Lower Main Street and “Uptown”: The Mercantile Elite

The social footprint of Dubuque, Iowa, one of the most vital frontier small cities in the Great West that drew national focus and attention, emerged from the intersection of geology, landscape, and the logic of the market place within the larger regional economy. The presence of lead, a much needed mineral in various industries, within its surrounding bluffs, hills, and valleys put the town, literally, on the map in the 1830s. By the late 1830s, Dubuque was a small mining outpost and satellite of St. Louis, secondary to nearby Galena, the main entrepot of the so called Lead Region that stretched from northeastern Iowa across northwestern Illinois and into southwestern Wisconsin. By the 1840s, a rush of settlement into the back country as well as further upriver toward Minnesota added a strong local mercantile sector with connections to St. Louis and the east to the economy. Gradually Dubuque’s merchants, with the help of new steamboat connections north and south, chipped away at Galena’s dominance in both directions. When, in the mid-fifties, Dubuque entrepreneurs started their own steamboat company and the Illinois Central arrived in Dunleith across the river, Galena’s fate was sealed. Processing and small-scale manufacturing, as well as banking, brokerage, and land sales, increasingly funded via Chicago and New York, quickly emerged in the early and mid-1850s. As land values rose, immigration increased, and the economy boomed, Dubuque stood suddenly poised – before the real appearance of St. Paul as a competitor – to become the entrepot of the northwest.

Within this general framework of economic development, a small group of entrepreneurs who arrived early and gained the lion’s share of the mining business became wealthy and emerged as the town’s elite. But as the city’s population grew and local trade increased, a small mercantile and professional elite began to develop. In time, supported by the shifting of the main source of town wealth from mining to merchandising, banking, real estate, and manufacturing, the middle class grew larger. Those who arrived earlier rather than later, tended to have more capital. As a result they achieved greater efficiencies and thus gained a competitive advantage over their rivals. They then built upon that initial advantage to gain greater returns on their labor and investments. As a result, the wealthy got wealthier, while others progressed more modestly, and many, indeed perhaps the majority, merely broken even. In addition, those who achieved success tended to stay longer in town, while those who did not moved from one town to another, creating a divide between the early settler elite and the highly mobile “movers.”

Hence, in Dubuque, as in most western towns, the dynamics of the market place translated into a differentiated social structure. Those who prevailed in the competition among early settlers usually emerged as the town elite. Beneath them, a broad, dynamic, and loosely defined middle class whose members sought to control mainstream society and town politics gradually emerged. Rarely more than a fourth or, at most, a third of any town’s population, middle-class folks from Main Street were compelled to confront and interact with a growing working class as more and more workers were drawn to the city for jobs in the small manufacturing, construction, and transportation services. Over time, these structures became more pronounced, heightening social and political tensions and undermining efforts to develop or maintain any framework of common interest among citizens.

The spatial arrangement of the city by the 1850s reflected both Dubuque’s trajectory of economic development and its shifting position within the regional and the general pattern of its social development. Extending northwest from an inlet of the river to the south, the wharf was established where this inner harbor’s deep water came closest to the river channel. The city plat was squeezed or “compacted” onto a narrow plain or “terrace” and that stretched from southeast to northwest from the wharf between the meandering river with its numerous backwaters and inlets on the east and the two-hundred-foot-high bluffs less than a mile to the west. At the wharf – the town’s economic nodal point – the local economy intersected with the regional economy and shipping system. Several blocks to the northwest on lower Main Street, merchants and bankers sustained the local economy. The concentration of warehouses, stores, and banks on lower Iowa and Main Streets respectively – located there for access to both the river trade and town and hinterland residents – made it the center of exchange and investment in the local economy. Manufacturers who began producing goods for local and regional consumption – and thus generated development through import substitution – in the late 1840s needed more space than was available on crowded Iowa Street, the wharf, or lower Main Street, and pushed east and northeast along the river. Residents who found the hustle and bustle of Main Street – as businesses crowded out boarding houses and residents as it moved north in the 1850s - harder to bear, moved, according to their income and needs, into adjacent residential neighborhoods to the east, north, and west of downtown. Middle-class people moved near the base of the bluffs and extending to the north, working class to the east and northeast of Main Street with Germans to the north, Irish to the south in “Dublin,” and a small black population scattered in between. On south Locust Street, below Second Street leading to Dublin, there were only “One & Two Story Frame Buildings and … Hovels and Shanties” and “Doggeries & Low Class Boarding Houses” occupied by both Irish and blacks that gave the area such a rough reputation that, “Decent People hardly dared go down that St[reet].” By the 1850s, several members of the elite distanced themselves further from town by building larger houses up the hill toward the bluffs, on top of the bluffs, or – in southern style – on suburban or “borderlands” country farms or estates from two to five miles beyond the outskirts of town, west and north across the adjacent countryside.Footnote ¹⁵

In 1834, a group of settlers who had settled at scattered lead-mine sites across the nearby hills and bluffs, met at the wharf to found, and plat, and begin to improve the streets of Dubuque. Chief among them were James, Edward, Lucius, and Solon Langworthy who had discovered rich deposits of lead in Langworthy Hollow north of town. In need of an outlet for the lead they intended to smelt, they establish a wharf, and then platted streets diagonally heading north and from the wharf, where the two streets that intersected with the wharf were named Iowa and First Streets. A block to the east at Main Street and First, engineers platted the beginning to the Military Road – contracted by Lucius Langworthy – that would run southwest into Iowa territory to Iowa City and west to Fort Des Moines. Two years later, the Langworthy brothers formed a partnership and opened a land agency, mercantile emporium, and bank down at the northeast corner of Main and Third Streets. In the mid-1840s they replaced a wooden building with an impressive brick block that quickly became the economic center of Dubuque. The Langworthys also owned and operated a hardware store on Main Street above Fourth, as well as a commercial structure across the street in which they rented commercial space and offices out to others. In the later forties, their brother, Solon added to the Langworthy presence downtown by building an impressive jobbing house at First Street on the wharf.

