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Part II - Literature and Ideological Transformation

Published online by Cambridge University Press:  12 January 2019

Edited by
Kristen Poole  and
Lauren Shohet
Kristen Poole
Affiliation:
University of Delaware
Lauren Shohet
Affiliation:
Villanova University, Pennsylvania
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Gathering Force: Early Modern British Literature in Transition, 1557–1623 , pp. 107 - 196
Publisher: Cambridge University Press
Print publication year: 2019

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References

Further Reading

Carey, John, John Donne: Life, Mind and Art (London: Faber and Faber, 1981).Google Scholar
Empson, William, “Donne the Space Man” [1957], in Essays on Renaissance Literature, Volume One: Donne and the New Philosophy, ed. Haffenden, John (1993; reprinted Cambridge: Cambridge University Press, 1995).Google Scholar
Johnson, Jeffrey, The Theology of John Donne (Cambridge: D. S. Brewer, 1999).Google Scholar
Targoff, Ramie, John Donne: Body and Soul (Chicago: University of Chicago Press, 2008).Google Scholar

Further Reading

Burrow, Colin, Epic Romance: Homer to Milton (Oxford: Clarendon Press, 1993).Google Scholar
Cooper, Helen, The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare (Oxford: Oxford University Press, 2004).Google Scholar
Hackett, Helen, Women and Romance Fiction in the English Renaissance (Cambridge: Cambridge University Press, 2000).Google Scholar
Raymond, Joad, ed., The Oxford History of Print Culture, Volume 1: Cheap Print in Britain and Ireland to 1660 (Oxford: Oxford University Press, 2011).Google Scholar
Salzman, Paul, ed., An Anthology of Seventeenth-Century Fiction (Oxford: Oxford University Press, 1991).Google Scholar

Further Reading

Sebek, Barbara and Deng, Stephen S., eds., Global Traffic: Discourses and Practices of Trade in English Literature and Culture from 1550 to 1700 (New York: Palgrave Macmillan, 2008).Google Scholar
Singh, Jyotsna, ed., A Companion to the Global Renaissance: English Literature and Culture in the Era of Expansion (Chichester: Wiley-Blackwell, 2009).Google Scholar
Vitkus, Daniel J., Turning Turk: English Theater and the Multicultural Mediterranean, 1570–1630 (New York: Palgrave Macmillan, 2003).Google Scholar

Further Reading

Archer, Jayne Elisabeth, Goldring, Elizabeth, and Knight, Sarah, eds., The Progresses, Pageants, and Entertainments of Queen Elizabeth I (Oxford: Oxford University Press, 2007).Google Scholar
Chambers, E. K., The Elizabethan Stage, 4 vols. (1923; Oxford: Clarendon Press, 1974), vol. 1, chapters 5–6.Google Scholar
Feuillerat, Albert, ed., Documents Relating to the Office of the Revels in the Time of Queen Elizabeth (1908; Vaduz: Kraus, 1963).Google Scholar
Nichols, John, ed., The Progresses and Public Processions of Queen Elizabeth, 3 vols. (1823; New York: AMS Press, 1968).Google Scholar
Ravelhofer, Barbara, The Early Stuart Masque: Dance, Costume, and Music (Oxford: Oxford University Press, 2006).Google Scholar
Strong, Roy, Art and Power: Renaissance Festivals 1450–1650 (Berkeley: University of California Press, 1984).Google Scholar

Further Reading

Briggs, John C., Francis Bacon and the Rhetoric of Nature (Cambridge, MA: Harvard University Press, 1989).Google Scholar
Harrison, Peter, The Bible, Protestantism, and the Rise of Natural Science (Cambridge: Cambridge University Press, 1998).Google Scholar
Matthews, Stephen, Theology and Science in the Thought of Francis Bacon (Aldershot/Burlington: Ashgate, 2008).Google Scholar
Snider, Alvin, Origin and Authority in Seventeenth-Century England: Bacon, Milton, Butler (Toronto: University of Toronto Press, 1994).Google Scholar
Stillman, Robert E., The New Philosophy and Universal Languages in Seventeenth-Century England: Bacon, Hobbes, and Wilkins (Lewisburg: Bucknell University Press, 1995).Google Scholar
Whitney, Charles, Francis Bacon and Modernity (New Haven: Yale University Press, 1986).Google Scholar

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