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5 - Motif and source research: Neoanalysis, Homer, and Cyclic epic

from PART I - APPROACHES TO THE EPIC CYCLE

Published online by Cambridge University Press:  05 August 2015

Wolfgang Kullmann
Affiliation:
University of Freiburg (Professor Emeritus)
Marco Fantuzzi
Affiliation:
Columbia University, New York
Christos Tsagalis
Affiliation:
University of Thessaloniki, Greece
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Summary

Introduction

The Homeric Iliad narrates only a specific episode of the Trojan War but, as becomes clear from numerous allusions, nonetheless takes for granted its audience's familiarity with the legend of the whole war. It is impossible to understand the Iliad without knowledge of its mythical background. At the time of composition of the Iliad, this was probably known only in the form of orally performed lays or minor epics, being recorded in comprehensive written form only towards the end of the seventh century in the Cyclic epics. The date of the first written version of the Iliad is contested. My own assumption is that, after a long period of work carried out in stages, it was completed in writing by the author in the first half of the seventh century; Martin West, among others, is of a similar opinion. It is obvious that there are close connections between the allusions to Trojan legends in the Iliad and the subject matter of the Cyclic epics: it is to these that the research of neoanalysis is directed. The most important source for the content of these lost epics can be found in the summaries of Proclus' Chrestomathy: for the Cypria these are preserved in various Homeric manuscripts, but for the other Cyclic epics only in the manuscript Venetus A. Complementary information can be found in the fragments, in the Odyssey and in Ps.-Apollodorus' Bibliotheca, a handbook of mythography. But in the latter case it is not certain that the information invariably goes back to the Cyclic epics. In our opinion, the main literary difference between the Iliad on the one hand and, on the other, the Cyclic epics or the pre-Homeric oral epic tradition preserved in these epics lies in the dramatic and psychologically deeper composition of the Iliad, with its numerous and continuous threads of motif, independent of the limited length of an oral presentation, and in the chronological style of narrative of the epic tradition as found in the Cycle. Oralists like Burgess also emphasize the differences of style and call that of the Iliad ‘meta-Cyclic’.

Proclus' summaries are cited according to my own numeration by paragraphs.3 For the Cypria and the Aethiopis, which in terms of mythical chronology directly frame the Iliad, we will give a translation to ease comparison.

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Publisher: Cambridge University Press
Print publication year: 2015

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