By the mid-1850s, lower Main Street between Second and Sixth Street, anchored by the Langworthys Bank, agency, and merchandising house, had emerged as the center of Dubuque’s public life of work, business, policy, and politics. It was “from the earliest days the Main business part [of town] up to 1855.” To the south, above the “mud holes and frog ponds,” “saloons and hash houses,” taverns, and “cheap” boarding houses of lower Main Street, the impressive Julien House Hotel, at Second and Main, described as “The Pride of Dubuque,” marked the entrance into “uptown” as Main Street gradually inclined up past Sixth Street. Next door was the Telegraph and Express office, Dubuque’s connection, aside from the Post Office further up Main Street, to the outside world. Its location would attract several newspaper offices to locate on lower Main Street through the years. The Dubuque and Pacific Railroad had an office on lower Main at 56 Main Street. In the building boom of the mid- fifties, old wooden structures that remained were replaced by a series of four to five storey brick blocks that created a solid built up wall along both sides of Main Street. So too, Main Street was covered with macadam and gutters were built and all the old awnings and sheds along the street were demolished, presenting a modern urban look that one local observer noted “Dubuquers may well be proud of the Main Street of their growing city.”Footnote ¹⁶

In their stores and offices on Main Street, each of Dubuque’s prominent merchants, bankers, lawyers, businessmen, and manufacturers, pursuing their economic self-interest, had his own career story of beginnings, successes, setbacks, and ultimate achievements that helped write the economic history of the town. James, Edward, and Lucius Langworthy, for example, ran a veritable economic empire from their bank, land office, and merchandising houses on Main Street. They were considered by most the “founding fathers” of Dubuque. After arriving between 1829 and 1832, they struck a number of “rich leads” in the Couler Valley northwest of Dubuque, which was dubbed “Langworthy Hollow,” built a smelting furnace in Langworthy Hollow, and established the foundation of their fortune. When the mining business went into a decline in the 1840s because of falling prices, the Langworthys diversified into merchandising, land sales, and banking. By the mid-1850s the Langworthys “owned the most valuable lands in and about the city,” only banked in specie and limited their liabilities, thus making them rarely “obliged much to anybody.” Owning the richest firm in town, the Langworthys, individually, were also the richest men in town, each worth several millions of dollars in today’s terms, paying together about one-twelfth of the town’s taxes.Footnote ¹⁷

Around the corner on Fourth Street, in a small brick building less than a block from the Langworthy’s bank in an otherwise dingy block with a tavern and drug store, Richard Bonson, one of the Langworthys’ chief competitors in the mining business, established a small business office. He spent most days there over the years doing business and playing a role in public affairs, railroads, and politics more conveniently than he could from his house out in the country several miles west. The nearby courthouse, the Dubuque and Pacific Railroad office, and nearby hotels were part of his daily rounds. Bonson’s personal and business story paralleled that of the Langworthys. An immigrant with a large group of settlers from Yorskshire, Bonson had followed the Langworthys to Dubuque in 1834. Aware that the Langworthys had already owned most of the mining lots up the Couler Valley, Bonson joined the contingent of later settlers who took their search for lead to the south of town, near an old Indian village adjacent to Julien Dubuque’s mines at the mouth of Catfish Creek. Within a few years, Bonson had claimed a number of plots along the north face of the Catfish Creek valley and established two smelting furnaces near Catfish Creek that formed the structure of his economic life.

Though Bonson aspired to self-sufficiency, his world, like that of other miners and farmers in the West, was driven by the underlying logic of the market place. Bonson, unlike smaller producers, was able to endure the shakeout, muddle through a low-price market for lead in the mid-1840s, and then, after the federal government slapped a prohibitive tariff against English lead, take advantage of rising prices and demand by generating record production after 1845. So too, after a few record years depleted all the easy and rich leads, and costs increased and profits margin evaporated, Bonson was among the larger miners like the Langworthys who could continue to buy, work, and sell mineral lots and mineral. Many could not and turned, instead, to building furnaces and purchasing “mineral” from the big miners to smelt into seventy pound “pigs” of lead that they sold to wholesale shippers in Galena, or, after 1850, increasingly to lead companies in St. Louis. Eventually, as all the accessible lead had been mined, not even rising prices in the 1850s, such as those in 1853 in Galena, when “scarce a man in town was idle; merchants, lawyers, mechanics, and day laborers with pick and axe and spade” were “prospecting almost everywhere,” the industry slipped into a permanent decline. Even Richard Bonson, after a few break even years in the 1850s, recognized that the central dynamic of his economic life was eroding, and facing “dull prospects for the future,” concluded that though he was “worth plenty of money,” he “must be doing something” else.Footnote ¹⁸ Though Bonson was a believer in tangible, homegrown wealth which he treated like a “loose cloak” and viewed venture capital that one invested in revenue-generating activities as an alien capitalist idea, he, like most others, would turn toward booster efforts that sought to advance the continued growth and development of his “beloved city of the mines” as a way to move forward.

