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Part I - Generic Transitions

Published online by Cambridge University Press:  12 January 2019

Edited by
Kristen Poole  and
Lauren Shohet
Kristen Poole
Affiliation:
University of Delaware
Lauren Shohet
Affiliation:
Villanova University, Pennsylvania
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Gathering Force: Early Modern British Literature in Transition, 1557–1623 , pp. 17 - 106
Publisher: Cambridge University Press
Print publication year: 2019

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References

Further Reading

Culler, Jonathan, Theory of the Lyric (Cambridge, MA: Harvard University Press, 2015).Google Scholar
Dubrow, Heather, The Challenges of Orpheus: Lyric Poetry and Early Modern England (Baltimore: Johns Hopkins University Press, 2008).Google Scholar
Greene, Roland, Post-Petrarchism: Origins and Innovations of the Western Lyric Sequence (Princeton: Princeton University Press, 1991).Google Scholar
Langer, Ullrich, Lyric in the Renaissance: From Petrarch to Montaigne (Cambridge: Cambridge University Press, 2015).Google Scholar

Further Reading

Borris, Kenneth, Allegory and Epic in English Renaissance Literature: Heroic Form in Sidney, Spenser, and Milton (Cambridge: Cambridge University Press, 2000).Google Scholar
Cooper, Helen, The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare (Oxford: Oxford University Press, 2004).Google Scholar
Fowler, Alastair, Kinds of Literature: An Introduction to the Theory of Genres and Modes (Cambridge, MA: Harvard University Press, 1982).Google Scholar
Fuchs, Barbara, Romance (New York: Routledge, 2004).CrossRefGoogle Scholar
Salzman, Paul, English Prose Fiction, 1558–1700: A Critical History (Oxford: Clarendon Press, 1985).Google Scholar

Further Reading

Belsey, Catherine, The Subject of Tragedy: Identity and Difference in Renaissance Drama (London: Methuen, 1985).Google Scholar
Dessen, Alan C., Elizabethan Drama and the Viewer’s Eye (Chapel Hill: University of North Carolina Press, 1977).Google Scholar
Kitto, H. D. F., Form and Meaning in Drama: A Study of Six Greek Plays and “Hamlet.” (London: Methuen, 1956).Google Scholar
McConnachie, Bruce, Engaging Audiences: A Cognitive Approach to Spectating in the Theater (New York: Palgrave Macmillan, 2008).Google Scholar
Neill, Michael, Putting History to the Question: Power, Politics and Society in English Renaissance Drama (New York: Columbia University Press, 2000).Google Scholar
Tribble, Evelyn B., Cognition in the Globe: Attention and Memory in Shakespeare’s Theater (New York: Palgrave Macmillan, 2011).Google Scholar

Further Reading

Archer, Jane, Goldring, Jane, and Knight, Sarah, eds., The Progresses, Pageants, and Entertainments of Elizabeth I (Oxford: Oxford University Press, 2007).Google Scholar
Bevington, David and Holbrook, Peter, eds., The Politics of the Stuart Court Masque (Cambridge: Cambridge University Press, 1998).Google Scholar
Butler, Martin, The Stuart Court Masque and Political Culture (Cambridge: Cambridge University Press, 2008).Google Scholar
Manley, Lawrence, The Literature and Culture of Early Modern London (Cambridge: Cambridge University Press, 1995).Google Scholar
McManus, Clare, Women on the Renaissance Stage: Anna of Denmark and Female Masquing at the Stuart Court (New York: Palgrave, 2002).Google Scholar
Orgel, Stephen, The Jonsonian Masque (Cambridge, MA: Harvard University Press, 1965).Google Scholar

Further Reading

Barthes, Roland, “The Old Rhetoric: An Aide-Mémoire,” The Semiotic Challenge, trans. Richard Howard (Berkeley: University of California Press, 1994), 11–94.Google Scholar
Enterline, Lynn, Shakespeare’s Schoolroom: Rhetoric, Discipline, Emotion (Philadelphia: University of Pennsylvania Press, 2012).Google Scholar
Mann, Jenny C., Outlaw Rhetoric: Figuring Vernacular Eloquence in Shakespeare’s England (Ithaca: Cornell University Press, 2012).Google Scholar
Nicholson, Catherine, Uncommon Tongues: Eloquence and Eccentricity in the English Renaissance (Philadelphia: University of Pennsylvania Press, 2014).Google Scholar
Rebhorn, Wayne, The Emperor of Men’s Minds: Literature and the Renaissance Discourse of Rhetoric (Ithaca: Cornell University Press, 1995).Google Scholar

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  • Generic Transitions
  • Edited by Kristen Poole, University of Delaware, Lauren Shohet, Villanova University, Pennsylvania
  • Book: Gathering Force: Early Modern British Literature in Transition, 1557–1623
  • Online publication: 12 January 2019
Available formats
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Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Generic Transitions
  • Edited by Kristen Poole, University of Delaware, Lauren Shohet, Villanova University, Pennsylvania
  • Book: Gathering Force: Early Modern British Literature in Transition, 1557–1623
  • Online publication: 12 January 2019
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Generic Transitions
  • Edited by Kristen Poole, University of Delaware, Lauren Shohet, Villanova University, Pennsylvania
  • Book: Gathering Force: Early Modern British Literature in Transition, 1557–1623
  • Online publication: 12 January 2019
Available formats
×