pupil, Master Thomas Ball D.D., Minister of Northampton in the Year 1628 (Oxford, 1885)Google Scholar

Hartmann, C. H., Charles II and Madame (London, 1934)Google Scholar

Hinds, A. B. ed., Calendar of State Papers and Manuscripts relating to English affairs, existing in the Archives and Collections of Venice, xiii (1613–15) and xiv (1615–17) (London, 1907 and 1908)Google Scholar

Hughes, M. E. J. The Pepys Library (London, 2015)Google Scholar

Hulse, L., Dramatic Works by William Cavendish, The Malone Society Reprints, 158 (Oxford, 1996)Google Scholar

Ingamells, J. and Raines, R., ‘A Catalogue of the Paintings Drawings and Etchings of Philip Mercier’, The Volume of the Walpole Society, 46 (1976–8), 1–70Google Scholar

Innes, C. N., ed., The Book of the Thanes of Cawdor (Edinburgh, 1859)Google Scholar

Johnson, A. and Woudhuysen, H. R., eds., The Country Captain by William Cavendish Earl of Newcastle, The Malone Society Reprints, 162 (Oxford, 1999)Google Scholar

Johnston, J. A., ed., Probate Inventories of Lincoln Citizens 1661–1714 (Woodbridge, 1991)Google Scholar

Jonckbloet, W. J. A. and Land, J. P. N. eds., Musique et musiciens au XVIIe siècle: correspondance et œuvre musicales de Constantin Huygens (Leyden, 1882)Google Scholar

Keiser, R. ed., Thomas Platter, Beschreibung der Reisen durch Frankreich, Spanien England und die Niederlande 1595–1600, 2 vols. (Basel and Stuttgart, 1968)Google Scholar

Knowles, J., ed., The Gypsies Metamorphosed, in Bevington, et al., v, 465–80Google Scholar

Kyropoulos, D., ed., Cesare Morelli: Eight Songs for Samuel Pepys: Light, Grave, and Sacred (London, 2014)Google Scholar

Latham, R., ed., Catalogue of the Pepys Library at Magdalene College Cambridge, iv, Music, Maps and Calligraphy (Cambridge, 1998)Google Scholar

Latham, R. and Matthews, W., et al., eds., The Diary of Samuel Pepys: A New and Complete Transcription, 11 vols. (London, 1971–83)Google Scholar

Laurie, M., ed., Dido and Aeneas (Borough Green, 1979)Google Scholar

Manchée, W. H. ‘Huguenot clergy List, 1548–1916’, Proceedings of the Huguenot Society, xi (1915–17), 263–92Google Scholar

Millard, P., ed., Notes of Me: The Autobiography of Roger North (Toronto, 2000)Google Scholar

Moore Smith, G. C., ed., The Letters of Dorothy Osborne to William Temple (Oxford, 1928)Google Scholar

Norrington, R., ed., My Dearest Minette: Charles II to the Duchesse d’Orléans (London, 1996)Google Scholar

Pinnell, R. T., Francesco Corbetta and the Baroque Guitar: With a Transcription of His Works, 2 vols. (Michigan, 1980)Google Scholar

Pinto, D., ed., Orlando Gibbons 1583–1625: The Consort Anthems, 3 vols. (London, 2003)Google Scholar

Price, C., ed., Dido and Aeneas … An Authoritative Score, Historical Background, a Critical Edition of the Libretto, Criticism and Analysis, Production and Interpretation (New York, 1986)Google Scholar

Raspe, P., François Le Cocq: Recueil des pièces de guitar (Brussels, 1979)Google Scholar

Rattenbury, J., ed., Cesare Morelli’s Arrangements of Jean-Baptiste Lully (Guildford, 2014)Google Scholar

Reed, M., ed., Buckinghamshire Probate Inventories 1661–1714 (Aylesbury, 1988)Google Scholar

Riaux, M. F., ed., Mémoires de Madame de Motteville, 4 vols. (Paris, 1886)Google Scholar

Rouget, F., ed., Maurice de la Porte: Les epithetes (1571) (Paris, 2009)Google Scholar

Saint-Allais, M. de., Nobiliaire universel de France, 21 vols. (Paris, 1814–43)Google Scholar

Saint-Arroman, J. and Delume, C., eds., Méthodes et traités, 18, série I, France 1600–1800, Guitare, i (Courlay, 2003)Google Scholar

Schneider, O. ed., with Hall, M. and Eisenhardt, L., Francesco Corbetta und andere [Guitarra española y sus diferencias de sones] (Frankfurt/Main, 2006)Google Scholar

Smith, G. C. M., ed., Dorothy Osborne: Letters to Sir William Temple (London, 1928)Google Scholar

Smith, N., ed., The Poems of Andrew Marvell (London, 2003)Google Scholar

Solerti, A., ed., Le origini del melodrama: testimonianzi dei contemporanei (Turin, 1903)Google Scholar

Spink, I., ed., English Songs 1625–1660, Musica Britannica, 33 (London, 1977)Google Scholar

Stokes, J., ed., Lincolnshire, Records of Early English Drama, 2 vols. (Toronto and London, 2009)Google Scholar

Stone, D. Jr, ed., Mellin de Saint-Gelais: Œuvres poétiques françaises, 2 vols. (Paris, 1993)Google Scholar

Vaisey, D., ed., Probate Inventories of Lichfield and District, 1568–1680 (Stafford, 1969)Google Scholar

Wanklyn, M., ed., Inventories of Worcestershire Landed Gentry 1537–1786 (Worcester, 1998)Google Scholar

Wardhaugh, B., ed., Thomas Salmon: Writings on Music, 2 vols. (Farnham, 2012)Google Scholar

Wilson, J., ed., Roger North on Music (London, 1959)Google Scholar

Wilson, J. H., ed., Court Satires of the Restoration (Columbus, 1976)Google Scholar

Wood, B., ed., Venus and Adonis, Versions 1 and 2, 2 vols. (London, 2008)Google Scholar

Wood, B. and Pinnock, A., eds., The Fairy Queen (London, 2009)Google Scholar

Worp, J. A., ed., Briefwisseling van Constantijn Huygens, 6 vols. (’s-Gravenhage, 1911–17)Google Scholar

Wulstan, D., ed., Orlando Gibbons: Verse Anthems, Early English Church Music, iii (London, 1966)Google Scholar

Abadie, L., ‘Anne de La Barre (1628–1688): biographie d’une chanteuse de cour’, Revue de Musicologie, 94 (2008), 5–44Google Scholar

Allen, D., ‘The Political Function of Charles II’s Chiffinch’, Huntington Library Quarterly, 39 (1976), 277–90Google Scholar