Most other businessmen on Main Street followed the trajectories of the Langworthys and Richard Bonson’s careers. Again and again one finds businessmen’s careers following the same rise of the 1840s, then a settling off, followed, depending on their work, by a broader boom in the 1850s during which they became more involved in capital investment, real estate, and the railroads. Horatio W. Sanford, a lawyer turned capitalist began buying and trading small parcels of land near the city and in 1850 opened his own land agency in a second floor office of a building below Fourth Street on Main. With his success he moved a few years later to a front office on Fourth and Main, “then the center of business” in town, and then, in 1856, into his own “Sanford Block” further north up the hill. In 1858, with a fortune of $100,000, he purchased the Rebman Block at Eighth and Main Streets in Dubuque and moved his land office into that opulent structure. So too, Major Mordecai Mobley operated one of the wealthiest banks in Dubuque, having established it in 1844 after emigrating from central Illinois, and by the mid-fifties he was one of the most trusted and wealthiest businessmen in town.Footnote ¹⁹ Thus collectively, while economic forces divided and differentiated townsmen, they also brought them together and created a new capitalist class on lower Main Street.

Upper Main Street: The Bench and Bar and “Fraternal Democracy”

At the top of the hill beyond Main and Sixth Street, business houses began to give way to more service and public-oriented venues. Early on, the buildings on upper Main Street – at the crest of the hill rising up from lower Main Street – encroached on some interspersed residences, gardens, and open lots that had been established earlier when Sixth Street was way out of town. In the building boom of the 1850s, however, a steady wall of business blocks and structures filled in Main Street up beyond Ninth Street. Most of Dubuque’s lawyers, politicians, and newspapermen had their offices on Main Street above Fifth Street. During the years 1853 through 1857, scores of buildings were built above Sixth Street, filling in what vacant lots or shanties that remained. This expansion of Main Street north was driven by a shortage of space further down Main Street, a desire by some to distance themselves from the wharf and the “element’ that prevailed in lower Main Street area, as well as a desire, or a need, to locate near City Hall over on Iowa Street and the old courthouse over at Seventh and Center Streets. To the east, the courthouse was one of the central meeting places in town. The fact that the Post Office was located in the Globe Building at Fifth and Main reinforced the centrality of this section of Main Street for professionals. To the west, at Locust and Sixth was a small square, hence giving to Sixth Street off Main near the Post Office the name of “public square.” Predictably, this cluster of the public buildings attracted the theaters, clubs, and lodges that served as the venues of Dubuque’s entertainment and associational life. By the mid-1850s, the Odd Fellows Block (on the south east corner), the Masonic Hall, and The People’s Theater, all clustered around Eighth and Bluff Streets two blocks west of Main. Their proximity transformed Eighth Street and Main Streets into a key “public” place – indeed it became one of the central meeting places – in the public discourse of the city.

The members of the bench and bar located their offices, as they did in almost every town and city, around the Post Office, the Courthouse, and newspaper offices. As noted, Dubuque’s Post Office operated out of the Globe Block at Fifth and Main during the 1850s. The impressive structure was built in the building boom of 1849 by David S. Wilson and Platt Smith. Both of the Wilson brothers and several other lawyers had offices upstairs in the Globe Block. George Nightengale and Phineas Crawford were their neighbors. Dennis Mahony and Joseph B. Dorr printed the Democratic newspaper The Dubuque Express and Herald from their third floor office. Because they apparently posted the latest edition at street level, the street in front of Globe Block became a regular gathering place among residents. In the 1850s, most days Mahony could be found there or at his real estate office over at Seventh and Main streets. William J. Barney, a noted lawyer, land broker, and, since 1853, capitalist/banker associated with Cook and Sargent of Davenport, had his office on Main above Fifth Street. After 1857 he would move down to 125 Main Street.

Just to the south, George Wallace Jones, and William Vandever, Democratic U. S. Senator from 1848 through 1859 and lawyer and then Republican U. S. Congressman from 1858 until he mustered into the Union Army in 1861, respectively, kept rooms for local business in Shine’s Block on Main between Fourth and Fifth, making it Dubuque’s conduit to federal power. When they were in town, their presence transformed the block into a political center of town – especially for Democratic Party politics. Lincoln Clark and his partner Frederick Bissell had an office at Main and Sixth, while Ben Samuels and Platt Smith moved up to the Law Block at Seventh and Main by 1857. Attorneys also rented offices in Rebman’s block, later named Sanford’s Block, on the corner of Eighth Street. Samuel Root, a well-known photographer from New York city opened a “Daguerreian Gallery” there in October 1857. It also later had an armory into which the Governor’s Greys, an early militia group, moved in 1859. H. W. Sanford’s Tremont House Hotel was located on Eighth Street west of Main Street (See Figure 2).Footnote ²⁰

Figure 2. Main Street Dubuque, Uptown Area c. 1867 by Samuel Root. Most of these buildings were built in the boom of the mid-1850s. Samuel Root, Paul C. Juhl Collection, State Historical Society of Iowa, Iowa City, Iowa

Not surprisingly, the career trajectories of most of the members of this professional elite who controlled law and politics paralleled those of the business elite and the town economy in general. As in every other frontier town, lawyers arrived with the first miners, entrepreneurs and settlers and played a central role in the efforts of those willing to promote and develop the town in establishing civil authority, public policy, and social order. Contested miners’ claims on federal land, disputes over land titles held over from before the general settlement of the area by whites, along with the establishment of a territorial district court in 1836 and the U. S. Land Office in 1838, made Dubuque a promising location to settle for frontier lawyers in search of opportunity. Even so, those who arrived first tended to grab a lion’s share of the local business, or stood favorably poised to go into the world of politics.

