Book contents
- George Herbert and Early Modern Musical Culture
- George Herbert and Early Modern Musical Culture
- Copyright page
- Dedication
- Contents
- Figures
- Musical Examples
- Preface
- Acknowledgements
- Introduction
- Chapter 1 Measuring Well
- Chapter 2 Communities of Voices
- Chapter 3 The Visual Music of the Masque
- Chapter 4 Concord and Consent
- Chapter 5 Double Motion
- Chapter 6 Singing the Psalms
- Epilogue
- Notes
- Bibliography
- Index
Chapter 4 - Concord and Consent
The Music of Lord Herbert of Cherbury
Published online by Cambridge University Press: 11 November 2022
- George Herbert and Early Modern Musical Culture
- George Herbert and Early Modern Musical Culture
- Copyright page
- Dedication
- Contents
- Figures
- Musical Examples
- Preface
- Acknowledgements
- Introduction
- Chapter 1 Measuring Well
- Chapter 2 Communities of Voices
- Chapter 3 The Visual Music of the Masque
- Chapter 4 Concord and Consent
- Chapter 5 Double Motion
- Chapter 6 Singing the Psalms
- Epilogue
- Notes
- Bibliography
- Index
Summary
Chapter 4 examines the musical activities of Herbert’s elder brothe, Edward, first Lord Herbert of Cherbury (c.1582–1648). Cherbury’s musical activities are regularly overlooked by scholars interested in his work as a philosopher, historian, or diplomat. Yet music played an important role in his self-fashioning as a ‘Citizen of the world’, and these Stoic cosmopolitan ideals shaped his work as a diplomat and as a philosopher. In his philosophical work, Cherbury repeatedly turns to musical ideas to understand the nature of truth as a ‘harmonising’ of our faculties with the world. Most remarkably, evidence suggests that his philosophical ideas influenced his work as a composer: founded on the mathematical and astrological principles of harmony, his lute compositions attempted to express in a deeply personal and private music his relationship to the wider cosmos. The chapter concludes with a discussion of the echo poems composed by both brothers, demonstrating how the musical idea of resonance between the microcosm and the macrocosm informs their poetry.
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- George Herbert and Early Modern Musical Culture , pp. 110 - 138Publisher: Cambridge University PressPrint publication year: 2022