Arkell, T., ‘Interpreting Probate Inventories’, in Arkell, et al., eds., When Death Do Us Part: Understanding and Interpreting the Probate Records of Early Modern England (Oxford, 2000), 72–102Google Scholar

Arnold-Forster, M., Basset Down: An Old County House (London, 1949)Google Scholar

Austern, L. P., ‘“Alluring the Auditorie to Effeminacie”: Music and the Idea of the Feminine in Early Modern England’, M&L, 74 (1993), 343–54Google Scholar

Bailey, C., ‘“Blurring the Lines”: Elizabeth Rogers Hir Virginall Book’ in Context’, M&L, 89 (2008), 510–46Google Scholar

Bane, M. A., ‘Honnêtes gens, Amateur Musicianship, and the “Easy Air” in France: The Case of Francesco Corbetta’s Royal Guitars’, Journal of Seventeenth Century Music, 20 (2014), unpaginated online journal available at http://sscm-jscm.org/jscm-issues/volume-20-no-1/Google Scholar

Barber, S., Harris, S. and Sayce, L., ‘Five-Course Guitars’, in Milnes, J., ed., Musical Instruments in the Ashmolean Museum (Berkhamstead, 2011), 276–315Google Scholar

Barrett-Lennard, T., An Account of the Families of Lennard and Barrett (printed for private circulation, 1908)Google Scholar

Baux, J., Nobiliaire du département de l’Ain (Bourg-en-Bresse, 1862)Google Scholar

Berlioz, H., Grand traité d’instrumentation et d’orchestration, new edn (Paris, 1860)Google Scholar

Blome, A., ‘Offices of Intelligence and Expanding Social Spaces’, in Dooley, B., ed., The Dissemination of News and the Emergence of Contemporaneity in Early Modern Europe (Farnham, 2010), 207–22Google Scholar

Boetticher, W., Handschriftliche uberlieferte Lauten- und Gitarrentablaturen des 15. bis 18. Jahhunderts, RISM Bvii (Munich, 1978)Google Scholar

Botica, A. R., ‘Audience, Playhouse and Play in Restoration Theatre, 1660–1710’, unpublished doctoral dissertation, University of Oxford (1985)Google Scholar

Boye, G., ‘Performing Seventeenth-Century Italian Guitar Music: The Question of an Appropriate Stringing’, in Coelho, V. A., ed., Performance on Lute, Guitar and Vihuela: Historical Practice and Modern Interpretation (Cambridge, 1997), 180–94Google Scholar

Braybrooke, R., ed., Memoirs of Samuel Pepys (London, 1825)Google Scholar

Breashears, C., ‘The Female Appeal Memoir: Genre and Female Literary Tradition in Eighteenth-Century England’, Modern Philology, 107 (2010), 607–31Google Scholar

Brenet, M., ‘La librairie musicale en France de 1653 à 1790, d’après les Registres de privilèges’, Sammelbände der Internationalen Musikgesellschaft, 8 (1907),401–66Google Scholar

Bridge, F., Samuel Pepys, Lover of Musique (London, 1903)Google Scholar

Britland, K., Drama at the Courts of Queen Henrietta Maria (Cambridge, 2006)Google Scholar

Broad, J., ‘Gentry Finances and the Civil War: The Case of the Buckinghamshire Verneys’, The Economic History Review, 32 (1979), 183–200Google Scholar

Broad, J., Transforming English Rural Society: The Verneys and the Claydons, 1600–1820 (Cambridge, 2004)Google Scholar

Brotton, J., The Sale of the Late King’s Goods (London, 2007)Google Scholar

Brown, E. C. D., ‘Announcement regarding the “Princess An Lutebook”’, Lute Society of America Quarterly, 43 (September 2008), 38Google Scholar

Brown, H. M., Instrumental Music Printed before 1600: A Bibliography (Cambridge, MA, 1965)Google Scholar

Brown, M., ‘The Myth of Antonio Foscarini’s Exoneration’, Renaissance and Reformation, 37 (2001), 26–42Google Scholar

Burden, M., ‘Where Did Purcell Keep His Theatre Band?’, EM, 37, (2009), 429–43Google Scholar

Burrows, D. ‘Who Does What When? On the Instrumentation of the Basso Continuo and the Use of the Organ in Handel’s English Oratorios’, in Vickers, D., ed., Handel (Farnham, 2011), 553–72Google Scholar

Burrows, D. and Dunhill, R., eds., Music and Theatre in Handel’s World: The Family Papers of James Harris, 1732–1780 (Oxford, 2002)Google Scholar

Bush-Bailey, G., Treading the Bawds: Actresses and Playwrights on the Late-Stuart Stage (Manchester, 2006)Google Scholar

Buttrey, J., ‘New Light on Robert Cambert in London and his Ballet et Musique’, EM, 23 (1995), 198–220Google Scholar

Campo Tejdor, A. del, and Cáceres Feria, R., ‘Tocar a lo barbero: La guitarra, la música popular y el barbero en el siglo XVII’, Boletín de Literatura Oral, 3 (2013), 9–47Google Scholar

Canova-Green, M.-C., La Politique-spectacle au grand siècle (Paris, 1993)Google Scholar

Casey, M. E., ‘The Fop – “Apes and Echoes of Men”: Gentlemanly Ideals and the Restoration’, in Janik, V. K., ed., Fools and Jesters in Literature, Art, and History (Westport, 1988), 207–14Google Scholar

Casey, M. E., Catalogue of the Valuable Contents of Tythrop House, Thame, Oxfordshire (London, Sotheby and Co., 1933)Google Scholar

Cauchie, M., Documents pour servir à l’histoire littéraire du XVII^e siècle (Paris, 1924)Google Scholar

Chalmers, H., Royalist Women Writers 1650–1689 (Oxford, 2004)Google Scholar

Chan, M. and Kassler, J. C., Roger North’s The musicall grammarian and Theory of sounds (Kensington, NSW, 1988)Google Scholar

Chaney, E., The Grand Tour and the Great Rebellion (Geneva, 1985)Google Scholar

Chaney, E. and Wilks, T., The Jacobean Grand Tour: Early Stuart Travellers in Europe (London, 2014)Google Scholar

Charlton, K., Women, Religion and Education in Early Modern England (London, 1999)Google Scholar

Charteris, R., Alfonso Ferrabosco the Elder (1543–1588): A Thematic Catalogue of His Music, with a Biographical Calendar (New York, 1984)Google Scholar

Cholij, I. B., ‘Music in Eighteenth-Century London Shakespeare Productions’, unpublished doctoral dissertation, King’s College, University of London (1995)Google Scholar

Christinsen, T., ‘The Spanish Baroque Guitar and Seventeenth-Century Triadic Theory’, Journal of Music Theory, 36 (1992), 1–42Google Scholar