George Wallace Jones, a native of Indiana and formerly from Missouri, and territorial judge in Wisconsin, had arrived in Dubuque in 1835. Stephen Hempstead, a cousin of Charles Hempstead of Galena, arrived in Dubuque in 1836 and, with William Coriell, who arrived a month before, was “the first lawyer who commenced the practice of his profession” in Dubuque before being elected to the territorial legislature in 1838. Warner Lewis, a fellow Missourian and friend of Jones, joined Hempstead the same year and, after a stint as clerk of the district court, and then as Justice of the Peace, joined Hempstead in the territorial legislature in 1838. Thomas S. Wilson arrived in Dubuque later the same year, joining Hempstead, Peter Engle, and William Chapman (a “visiting” lawyer from Burlington who settled in Dubuque for a while) as one of only four practicing lawyers in town. Wilson was soon appointed county prosecuting attorney and tried his first case before Justice of the Peace Warner Lewis. Wilson, after serving as town trustee and carrying on an extensive practice in Dubuque and southwestern Wisconsin, was in June 1838, “without solicitation on his part” appointed Judge in the territorial Supreme Court, a position he held until 1847, a year after statehood.Footnote ²¹

As in most towns, these “fathers of the bar,” members of the “old guard,” were able to grab most of the town’s litigation. They quickly became the town’s legal elite, even as they actively competed for cases and business. This highly competitive dynamic quickly translated into political factions and divisions in the effort to gain public appointed or elective offices. Thomas S. Wilson, “was engaged in almost every suit” in the local courts over at the courthouse, making it difficult for other new arrivals to break in without his cooperation or support. Even Lincoln Clark, an experienced lawyer upon arriving in Iowa, recognized that certain lawyers got all the cases because “they are old lawyers and well known; the great and almost insuperable difficulty for a stranger is to make the first step.” As elsewhere, Wilson and the other “old lawyers” protected their practices by avoiding direct competition and controlling membership in the local bar. They also formed an informal bar association that met at various venues on Main Street or in the courthouse and screened entrance to the bar by administering “bar exams,” expecting new arrivals to have letters of introduction from a sponsoring lawyer down river, or inviting individuals to join a partnership.

Thomas Rogers, for example, a New York lawyer who arrived in Burlington in 1835, was immediately accepted into Dubuque’s legal community and started a practice on the strength of the “prestige of success” from a letter of recommendation from U. S. territorial delegate Augustus C. Dodge (of Burlington) to fellow delegate George Wallace Jones. In contrast, in March 1842, Platt Smith, after reading law by himself “during the winter,” simply arrived “in old clothes … and knowing “no one in the town,” was initially rebuffed in Dubuque, but after gaining entrance into the local bar at Muscatine, returned “to practice where examination had been refused him.” In contrast, Lincoln Clark, a Massachusetts-born lawyer from Tuscaloosa, Alabama, only came to Dubuque in 1847 after a two-year decision-making process and with assurances from George Wallace Jones that local Democrats would not hold his recent southern residence and his reluctant slaveholding against him. Thus when another local lawyer who had “obtained decidedly the leading business here” within only “the space of eighteen months,” passed away, Clark chose Dubuque over Chicago, because he felt he could advance more quickly there. Footnote ²²

As newcomers arrived and were admitted, local lawyers established a myriad of partnerships to broaden the range of cases they could cover, allow them to ride the circuit, and manage their legal practice if, as was often the case, one of the partners was elected or appointed to public office. Most of the lawyers noted were partners at one time or another, as partnerships were formed and disbanded as opportunities or circumstances affected business. As business increased throughout the 1850s, the establishment and rearrangement of partnerships became increasingly routine and frequent. Through such arrangements, local lawyers got to know each other, divvied up the lion’s share of the circuit and Supreme Court cases and emerged as a local bar elite who, by way of being appointed or elected to public offices, quickly exerted power in politics and the booster ethos.

By establishing a network of professional, social, and personal relations, the members of the bar pooled their skill, knowledge, and mutual support to provide Dubuque and northern Iowa with its political leadership and ideas for a generation to come. Lawyers were routinely first to be appointed or elected to territorial offices. Once they were in place, friends and associates in the bar sought appointments to offices and gained the support of incumbents when they tried to run for elective office. Thus the geography of circles, cliques, and factions within Dubuque’s dominant Democratic Party emerged naturally out of the structure and dynamics of the local bar. When, for example, George Wallace Jones was appointed territorial judge in1833, he acquired the political connections and visibility that enabled him to be elected territorial representative in the U. S. Congress in 1835. When, in 1842, Jones used his connections and influence to keep the General Land Office in Dubuque, he acquired almost a proprietary power over the office and was appointed Surveyor General in 1845, from which he acquired the “title” “General” Jones. In 1848, Jones ran for and was elected U. S. Senator by a single vote in the state legislature over fellow member of the Dubuque bar and former Iowa Supreme Court justice, Thomas S. Wilson. Out of this acrimonious campaign emerged the core factional division that dominated Dubuque’s political life. Indeed, Wilson’s two more subsequent losses to Jones or to one of his protégés in 1846 through 1852 “engendered a long political” … “between the two townsmen,” that created two factions – the Jones men versus the “bolters” – who were as fiercely opposed to each other as the “Montagues and Caputlets.”

