Book contents
- Gathering Force: Early Modern British Literature in Transition, 1557-1623
- Early Modern British Literature in Transition, 1557–1714
- Gathering Force: Early Modern British Literature in Transition, 1557–1623
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Acknowledgements
- Abbreviations
- Introduction
- Part I Generic Transitions
- Part II Literature and Ideological Transformation
- Chapter 6 Lyric and Spiritualism: John Donne’s “The Ecstasy”
- Chapter 7 Romance and the Boundaries of Genre and Gender
- Chapter 8 Drama and Globalization in Early Modern England
- Chapter 9 The Court Masque: Art and Politics
- Chapter 10 Prose, Science, and Scripture: Francis Bacon’s Sacred Texts
- Part III Literature and Cultural Transformation
- Part IV Literature and Local Transformation
- Index
- References
Chapter 7 - Romance and the Boundaries of Genre and Gender
from Part II - Literature and Ideological Transformation
Published online by Cambridge University Press: 12 January 2019
Book contents
- Gathering Force: Early Modern British Literature in Transition, 1557-1623
- Early Modern British Literature in Transition, 1557–1714
- Gathering Force: Early Modern British Literature in Transition, 1557–1623
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Acknowledgements
- Abbreviations
- Introduction
- Part I Generic Transitions
- Part II Literature and Ideological Transformation
- Chapter 6 Lyric and Spiritualism: John Donne’s “The Ecstasy”
- Chapter 7 Romance and the Boundaries of Genre and Gender
- Chapter 8 Drama and Globalization in Early Modern England
- Chapter 9 The Court Masque: Art and Politics
- Chapter 10 Prose, Science, and Scripture: Francis Bacon’s Sacred Texts
- Part III Literature and Cultural Transformation
- Part IV Literature and Local Transformation
- Index
- References
- Type
- Chapter
- Information
- Publisher: Cambridge University PressPrint publication year: 2019
References
Further Reading
Cooper, Helen, The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare (Oxford: Oxford University Press, 2004).Google Scholar
Hackett, Helen, Women and Romance Fiction in the English Renaissance (Cambridge: Cambridge University Press, 2000).CrossRefGoogle Scholar
Raymond, Joad, ed., The Oxford History of Print Culture, Volume 1: Cheap Print in Britain and Ireland to 1660 (Oxford: Oxford University Press, 2011).Google Scholar
Salzman, Paul, ed., An Anthology of Seventeenth-Century Fiction (Oxford: Oxford University Press, 1991).Google Scholar