Clark, R., Anthony Hamilton (New York, 1921)Google Scholar

Coelho, V. A., ed., Performance on Lute, Guitar and Vihuela (Cambridge, 1997)Google Scholar

Cohen, M., ‘The Grand Tour: Constructing the English Gentleman in Eighteenth-Century France’, History of Education, 21 (1992), 241–57Google Scholar

Colvin, H. M. ed., The History of the King’s Works, 7 vols. (London, 1963–82)Google Scholar

Congleton, J., ‘The False Consonances of Musick: Nicola Matteis’s “Instructions for playing a true base upon the guitarre”’, EM, 9 (1981), 463–9Google Scholar

Corcoran, K. A., ‘The Guitar Anthology of Henry François de Gallot (1661): A Preliminary Study’, unpublished master’s dissertation, University of Arizona (1988)Google Scholar

Cox, M. H. and Forrest, G. Topham, eds., Survey of London: 14, St Margaret, Westminster, Part III: Whitehall II (London, 1931)Google Scholar

Cressy, D., England on the Edge: Crisis and Revolution 1640–1642 (Oxford, 2006)Google Scholar

Croft, P. C., King James I (London, 2003)Google Scholar

Cunningham, J., The Consort Music of William Lawes 1602–1645 (Woodbridge, 2010)Google Scholar

Cunningham, J., ‘A Meeting of Amateur and Professional: Playford’s “Compendious Collection” of Two-Part Airs, Court-Ayres (1655)’, in Herissone, R., ed., Concepts of Creativity in Seventeenth-Century England (Woodbridge, 2013), 201–32Google Scholar

Cunningham, J., Music Edition. Accompanying the electronic edition of The Cambridge Edition of the Works of Ben Jonson. http://universitypublishingonline.org/cambridge/benjonson/Google Scholar

Curle, B. and Meara, P., An Historical Atlas of Chelsea (London, 1971)Google Scholar

Danner, P., ‘Giovani Paolo Foscarini and His “Nuova Inventione”’, JLSA, 7 (1974), 4–18Google Scholar

Davidson, M., ‘Samuel Pepys and the Viol’, Journal of the Viola da Gamba Society of America, 42 (2005), 5–18Google Scholar

Dawson, M. S. ‘Histories and Texts: Refiguring the Diary of Samuel Pepys’, The Historical Journal, 43 (2000), 407–31Google Scholar

Dean, A., ‘“Ecco l’alma mia bella”: Alfabeto and Oral Practices in Seventeenth-Century Italian Song’, Recercare, 22 (2010), 81–109Google Scholar

Dean, A., ‘The Five-Course Guitar and Seventeenth-Century Harmony: Alfabeto and Italian Song’, unpublished doctoral dissertation, University of Rochester (2009)Google Scholar

Dean, A., ‘Strumming in the Void: A New Look at the Guitar and Rhythm in Early 17th-Century Canzonettas’, EM, 42 (2014), 55–72Google Scholar

Dean, W., ‘An Unrecognized Handel Singer: Carlo Arrigoni’, Musical Times, 118 (1977), 556–8Google Scholar

Denhard, G., Lute Realizations for the English Cavalier Songs (1630–1670): A Guide for Performers, available at www.cs.dartmouth.edu/~lsa/associated/Denhard/Google Scholar

Devoto, D., ‘La folle Sarabande’, Revue de Musicologie, 45 (1960), 3–43Google Scholar

Devoto, D. and Escudero, J. C., ‘La méthode pour la guitare de Luis Briceño’, Revue de Musicologie, 51 (1965), 131–48Google Scholar

Diack Johnstone, H., ‘Ayres and Arias: A Hitherto Unknown Seventeenth-Century English Songbook’, EMH, 16 (1997), 167–201Google Scholar

Doughty, R. A., ‘Industrial Prices and Inflation in Southern England, 1401–1640’, Exploration in Economic History, 12 (1975), 177–92Google Scholar

Dubois, P., Music in the Georgian Novel (Cambridge, 2015)Google Scholar

Duggan, D., ‘The Fourth Side of Covent Garden Piazza: New Light on the History and Significance of Bedford House’, British Art Journal, III/3 (2002), 53–65Google Scholar

Earle, P., ‘The Female Labour Market in London in the Late Seventeenth and Early Eighteenth Centuries’, The Economic History Review, 42 (1989), 328–53Google Scholar

Eeghen, I. H. van, De Amsterdamse bockhandel, 1680–1725, 5 vols. (Amsterdam, 1960–78)Google Scholar

Eisenhardt, L., ‘Baroque Guitar Accompaniment: Where Is the Bass?’, EM, 42 (2014), 73–84Google Scholar

Eisenhardt, L., ‘Bourdons as Usual’, The Lute, 47 (2007), 1–37Google Scholar

Eisenhardt, L., ‘Dissonance and Battuto: A Hidden Practice in the Performance of Seventeenth-Century Guitar Music?’, The Lute, 47 (2007), 38–87Google Scholar

Eisenhardt, L., Italian Guitar Music of the Seventeenth Century: Battuto and Pizzicato (Woodbridge 2015)Google Scholar

Emslie, M., ‘Pepys’s Songs and Songbooks in the Diary Period’, The Library, 5th Ser. 12 (1957), 240–55Google Scholar

Ennis, D. J. and Slagle, J. B., eds., Prologues, Epilogues, Curtain-Raisers, and Afterpieces: The Rest of the Eighteenth-Century London Stage (Newark, 2007)Google Scholar

Escudero, J. and Devoto, D., ‘La méthode pour la guitare de Luis Briceño’, Revue de Musicologie, 51 (1965), 131–48Google Scholar

Esses, M., Dance and Instrumental Diferencias in Spain during the 17th and Early 18th centuries, 3 vols. (Stuyvesant, 1992 and 1994)Google Scholar

Estabrook, C. B., Urbane and Rustic England: Cultural Ties and Social Spheres in the Provinces, 1660–1780 (Manchester, 1998)Google Scholar

Esterly, D., Grinling Gibbons and the Art of Carving (London, 1998)Google Scholar

Evans, W., ‘Henry Lawes and Charles Cotton’, PMLA, 53(1938), 724–9Google Scholar

Evans, W., Henry Lawes, Musician and Friend of Poets (New York, 1941)Google Scholar

Fisher, F. L., ‘The Development of London as a Centre of Conspicuous Consumption in the Sixteenth and Seventeenth Centuries’, Transactions of the Royal Historical Society, 30 (1948), 37–50Google Scholar

Fleming, M., ‘An “Old Violl” and “Other Lumber”: Musical Remains in Provincial, Non-Noble England c. 1580–1660’, GSJ, 58 (2005), 89–99Google Scholar