Local politics was soon divided into two distinct groups – those who were loyal to Jones, and those who, for whatever reason, were not. Among the first group were lawyers William Barney, Caleb Booth, Warner Lewis, and, to a lesser extent, Thomas Rogers, Lincoln Clark, and Richard Bonson. Jones’s power, and his ability to control his faction was grounded in his control of the patronage for territorial offices. According to the quid pro quo basis of personal and political power within the patronage system that formed the foundation of “fraternal democracy” and dictated who would be appointed to government offices, Jones would only appoint “friends” who loyally supported him. In contrast to the ideals of responsibility and reciprocity that guided some professional and political relationships, local politics remained rooted in the traditional belief that obedience and deference were the building blocks of power. If given, the receiver then felt some obligation, indeed a sense of duty, to reciprocate and do something to benefit his “loyal” followers.

An adherent of this traditional gentlemanly code of equal among equals, Jones dealt fairly and reciprocally with others and “was a loyal friend.” But his friendship was founded on the dictates of the southern code of honor. He guarded his reputation scrupulously. He expected others to accept his power unconditionally. He demanded loyalty, not candor, openness, or fairness from his political “friends” and subordinates. Such friends became known as “Jones men,” or, as his opponents charged, his “tools” or “sycophants,” a number of whom went so far as to do Jones “the honor” of naming a son after him. A “Jones man” surrendered his political and social independence – some would say his soul – and became what some called “Jones’s ‘tool’” for the sake of personal loyalty. In return, Jones aggressively used his “influence” and worked for the “interests of his friends whenever a fit opportunity occurs.” But if one crossed him, or were less than loyal, or suspected of joining any “cabal, clique, or set,” to “injure Jones,” he would act ruthlessly to end one’s political career. This was a recipe for both intense bonds of loyalty and bitter enemies.Footnote ²³

In a town like Dubuque, the political career of almost every Democrat one met on Main Street was determined by their relationship with Jones. Indirectly, as a result, Jones’s “influence” eventually filtered into most public booster and civic projects in town. It also shaped many private lives. Among those whose careers were fashioned by Jones were Thomas Rogers, William J. Barney, Warner Lewis, and Caleb Booth. Likewise, the career of Lincoln Clark was almost singlehandedly managed by Jones. Jones sponsored Clark’s arrival in Dubuque, gave him entrée into the Jones faction, and in 1848, got Clark elected U. S. Congressman from the Dubuque District, after being a resident for less than three years. But when Clark arrived in Washington D. C., and learned that the calculus of power “behind the curtain” required him to serve as nothing more than a sycophantic “Jones man,” he would recoil and turn against Jones’ presumption and arrogance – declaring himself sick of his “demagoguism [sic]” and concluding that “he has no power to sustain himself in any other way.” After all, Clark had always shown a problematic independent streak by tending to associate too freely with both Whigs and other Democrats in opposition to Jones – the Wilsons, Ben Samuels, and others. Disgusted with all Washington politics, as a “fleeting show” of “wickedness,” arrogance, pretension, and “fashionable dissipation,” and unable to combat the “inimical conspiracies” against him, Clark found himself placed under the “ban of oligarchy” and knew he was “finished” “politically.” When he was defeated for reelection he returned to Dubuque. He felt humiliated and mortified but was determined to give his career one last chance. At home, he tried twice to run for state office as an independent Democrat, but was defeated both times. With his political career over, he retreated to his law practice and only gradually reentered town politics and booster activities as an independent.Footnote ²⁴

Richard Bonson’s career followed a similar trajectory. In the early 1850s, when he gained Jones’ support he was elected to the state legislature and surprised to find himself suddenly referred to as a “Jones man.” Bonson’s entrée into the Jones faction was marked by gifts from Jones, invitations to special suppers, and being involved in Jones’ visits to Dubuque. In a visit in 1853, Bonson played his role as a kind of advisor by spending time at Jones’ impressive house, giving Jones a tour of the lower town in regard to Jones’ railroad interests, and even a tour of the bluffs to look at real estate. Yet, after Jones’ reelection, Bonson and others steered a more independent course. Upon his return to Iowa City in January 1853, he continued to associate mostly with “Jones men,” but he also broadened his circle to include those who were not “Jones men.” As a result, Jones quickly withdrew his support, and though Bonson managed to survive for another term, he could see which way the winds of political change were blowing. Like Clark, he learned that with Jones it was total loyality or exile from the Democratic Party.Footnote ²⁵

Meanwhile, facing what now seemed like the impending end of his career in the U. S. Senate – which did ultimately happen on 15 January 1858 when the Iowa State Legislature elected James Grimes, a Republican, as Iowa’s U. S. Senator beginning on 4 March 1859 – Jones could have, like a number of Illinois prominent Democratic Party politicians had in the early 1850s (See Chapter 4), leave Dubuque for the more securely Democratic west coast to revive his career. Jones, however, was too deeply attached to Dubuque and his belief in the “hometown” ethos. Thus, like many politicians, he joined local businessmen and lawyers in the boom of 1855 and 1856 as a town booster who plunged further into commitments as the euphoria of the boom swept caution aside in pursuit of making it the future great emporium of the Northwest. In doing so, he moved politically toward positions on public improvements and the federal funding of railroads that seemed more like those of his Whig and then Republican opponents.

