This chapter considers the syntax of Hopkins’s poems. It places Hopkins’s syntax in the context of his devotional and artistic life, showing how his sentences negotiate the conflicting pressures exerted by Catholic faith and poetic ambition, personal idiosyncrasy, and the desire to be ‘intelligible’. It also places the poems in the context of larger syntactical trends, showing how Hopkins’s phrasing works with and against the grain of nineteenth-century usage, and addressing Hopkins’s interest in and anticipation of developments in Victorian philology. The chapter pays particular attention to ‘Myself Unholy’, ‘The Wreck of the Deutschland’, and ‘Tom’s Garland’.