Fleming, M., ‘Instrument-Makers Named Hill and Hunt in Pepys’s London’, GSJ, 55 (2002), 382–5Google Scholar

Fleming, M., ‘John Rose’, entry in Milnes, J., ed., Musical Instruments in the Ashmolean Museum (Berkhamstead, 2011)Google Scholar

Fleming, M., ‘Some Points Arising from a Survey of Wills and Inventories’, GSJ, 53 (2000), 301–11Google Scholar

Fleming, M., Viol-Making in England c.1580–1660, published by the author (Oxford, 2002)Google Scholar

Fletcher, A., Gender, Sex and Subordination in England 1500–1800 (New Haven and London, 1995)Google Scholar

Foister, S., ‘Paintings and Other Works of Art in Sixteenth-Century English Inventories’, The Burlington Magazine (May 1981), 273–82Google Scholar

Fontijn, C. A., Desperate Measures: The Life and Music of Antonia Padoani Bembo (Oxford, 2006)Google Scholar

Froide, A. M., Never Married: Singlewomen in Early Modern England (Oxford, 2007)Google Scholar

Garnsey, S., ‘The Use of Hand-Plucked Instruments in the Continuo Body: Nicola Matteis’, M&L, 47 (1966), 135–40Google Scholar

Garrard, R., ‘English Probate Inventories and Their Use in Studying the Significance of the Domestic Interior, 1570-I700’, in Van der Woude, A. and Schuurman, A., eds., Probate Inventories: A New Source for the Historical Study of Wealth, Material Culture and Agricultural Development (Utrecht, 1980), 55–81Google Scholar

Gavito, C. M., ‘The Alfabeto Song in Print: 1610–c. 1665: Neapolitan Roots, Roman Codification and Il Gusto Populare’, unpublished doctoral dissertation, University of Texas at Austin (2006)Google Scholar

Gétreau, F., ‘“J’avais déjà passé près d’un jour sans la voir”: un portrait inédit d’Henriette-Anne d’Angleterre en musicienne’, in Reynaud, C. and Schneider, H., eds., Noter, annoter, éditer la musique: mélanges offerts à Catherine Massip (Geneva, 2012), 31–55Google Scholar

Gétreau, F., ‘Recent Research about the Voboam Family and Their Guitars’, JAMIS, 31 (2005), 5–66Google Scholar

Gill, D., ‘The de Gallot Guitar Books’, EM, 6 (1978), 79–87Google Scholar

Gill, D., Gut-Strung Plucked Instruments Contemporary with the Lute (Guildford, 1976)Google Scholar

Gill, D., ‘James Talbot’s Manuscript (Christ Church Library Music MS 1187), v, Plucked Strings: The Wire-Strung Fretted Instruments and the Guitar’, GSJ, 15 (1962), 60–9Google Scholar

Gill, D., ‘The Orpharion and Bandora’, GSJ, 13 (1960), 14–25Google Scholar

Gill, D., ‘The Seventeenth-Century Gittern and the Englisch Zitterlein’, LSJ, 35 (1995), 76–86Google Scholar

Gill, D., ‘Vihuelas, Violas and the Spanish Guitar’, EM, 9 (1981), 455–62Google Scholar

Gill, D., Wire-Strung Plucked Instruments Contemporary with the Lute (Guildford, 1977)Google Scholar

Girdham, J., ‘The Flageolet Player: The Ultimate Amateur Musician’, EM, 30 (2002), 397–409Google Scholar

Glorieux, G., ‘L’Angleterre et Watteau au XVIIIe siècle: La réception de la fête galante par les amateurs anglais’, BAJ, vii/2 (2006), 50–74Google Scholar

Goldie, M., ‘Roger l’Estrange’s Observator and the Exorcism of the Plot’, in Dunan-Page, A. and Lynch, B., eds., Roger L’Estrange and the Making of Restoration Culture (Aldershot, 2008), 67–88Google Scholar

Goulet, A.-M., Poésie, musique et sociabilité au XVIIe siècle: les livres d’airs de différents auteurs publiés chez Ballard de 1658 a 1694 (Paris, 2004)Google Scholar

Goy, P.-F., ‘Luth et guitare dans le journal et la correspondance (1631–1636) de Bullen Reymes’, Luths et luthistes en Occident (Paris, 1999), 185–200Google Scholar

Gragg, L., Englishmen Transplanted: The English Colonization of Barbados 1627–1660 (Oxford, 2003)Google Scholar

Griffey, E., Henrietta Maria and the Materials of Magnificence at the Stuart Court (New Haven, 2015)Google Scholar

Griffiths, A., The Print in Stuart Britain, 1603–1689 (London, 1998)Google Scholar

Griffiths, J., ‘Strategies for the Recovery of Guitar Music of the Early Seventeenth Century’, in Veneziano, , ed., Rime e suoni, 59–81Google Scholar

De Groot, J., ‘Space, Patronage, Procedure: The Court at Oxford, 1642–46’, EHR, 117 (2002), 1204–27Google Scholar

Gulston, J., ‘List of Pictures at Holme Lacy, Co. Hereford, Taken by Joseph Gulston Esq., in 1785’, The Gentleman’s Magazine, 95/2 (1825), 134–5Google Scholar

Gwynn, R., Huguenot Heritage: The History and Contribution of the Huguenots in Britain, 2nd edn (Brighton, 2001)Google Scholar

Gwynn, R., The Huguenots in Later Stuart Britain. i: Crisis, Renewal and the Ministers’ Dilemma (Brighton, 2015)Google Scholar

Hall, M., Baroque Guitar Stringing: A Survey of the Evidence (Guildford, 2003)Google Scholar

Hall, M., ‘The Chittarra Atiorbata and the Guittare Theorbée: A Reapprasial’, EM, 39 (2011), 25–34Google Scholar

Hall, M., ‘Dissonance in the Guitar Music of Francesco Corbetta’, The Lute, 47 (2007),55–80Google Scholar

Hall, M., ‘A Few More Observations on Baroque Guitar Stringing’, The Lute, 48 (2008), 71–82Google Scholar

Hall, M. ‘Francesco Corbetta: A Biography’, The Lute, 53 (2013), 18–48Google Scholar

Hall, M., ‘Francesco Corbetta and Piracy’, Lute News, 80 (December, 2006), 18–23 reworked and enlarged as idem, ‘Plagio, pirateria y los libros perdidos de guitarra de Francesco Corbetta’, Hispanica Lyra, 17 (2013), 7–17Google Scholar

Hall, M., ‘The Guitarra española of Joan Carles Amat’, EM, 6 (1978), 362–73Google Scholar

Hall, M., ‘Princess An’s Lute Book and Related English Sources of Music for the 5-Course Guitar’, The Consort, 66 (2010), 18–34Google Scholar