In 1849, Jones tirelessly worked to acquire federal appropriations for a north to south railroad across Iowa, the Dubuque and Keokuk Railroad. Later he got Stephen A. Douglas to amend the Illinois Central Act, to designate Dubuque, rather than Galena, Illinois as the terminus of the road. With this stunning legislative achievement “Jones’ stock” advanced yet again, vanquishing his enemies, while touching off a “war” between Galena and Dubuque that ultimately, ended in favor of the latter. So too, when again in the mid-fifties, Jones gained a narrow reelection, he worked tirelessly for federal appropriation of land grants across Iowa for the construction of transcontinental railroads. After two failures in the House, primarily because he continued to support a doomed north to south route that to non-Iowans seemed insufficiently “national” to warrant a federal grant, he pushed through legislation in the Senate on 9 May 1856 that designated four corridors of public land to be granted to railroads across Iowa emanating from termini at Burlington, Davenport, Lyons, and, of course, Dubuque, sealing the town’s triumph of the year before. Even so, his efforts had less and less political impact as the Republicans swept into power across the state, if not locally in Dubuque.Footnote ²⁶

Collectively, these emerging parallel, and at times overlapping, structures in business, the bench and bar, and politics, created the architecture of local society that shaped social relations and the social geography of hometown life. Yet, in spite of their best efforts in the mid-1850s to cooperate in booster policies, these imbedded divisions and structures would remain visible and shape all their subsequent efforts to respond to panic and hard times, and go to war.

Cultivating Gentility

Such oligarchical control of the local politics and professional life through patronage and managing the matrix of “friendships” was reinforced by middle-class and elite residents’ use of gentility to claim social prestige and thus social leadership. By living a genteel lifestyle – both materially and behaviorally – one presented oneself as a “refined” person whom others could emulate. To broaden the reach of gentility, genteel people sought each other out and established both private and public venues, institutions, and “social spaces.” Genteel people separated their private lives from society by building genteel houses on the edge of or, where there were hills or bluffs, above town. Free-standing houses provided a private space in which to cultivate the private family agendas of the middle class. Their parlors and dining rooms replaced halls and hotels as the predominant venues in which one engaged in more formal “genteel society.” They became the sites of an endless round of calling, visits, tea parties, parties, club meetings, and dinner parties that shaped middle-class life. Publically, this involved establishing genteel beachheads on Main Street and across town.

On Main Street in Dubuque, the Julien Hotel and the Julien Theater inside it, and the Globe Hotel and its Globe Hall and theater, outside of which the first gas light illuminated the darkness of Main Street at night in the mid-1850s, provided the central venues for the early public display of gentility. Balls, cotillions, and theatrical performances, put gentility and refinement on display amid the still rather muddy, rough, rowdy, and dingy Main Street environment. So too, the Congregational, Episcopalian, and Catholic churches, located along the base of the bluffs a few blocks west of Main Street, provided halls and meetings room for genteel associations to meet. Eventually, some associations such as the Odd Fellows would construct their own club houses uptown just off Main Street on Eighth and Ninth streets. Otherwise, there were a few clusters of dry goods stores, groceries, and milliners from Second to Ninth on Main Street, interspersed with business and venues, including offices, saloons, hotel lobbies, and taverns, where both genteel and more common men worked and recreated in a mixed social environment. There was, however, no real shopping district where women would feel comfortable and at ease. Dubuque, like most towns in the West, had yet to develop a “Ladies Mile” – like that on Broadway in New York.

Though to some extent, these daily interactions with rougher Dubuquers, reinforced the performed aspect of their gentility, most of Dubuque’s refined and genteel people separated themselves from Main Street life by building free-standing houses above lower Main Street from the mid-1840s through the 1860s. In this, as in so much, the Langworthys lead the way. Since their arrival, the Langworthys had expressed their private, aloof style very early. Rather than settling in town, like many other miners, and commuting to their mines, they built “comfortable cabins” in Langworthy Hollow and out along the Maquoteka River in 1834. In 1836, their decision to go into business on lower Main Street, necessitated their moving closer to town. Even so, when Lucius Langworthy built a “fine house,” the first frame house in Iowa, it was far beyond the cluster of cabins and frame buildings of the town. Edward Langworthy built a two story brick house in Greek Revival style in 1838 at Fourteenth and Whites Streets, adjacent to which were a fine orchard and gardens. James Langworthy built the second brick house in Iowa in 1838 on Eleventh and Iowa Streets. The “big brick house” was looked on as a “palatial residence” reflecting “pioneer elegance” and was an “ornament to the village.” The house was in the Greek Revival style and was on a large lot surrounded by a stone fence, behind which was an elaborate complex of brick stables and outbuildings and when finished was considered, through the 1840s, “the finest residence in town.” In 1848, Solon Langworthy chose to build a similar house nearby his brothers’ houses. As a result, he seemed to have touched off a building boom of residential construction that would continue into the mid-1850s.Footnote ²⁷

By building their elegant mansions, the Langworthys clearly established the open ground on the northern stretches along and to the east and west of Main Street in the late 1840s, as the “genteel” residential district of Dubuque. The move above Twelfth Street in the late 1840s was, in large part, a response to the northward encroachment of the business section of town on Main Street. During the period, some thirty to forty middle-class professionals, merchants, and capitalists purchased vacant lots and built new houses, each one more refined than the others. All of the houses were built above downtown and Main Street from White Street on the east to the bluffs on the west – Locust Street, and from Seventh to Seventeenth Streets. In 1847, only two years after he had arrived from Virginia, Judge John J. Dyer had established himself “as one of the most prominent and influential citizens of Dubuque” and decided to “build … a large and pretentious house at Main and Thirteenth [streets] with tall … columns like those seen at Mount Vernon” from which “he and his wife dispensed Virginia hospitality.”

Though some genteel early settlers had established themselves in frame houses above Sixth Street, it was the younger lawyers who, for the most part, joined the Langworthys and Judge Dyer above Eleventh Street in the early 1850s. William J. Barney built a house at Eleventh and Iowa. William B. Allison did the same over at Locust Street and Eleventh. Lincoln Clark established himself in a fine house at Twelfth and Iowa Streets in the early fifties and lived there until he acquired an estate out at Linheim in 1857. Among his legal neighbors were Phineas Crawford over at White and Twelfth to the east and F. E Bissell and D. S. Wilson, on Twelfth Street at Bluff and Locust streets, respectively. Wilson’s brother, following the lead of those wanting to move even further out, owned a large lot of land at Sixteenth and White, on which he built a fine house. Most of these houses are visible in Samuel Root’s later view of the city from the Eleventh Street Bluff (See Figure 3).