Hall, M., ‘Recovering a Lost Book of Guitar Music by Corbetta’, The Consort, 61 (2005), 43–58Google Scholar

Hall, M. and Yakeley, M. J., ‘El estilo castellano y el estilo catalan: An Introduction to Spanish Guitar Chord Notation’, Lute, 35 (1995), 28–61Google Scholar

Harding, V., ‘City, Capital and Metropolis: The Changing Shape of Seventeenth Century London’, in Merritt, , ed., Imagining Early Modern London, 117–43Google Scholar

Harris, E. T., Henry Purcell’s Dido and Aeneas (Oxford, 1989)Google Scholar

Harris, M., ‘Timely Notices: The Uses of Advertising and Its Relationship to News during the Late Seventeenth Century’, in Raymond, J., ed., News, Newspapers and Society in Early Modern Britain (London, 1999), 141–56Google Scholar

Haskell, F., The King’s Pictures: The Formation and Dispersal of the Collections of Charles I and His Courtiers (New Haven, 2013)Google Scholar

Hawkins, J., A General History of the Science and Practice of Music, 5 vols. (London, 1776)Google Scholar

Heal, F., The Power of Gifts: Gift-exchange in Early Modern England (Oxford, 2014)Google Scholar

Hebbert, B. M., ‘A New Portrait of Nicholas Lanier’, EM, 38 (2010), 509–22Google Scholar

Heilman, R. B., ‘Some Fops and Some Versions of Foppery’, ELH, 49 (1982), 363–95Google Scholar

Herbert, A. E., ‘Gender and the Spa: Space, Sociability and Self at British Health Spas 1640–1714’, Journal of Social History, 43 (2009), 361–83Google Scholar

Herissone, R., ‘Playford, Purcell, and the Functions of Music Publishing in Restoration England’, JAMS, 63 (2010), 243–90Google Scholar

Herissone, R., Music Theory in Seventeenth-Century England (Oxford, 2000)Google Scholar

Herreid, G., ‘Reconstructing Spanish Songs from the Time of Cervantes’, Early Music America, 18 (2012), 29–33Google Scholar

Highfill, P. H. et al., eds., A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660–1800, 16 vols. (Carbondale, 1973–93)Google Scholar

Hill, J. W., ‘L’accompagnamento rasgueado di chitarra: un possibile modello per il basso continuo dello stile recitativo?’, in Veneziano, , ed., Rime e suoni, 35–57Google Scholar

Holland, P., The Ornament of Action: Text and Performance in Renaissance Comedy (Cambridge, 1979)Google Scholar

Holman, P., ‘Continuity and Change in English Bass Viol Music: The Case of Fitzwilliam Mu. MS 647’, Viola da Gamba Society Journal, 1 (2007), 20–50Google Scholar

Holman, P., Four and Twenty Fiddlers: The Violin at the English Court, 1540–1690 (Oxford, 1993)Google Scholar

Holman, P., Henry Purcell (Oxford, 1994)Google Scholar

Holman, P., Life after Death: The Viola da Gamba in Britain from Purcell to Dolmetsch (Woodbridge, 2013)Google Scholar

Holman, P., ‘The Lute Family in Britain in the Eighteenth and Nineteenth Centuries’, Lute News, 84 (2007), 7–21Google Scholar

Holman, P., ‘Purcell’s Orchestra’, The Musical Times, 137 (1996), 17–23Google Scholar

Holman, P., Review of Harris, E. T., ed., Dido and Aeneas, M&L, 71 (1990), 617–20Google Scholar

Howard, J. E., ‘Dancing Masters and the Production of Cosmopolitan Bodies in Carline Town Comedy’, in Zucker, A. and Farmer, A. B., eds., Localizing Caroline Drama: Politics and Ecnomics of the Early Modern English Stage, 1625–1642 (New York, 2006), 183–211Google Scholar

Howard, M., ‘Inventories, Surveys and the History of Great Houses 1480–1640’, Architectural History, 41 (1998), 14–29Google Scholar

Hudson, R., ‘Chordal Aspects of the Italian Dance Style 1500–1650’, JLSA, 3 (1970), 35–52Google Scholar

Hudson, R., The Folia, the Saraband, the Passacaglia, and the Chaconne: The Historical Evolution of Four Forms that Originated in Music for the Five-Course Spanish Guitar, 4 vols., American Institute of Musicology, Musicological Studies and Documents, 35 (Neuhausen-Stuttgart, 1982)Google Scholar

Hudson, R., ‘Further Remarks on the Passacaglia and Ciaconna’, JAMS, 23 (1970), 302–14Google Scholar

Hudson, R., ‘The Music in Italian Tablatures for the Five-Course Spanish Guitar’, JLSA, 4 (1971), 21–42Google Scholar

Hudson, R., ‘The “Zarabanda” and “Zarabanda Francese” in Italian Guitar Music of the Early 17th Century’, Musica Disciplina, 24 (1970), 125–49Google Scholar

Hughes, A., Gender and the English Revolution (London, 2012)Google Scholar

Huguet, E. Dictionnaire de la langue française du seizième siècle, 7 vols. (Paris, 1925–67)Google Scholar

Hume, R. D., ‘The Economics of Culture in London, 1660–1740’, Huntington Library Quarterly, 69 (2006), 487–533Google Scholar

Husselby, J. and Henderson, P., ‘Location, Location, Location! Cecil House in the Strand’, Architectural History, 45 (2002), 159–93Google Scholar

Hutton, R., Charles the Second: King of England, Scotland, and Ireland (Oxford, 1989)Google Scholar

Hutton, R., Debates in Stuart History (Basingstoke, 2004)Google Scholar

Huws Jones, Edward, ‘“To Sing and Play to the Bass Viol Alone”: The Bass Viol in English 17th Century Song’, LSJ, 16 (1975), 17–23Google Scholar

Jackson, C., Charles II: The Star King (London, 2016)Google Scholar

Jarvis, R. C., ‘Books of Rates’, Journal of the Society of Archivists, 5 (1977), 515–26Google Scholar

Jones, S. K., ‘The Legacy of the “Stupendious” Nicola Matteis’, EM, 29 (2001), 553–68Google Scholar

Jones, S. K., ‘The “Stupendious” Nicola Matteis: An Exploration of his Life, His Works for the Violin and His Performing Style’, unpublished doctoral dissertation, 3 vols., University of York (2004)Google Scholar

Jürgens, M., Documents du Minutier central concernant l’histoire de la musique (1600–1650), 2 vols. (Paris, 1967 and 1974)Google Scholar

Jusserand, J. J., A French Ambassador at the Court of Charles the Second (London, 1892)Google Scholar

Kaufman, H. A., Conscientious Cavalier: Colonel Bullen Reymes, M. P., F. R. S., 1613–1672, the Man and His Times (London, 1962)Google Scholar

Keay, A., ‘The Ceremonies of Charles II’s Court’, unpublished doctoral dissertation, Queen Mary University of London (2004)Google Scholar

Keay, A., The Last Royal Rebel: The Life and Death of James, Duke of Monmouth (London, 2016)Google Scholar

Keay, A., The Magnificent Monarch: Charles II and the Ceremonies of Power (London, 2008)Google Scholar

Keeble, N. H., ‘Bunyan’s King’, Bunyan Studies, 19 (2015), 12–29Google Scholar

Keeble, N. H., The Restoration: England in the 1660s (Oxford, 2002)Google Scholar

Keith, R., ‘The Guitar Cult in the Courts of Louis XIV and Charles II’, Guitar Review, 26 (1962), 3–9Google Scholar

Keith, R., ‘“La Guitarre Royalle”: A Study of the Career and Compositions of Francesco Corbetta’, Recherches sur la musique française classique, 6 (1966), 73–93Google Scholar

Kerman, J., ‘An Italian Musician in England, 1562–78’, Revista de Musicología, 16/1, Del XV Congreso de la Sociedad Internacionalde Musicología: Culturas Musicales Del Mediterráneo y sus Ramificaciones I (1993), 561–73Google Scholar

Kerslake, J. ‘Mercier at Upton’, Burlington Magazine, 118 (1976), 770–3Google Scholar

Keynes, G., ed., The Works of Sir Thomas. Browne, 4 vols. (London, 1964)Google Scholar

Knights, M., ‘Samuel Pepys and Corruption’, Parliamentary History, 33 (2014), 19–35Google Scholar

Knowles, J., ‘“Songs of Baser Alloy”: Jonson’s Gypsies Metamorphosed and the Circulation of Manuscript Libels’, Huntington Library Quarterly, 69 (2006), 153–76Google Scholar

Koch, P., ‘Trajectoire européenne d’une oeuvre sans passeport: les “Fragments de la vie du comte de Gramont”, in Crapulli, G., ed., Trasmissione dei testi a stampa nel periodo moderno (Rome, 1987), 207–54Google Scholar

Koster, J., ‘The Diary of Samuel Pepys and the NMM’s Recently Acquired Spinet by Charles Haward, London, 1689’, National Music Museum Newsletter, 31 (2004), 4–5Google Scholar

Kyropoulos, D., ‘The Imperfect Harmony of the Baroque Guitar’, unpublished master’s dissertation, University of Cambridge (2014)Google Scholar

LaMay, T., ed., Musical Voices of Early Modern Women (Aldershot, 2005)Google Scholar

Lasocki, D., ‘The Recorder and Its Music at the Jacobite Courts in England and France, 1685–1712’, The American Recorder, 55 (2014), 15–30Google Scholar

Lee, M. Jr, The Heiresses of Buccleuch (East Linton, 1996)Google Scholar

Leech, P., ‘Music and Musicians in the Catholic Chapel of James II at Whitehall, 1686–1688’, EM, 39 (2011), 379–400Google Scholar

Leech, P., ‘Musicians in the Catholic Chapel of Catherine of Braganza, 1662–92’, EM, 29 (2001), 570–87Google Scholar

Leopold, S. and Williams, K., ‘Remigio Romano’s Collection of Lyrics for Music’, PRMA, 110 (1983–4), 45–61Google Scholar

Lesure, F., Bibliographie des éditions musicales publiées par Estienne Rogier et Michel-Charles le Cène (Paris, 1969)Google Scholar

Lesure, F., ‘La Facture instrumentale à Paris au seizième siècle’, GSJ, 7 (1954), 11–52Google Scholar

Lesure, F., ‘La Guitare en France au XVI^e siècle’, Musica Disciplina, 4 (1950), 187–95Google Scholar

Lesure, F., ed., Nouvelles découvertes sur la guitarre: contenantes plusieurs suittes de pièces sur huit manières différentes d’accorder: exemplaire augmenté de nombreuses pièces manuscrites de la main de l’auteur (Ms. Bibliothèque nationale, Paris, Vm7 6221) (Geneva, 1977)Google Scholar

Limon, J., Dangerous Matter: English Drama and Politics in 1623/24 (Cambridge, 1986)Google Scholar

Lombard, J., Courtilz de Sandras et la crise du roman à la fin du grand siècle (Paris, 1980)Google Scholar

Long, J. and Long, B., The Plot against Pepys (London, 2007)Google Scholar

Longstaffe-Gowan, T., The London Square (London, 2012)Google Scholar

Love, H., ‘The Fiddlers on the Restoration Stage’, EM, 6 (1978), 391–9Google Scholar

Love, H., ‘Hamilton’s “Mémoires de la vie du comte de Grammont” and the Reading of Rochester’, Restoration: Studies in English Literary Culture, 1660–1700, 19 (1995), 95–102Google Scholar

Love, H., ‘The Scribal Publication of Rochester’s Songs’, Bibliographical Society of Australia and New Zealand, 20/3 (1996), 161–80Google Scholar

Love, H., ‘Who Were the Restoration Audience?’, The Yearbook of English Studies, 10 (1980), 21–44Google Scholar

Loveman, K., Samuel Pepys and His Books: Reading, Newsgathering, and Sociability (Oxford, 2015)Google Scholar

Lowenthal, C., ‘Sticks and Rags, Bodies and Brocade: Essentializing Discourse and the Late Restoration Playhouse’, in Quinsey, , Broken Boundaries, 219–35Google Scholar

Lowerre, K., Music and Musicians on the London Stage, 1695–1705 (Farnham, 2009)Google Scholar

Luckett, R., ‘Music’, in Latham, and Matthews, , Diary, x, 258–82Google Scholar

Mabbett, M., ‘Italian Musicians in Restoration England (1660–90)’, M&L, 67 (1986), 237–47Google Scholar

MacDowell, K. E., ‘Il Mattaccino: Music and Dance of the Matachin and Its Role in Italian Comedy’, EM, 40 (2012), 659–70Google Scholar

MacGregor, A., ‘King Charles I: A Renaissance Collector?’, The Seventeenth Century, xi (1996), 141–60Google Scholar

Marshall, C., Music and Society in Early Modern England (Cambridge, 2010)Google Scholar

Marshall, C., Intelligence and Espionage in the Reign of Charles II, 1660–1685 (Cambridge, 1994)Google Scholar

Martin, D., ‘The Early Wire-Strung Guitar’, GSJ, 59 (2006), 123–37 and 252–6Google Scholar