Figure 3. “Panoramic View of Dubuque from the Bluff head of 11^th Street,” c. 1867, by Samuel Root, Paul C. Juhl Collection, State Historical Society of Iowa, Iowa City, Iowa

When John King built an elegant house way north out of town, he pointed the way to next residential pattern. Others followed by building estates out in the country or, as over at Galena and in countless river towns across the West, on the bluffs above town. Though Richard Bonson lived about three miles west of town at Center Grove , his choice to build his house there was related more to his ethnic community there than to any desire to make a social statement. Not so with George Wallace Jones. In 1847, he took a significant step in drawing others onto the bluff, by building an elegant southern style “princely residence” out of town on high ground up Julien Avenue, beyond Ninth Street.Footnote ²⁸

Not surprisingly given his role as a kind of town oligarch, Jones’ new house quickly transformed his “princely residence” on the hill along Julien Avenue (an extension up the bluff of Ninth Street) into a bastion of gentility. As a man of “great energy, general intelligence, suavity, and an attractive manner” that had quickly made him the “Chesterfield gentleman” of the U. S. Senate and Washington society, Jones dazzled Dubuque society and became a “the mark and model” of Dubuque society, and its most sought-after host. When Jones was in town, invitations to his dinners were sought after and valued. In particular, young men in Dubuque eagerly, if anxiously, anticipated “calling” at one of his weekly predominantly male open houses to engage in lively political conversation over an occasional drink and a cigar with Jones and his other guests. Jones was viewed by some as flirtatious, “full of flattery, buncombe, and stories,” and “facile courtesy” and excessive “bowing and scraping” that made him the “pet of women” and the “idol of men.”Footnote ²⁹

Perhaps in response, the Langworthys reasserted their social hegemony in the late 1840s by building new larger houses on the bluffs above the lower town. In 1849 James Langworthy built a large Greek Revival house, with a broad double-level portico, at the corner of James and Langworthy streets, above Second Street, and called it “Ridgemont.” That same year Solon Langworthy built a similar Greek Revival house with a “plantation” portico on a hill facing town way above Third and Locust. Lucius Hart Langworthy soon followed by building a Greek Revival mansion at Hill Street just south of Third. In 1854 Edward built an unusual octagonal house with a tower in the new Italianate style just across from Solon’s house at the corner of Third and Alpine. 1854 also marked the completion nearby on Alta Vista Street at the bluff of James Marsh’s magnificent Italianate mansion, with a tower and solarium, though Harriet Langworthy, his wife for whom he had built the house, died before it was completed. Until the late 1860s when a street railway was built up to the bluff, only others within the family circle built there.

The Langworthy houses, in the words of one booster, vied, “in beauty and architectural design with the most fashionable residences to be found elsewhere.” Clustered within sight of each other and standing like country estates, connected to but separate from the town below, the Langworthy houses on the hill or on “Langworthy bluff” manifested their booster, capitalist, republican, Christian, and genteel values, while also expressing their elite, genteel, even proprietary sense of entitlement and noblesse oblige over the town. The elegantly furnished parlors and dining rooms in their genteel houses formed a network of private venues in which genteel middle-class people could establish an exclusive “social circle” of individuals who were willing to socialize according to the rules of the material and cultural display that defined middle-class gentility.

The fact that Edward went on an extended trip to Europe, an experience that was beginning to become an essential credential of an elite gentleman, in the late forties, established them above other locals. But it was the grounds and gardens around their houses on the bluff that gave them an added impact. With the broad views of Dubuque and the Mississippi River valley and Illinois and Wisconsin beyond, the Langworthys, unlike other genteel families who planted orchards down below, were able to cultivate a kind of genteel romantic “borderlands” gaze or perspective over the town and country around them. Solon Langworthy and his wife Julia Patterson, having encountered this perspective on their honeymoon in 1840 when they stayed at a friend’s suburban house on the bluffs above Cincinnati, particularly cultivated this genteel “borderlands” ethos with an impressive Greek Revival villa, surrounded by farms and open fields to the west, a herd lot, orchards, a large outer garden, a front garden surrounded by a gate, a greenhouse, and a vast front lawn shaded by several great old trees, in front of which ran the road from town out to the nearby Center Grove, all situated on the bluffs with views of Dubuque, evoked this romantic genteel “borderlands” ethos (See Figure 4).Footnote ³⁰

Figure 4. A “Borderlands” View of Business District of Dubuque from a Garden on the Bluffs, c. 1867, by Samuel Root, Paul C. Juhl Collection, State Historical Society of Iowa, Iowa City, Iowa