Mattia, K. M., ‘Crossing the Channel: Cultural Identity in the Court Entertainments of Queen Henrietta Maria, 1625–1640’, unpublished doctoral dissertation, Duke University (2007)Google Scholar

Maus, E., ‘“Playhouse Flesh and Blood”: Sexual Ideology and the Restoration Actress’, English Literary History, 46 (1979), 595–6Google Scholar

Mayhew, N. J., ‘Prices in England 1170–1750’, Past & Present, 219 (2013), 3–39Google Scholar

McCallum, P., ‘Cozening the Pit: Prologues, Epilogues and Poetic Authority in Restoration England’, in Ennis, and Slagle, , eds., Prologues, Epilogues, Curtain-Raisers, and Afterpieces, 33–69Google Scholar

McKellar, E., Landscapes of London: The City, The Country and the Suburbs 1660–1840 (London, 2013)Google Scholar

Merritt, J. F., ed., Imagining Early Modern London: Perceptions and Portrayals of the City from Stow to Strype 1698–1720 (London, 2001)Google Scholar

Merritt, J. F., ed., The Social World of Early Modern Westminster: Abbey, Court and Community, 1525–1640 (Manchester, 2005)Google Scholar

Merritt, J. F., ed., ‘“Voluntary Bounty and Devotion to the Service of God” ? Lay Patronage, Protest and the Creation of the Parish of St Paul Covent Garden, 1629–41’, EHR, 125 (2010), 35–59Google Scholar

Merritt, J. F., ed., Westminster 1640–60: A Royal City in a Time of Revolution (Manchester, 2013)Google Scholar

Michel, A. and Neumann, P., Gitarren 17. bis 19. Jahrhundert (Leipzig, 2016)Google Scholar

Miles, N. F., ‘Approaches to Accompaniment on the Baroque Guitar’, unpublished doctoral dissertation, 2 vols., University of Birmingham (2013)Google Scholar

Milhous, J. and Price, C., ‘Harpsichords in the London Theatres, 1697–1715’, EM, 18 (1990), 38–46Google Scholar

Millar, O., Sir Peter Lely 1618–80 (London, 1978)Google Scholar

Miller, R., ‘New Information on the Chronology of Venetian Monody: The “Raccolte” of Remigio Romano’, M&L, 77 (1996), 22–33Google Scholar

Monno, J., Die Barockgitarre: Darstellung ihrer Entwicklung und Spielweise (Munich, 1995)Google Scholar

Murata, M., ‘Guitar passacagli and vocal arie’, in Buttini, F. M., ed., La monodia in Toscana alle soglie del XVII secolo (Pisa, 2007), 81–116Google Scholar

Nelson, J., ‘Matteis and Seventeenth-Century Guitar Accompaniment’, Lute Society of America Quarterly, 40 (2005), 16–23Google Scholar

Netzloff, M., ‘“Counterfeit Egyptians” and Imagined Borders: Jonson’s The Gypsies Metamorphosed’, ELH, 68 (2001), 763–93Google Scholar

O’Day, R., Education and Society 1500–1800: The Social Foundations of Education in Early Modern Britain (London, 1982)Google Scholar

Ohlmeyer, J. H., Making Ireland English: The Irish Aristocracy in the Seventeenth Century (London, 2012)Google Scholar

Ollard, R. L., Cromwell’s Earl: A Life of Edward Montagu, 1st Earl of Sandwich (London, 1994)Google Scholar

Orgel, S. and Strong, R., Inigo Jones: The Theatre of the Stuart Court (Berkeley, 1973)Google Scholar

Orgel, S. and Tounshend, A. ‘Florimène and the Ante-Masques’, Renaissance Drama, New Series, 4 (1971), 135–53Google Scholar

Orlin, L. C., ed., Material London, ca. 1600 (Philadelphia, 2000)Google Scholar

Overton, M.et al., Production and Consumption in English Households, 1600–1750 (London, 2004)Google Scholar

Page, C., The Guitar in Tudor England: A Social and Musical History (Cambridge, 2015)Google Scholar

Page, C., ‘The Spanish Guitar in the Newspapers, Novels, Drama and Verse of Eighteenth-Century England’, Royal Musical Association Research Chronicle (2013), 1–18Google Scholar

Palmer, R., ‘Lambeth Palace Library: A Catalogue of the Miscellaneous Manuscripts … MSS 943–1174’ (2013), unpublished typescript catalogue in Lambeth Palace LibraryGoogle Scholar

Parisi, S., ‘Acquiring Musicians and Instruments in the Early Baroque: Observations from Mantua’, The Journal of Musicology, 14 (1996), 117–50Google Scholar

Peck, L. L. Consuming Splendour: Society and Culture in Seventeenth-Century England (Cambridge, 2005)Google Scholar

Peck, L. L. ‘Luxury and War: Reconsidering Luxury Consumption in Seventeenth-Century England’, Albion, 34 (2002), 1–23Google Scholar

Peruffo, M., ‘The Mystery of Gut Bass Strings in the Sixteenth and Seventeenth Centuries: The Role of Loaded-Weighted Gut’, Recercare, 5 (1993), 115–51Google Scholar

Peruffo, M., ‘New Theories on the Making of Low Lute Strings in the Baroque Era’, Il ‘Fronimo’, 74 (1991), 29–35 (in Italian)Google Scholar

Picard, L., Restoration London (London, 1997)Google Scholar

Pinard, M., Chronologie historique-militaire, contenant l’histoire de la création de toutes les charges, dignités et grades militaires supérieurs; de toutes les personnes qui les ont possédés, 7 vols. (Paris, 1760–4)Google Scholar

Pinnell, R. T., ‘Alternate Sources for the Printed Guitar Music of Francesco Corbetta (1615–1681)’, JLSA, 9 (1976), 62–86Google Scholar

Pinnell, R. T., ‘Francesco Corbetta, chitarrista barocca alla corte d’Inghilterra’, Il Fronimo, 37 (1981), 6–29Google Scholar

Pinnell, R. T., ‘The Theorboed Guitar: Its Repertoire in the Guitar Books of Granata and Gallot’, EM, 7 (1979), 323–9Google Scholar

Pinnock, A., ‘Deus ex Machina: A Royal Witness to the Court Origin of Purcell’s Dido and Aeneas’, EM, 40 (2012), 265–78Google Scholar

Pinnock, A., ‘Which Genial Day? More on the Court Origin of Purcell’s Dido and Aeneas, with a Shortlist of Dates for Its Possible Performance before King Charles II’, EM, 43 (2015), 199–212Google Scholar

Pio, S., Viol and Lutemakers of Venice (Venice, 2011)Google Scholar

Pistis, S., ‘I manoscritti per chitarra spagnola Mus. E. 323 e Mus. F. 1528 della Biblioteca Estense di Modena’. English version uniquely available at www.chitarrainitalia.it/inglese/ricerca.htmChitarraGoogle Scholar

Poitevin, K., ‘Inventing Whiteness: Cosmetics, Race, and Women in Early Modern England’, Journal for Early Modern Cultural Studies, 11 (2011), 59–89Google Scholar

Polk, K., German Instrumental Music of the Late Middle Ages: Players, Patrons, and Performance Practice (Cambridge, 1992)Google Scholar

Preitano, M., ‘Gli arbori della concezione tonale: aria, ritornello strumentale e chitarra spagnola nel primo seicento’, Rivista Italiana di musicologia, 29 (1994), 27–88Google Scholar

Price, C., Henry Purcell and the London Stage (Cambridge, 1984)Google Scholar

Price, C., Music in the Restoration Theatre (Ann Arbor, 1979)Google Scholar

Price, C., ‘Restoration Stage Fiddlers and Their Music’, EM, 7 (1979), 315–22Google Scholar

Price, C., Review of Harris, ed., Dido and Aeneas, EMH, 8 (1988), 260–7Google Scholar

Pritchard, J., ‘Social Topography in The Dunciad, Variorum’, Huntington Library Quarterly, 75 (2012), 527–60Google Scholar

Quinsey, K. M., ed., Broken Boundaries: Women and Feminism in Restoration Drama (Lexington, 1996)Google Scholar

Randall, D. B., Jonson’s Gypsies Unmasked: Background and Theme of The Gypsies Metamorphosed (Durham, NC, 1975)Google Scholar

Ranson, S. R., Typescript handlist of the Verney papers, Centre for Buckinghamshire Studies, AylesburyGoogle Scholar

Ravelhofer, B. The Early Stuart Masque: Dance, Costume, and Music (Oxford, 2009)Google Scholar

Raven, J., The Business of Books: Booksellers and the English Book Trade, 1450–1850 (New Haven and London, 2007)Google Scholar

Raylor, T., ‘Exiles, Expatriates and Travellers: Towards a Cultural and Intellectual History of the English Abroad, 1640–1660’, in Major, P., ed., Literatures of Exile in the English Revolution and Its Aftermath, 1640–1690 (Farnham, 2010), 15–43Google Scholar

Raymond, F., Antoine Watteau (1684–1721): la leçon de musique (Paris, 2013)Google Scholar

Redford, B., Dilettanti: The Antic and the Antique in Eighteenth-Century England (Los Angeles, 2008)Google Scholar

Reed, M., ‘London and Its Hinterland 1600–1800: The View from the Provinces’, in Clark, P. and Lepetit, B., eds., Capital Cities and Their Hinterlands in Early Modern Europe (Aldershot, 1996), 51–83Google Scholar

Report on the manuscripts of the Earl of Egmont presented to Parliament by command of His Majesty, 2 vols., Historical Manuscripts Commission (London and Dublin, 1905–9)Google Scholar

Report on the manuscripts of His Grace, the Duke of Rutland, 4 vols., Historical Manuscripts Commission (London, 1888–1905)Google Scholar

Roberts, D., Restoration Plays and Players (Birmingham, 2014)Google Scholar

Rogers, P., ed., Alexander Pope: The Major Works (Oxford, 2006)Google Scholar

Rogers, P., ed., Pope and the Destiny of the Stuarts: History, Politics and Mythology in the Age of Queen Anne (Oxford, 2005)Google Scholar

Romanillos Vega, J. L. and Winspear, H. S., The Vihuela de Mano and the Spanish Guitar: A Dictionary of the Makers of Plucked and Bowed Musical Instruments of Spain (1200–2002) (Guijosa, 2002)Google Scholar

Roper, A., ‘Rutt’s Edition of Pepys’, The Library, 5 (2004), 428–38Google Scholar

Sacks, D. H., ‘London’s Dominion: The Metropolis, the Market Economy, and the State’, in Orlin, , ed., Material London, 20–54Google Scholar

Salzman, P., ‘Travelling or Staying In: Spain and the Picaresque in the Early 1620s’, The Yearbook of English Studies, 41 (2011), 141–55Google Scholar

Samson, A., ed., The Spanish Match: Prince Charles’s Journey to Madrid, 1623 (Aldershot, 2003)Google Scholar

Sanchez Cano, D., ‘Dances for the Royal Festivities in Madrid in the Sixteenth and Seventeenth Centuries’, The Journal of the Society for Dance Research, 23 (2005), 123–52Google Scholar

Schama, S., ‘The Domestication of Majesty: Royal Family Portraiture, 1500–1850’, in Rotberg, R. I. and Rabb, T. K., eds., Art and History: Images and Their Meaning (Cambridge, 1988), 155–83Google Scholar

Scott, K., St James’s Palace: A History (London, 2010)Google Scholar

Scouten, A. H., and Hume, R. D., ‘Restoration Comedy and Its Audiences, 1660–1776’, The Yearbook of English Studies, 10 (1980), 45–69Google Scholar

Sharpe, K., Rebranding Rule: Images of Restoration and Revolution Monarchy, 1660–1714 (New Haven, 2013)Google Scholar

Shaw, D., ‘French Émigrés in the London Book Trade to 1850’, in Myers, R., Harris, M. and Mandelbrote, G., eds., The London Book Trade: Topographies of Print in the Metropolis from the Sixteenth Century (London, 2003), 127–43Google Scholar

Shay, R. S. and Thompson, R., Purcell Manuscripts: The Principal Musical Sources (Cambridge, 2000)Google Scholar

Shepard, A., Meanings of Manhood in Early Modern England (Oxford, 2003)Google Scholar

Shephard, S. and Spicksley, J., ‘Worth, Age, and Social Status in Early Modern England’, The Economic History Review, 64 (2011), 493–530Google Scholar

Sheppard, F. H. W., ed., Survey of London, 36, Parish of St. Paul Covent Garden (London, 1970)Google Scholar

Shoemaker, R. B., ‘Gendered Spaces: Patterns of Mobility and Perceptions of London’s Geography, 1660–1750’, in Merritt, , ed., Imagining Early Modern London, 144–65Google Scholar

Silbiger, A., ‘On Frescobaldi’s Recreation of the Chaconne and the Passacaglia’, in Hogwood, C., ed., The Keyboard in Baroque Europe (Cambridge, 2003), 3–18Google Scholar

Simpson, C. M. ed., The British Broadside Ballad and Its Music (New Brunswick, 1966)Google Scholar

Slack, P., ‘Government and Information in Seventeenth-Century England’, Past & Present, 184 (2004), 33–68Google Scholar

Slack, P., The Invention of Improvement: Information and Material Progress in Seventeenth-Century England (Oxford, 2015)Google Scholar