For the Langworthys, gentility was, on the other hand, not locally defined. It was a national and international cultural system that required them to follow the dictates of the latest European or New York fashions, styles, and practices. For example, though we do not know how the Langworthys furnished their houses in the 1850s, we can infer it from details about the interiors of other, if simpler, houses, tending toward the interior decor of the new house of Richard Bonson, who, in summer 1860, by purchasing “another new carpet for the parlor chamber” and a “new black sofa” seems to have joined the “parlor culture” of genteel society in Dubuque. James Langworthy’s parlor set the tone for the rest of town society. Fully furnished with rugs and carpets and “rose and cherry wood,” “carved furniture” purchased in New York and shipped via New Orleans, it was, in 1849, a model of High Victorian style. We also know that each parlor later had elaborate gasolier chandeliers, the first in Dubuque, which were first illuminated in the houses of Solon, Edward, and Lucius Langworthy from Solon’s rosine gas works, the technology for which he purchased in Brooklyn on 1 September 1858. Later, James Marsh, who married Harriet Langworthy, built his house near to other Langworthy houses and increased the level of decorative detail. His house contained eight Carrara marble mantelpieces, a walnut staircase, and elaborate woodwork carved throughout by a craftsman from Switzerland. The furnishings included French windows and mirrors, bronze chandeliers, a double front door of carved walnut, and an ornately carved parlor set. Though the Langworthys, like most genteel people in the valley, were affected by St. Louis style, as natives of Watertown, New York, they also paid close attention to New York styles.Footnote ³¹

This inner world of Langworthy society was, as it was for most genteel middle-class and elite couples, anchored and managed by their wives. The closest to Solon and his wife Julia was Agnes, James’ wife, a Scottish woman fifteen years his junior. It was Agnes who nursed Julia Langworthy through her near-fatal confinement that resulted in a stillbirth in February 1860 and showed her “kind and tender heart” by staying with her sister-in-law and helping to run the motherless family for nearly three weeks. Lucius’ second wife, Valeria, was from Maryland and with her distinctive “southern charm and sweetness” projected a different tone within Lucius’ scholarly, genteel household, making it occasionally the center of great family gatherings. Pauline, Edward’s wife, played a less important role in Solon’s affairs; though being “rigorously opposed to all appearance of ostentation” and described as “plain in dress, direct in thought,” we are told she “exerted a gentle influence on those around her,” “her virtue shining most brightly around the fireplace of her house.” Her muted style added charm and simplicity to her husband’s fanciful Italianate-style octagon house. A testament to the intensive fraternal nature of Langworthy culture was the purchase, by each brother, of coordinated engraved sets of Rockingham style china from England for each of the Langworthy wives.Footnote ³²

From these genteel “borderlands” surroundings, Solon Langworthy and his brothers, articulated a “hometown” world view – rooted in capitalism, individualism, Christianity, and gentility – that strove to create order through influence and emulation. Though a capitalist and entrepreneur, Langworthy, upon moving to the bluffs and engaging again in gardening and farming, articulated a yeoman farmer mercantilist view of wealth. His idealized, harmonious view of nature and society was represented by a social and family order in which everyone carried out one’s prescribed roles. This self-enclosed Langworthy family culture was honed by years of tutelage in collective family activities such as a “wedding party,” in which all the brothers accompanied each new married brother and his new wife to endless “family sociables,” “visits,” local excursions and outings as a family, and even extended family trips, such as one to the Illinois State Fair in September, 1860. These events seem to have roughly alternated among different sets of brothers, as did the gatherings at the houses of the “Langworthy family on the hill,” though only infrequently, did all the brothers and their wives manage to congregate at the same time and place.

But it was Solon Langworthy’s annual New Year’s Day open house, ostensibly open to the whole town, that most clearly reflected the Langworthys interactions with the town. Rather than attended by members of Dubuque’s elite society, they were mostly crowded by townspeople themselves, curious to get a look at the Langworthy’s lifestyle. On New Year’s Day 1862, for example, no recognizable member of the social elite in town crossed Solon Langworthy’s threshold. The visitors were mostly strangers from town and family members. His open house thus became an annual performance that reinforced by its exclusivity for the rest of the year, their social prestige. This position toward town society – defined by his distinctive balance of class strategies employed, would both facilitate and hinder their involvement with the booster ethos in the mid to late 1850s, as well as shape their response to the boom and bust, and the Civil War to come.Footnote ³³

Even further to the west lay Richard Bonson’s private world. A small English Yorkshire immigrant community of a few hundred had clustered in the low ground near the headwater of the middle fork of Catfish Creek at Center Grove. On the hill to the south, above the settlement, a Methodist church was built, adjacent to which a burial ground was laid out. South of the church Bonson’s domain encompassed farms and mining lots on several rolling hills down into the middle fork valley. To the west and northwest of town, Bonson would later extend his domain and establish number of smelters. By the early fifties Bonson – who purchased from a variety of other boosters, but particularly from the lawyer and real estate agent George Nightengale – had acquired over forty parcels of land across the hills and valleys in every direction from Center Grove and had begun to extend his holdings both to the southwest down the “Swiss Valley” along the south branch of Catfish Creek as well as to the northwest onto the high plateau of rich farming land toward Table Mound.

In the spring and summer of 1853, Bonson anchored his world by building a house on his farm on the hill north of Center Grove. From the high ground of his Center Grove farm he could take in all around him. To his south lay the village and the church that formed the cultural and spiritual hearth of his Yorkshire immigrant community. Across the way the Bonson mines and smelter, and later extended south to Pike’s Peak mines, were the center of the Catfish Creek system of lead purchase, smelting, and marketing extending north to the Maquoteka River mines, that connected community members to each other and to the larger world. Intersecting and supplementing the mining economic network, were the operations of Bonson’s farms, whether his own, or others that he rented out to as tenant farms. As a rural capitalist, creditor, landlord, and boss, Bonson connected himself to a network of tenants and farm hands, and by generating revenues, established an economic system that supported local life and connected that life to the market place through sales to the Catfish Mills down in Rockdale and through Dubuque down to St. Louis and beyond. Together from their genteel venues, middle-class elites of Dubuque employed gentility to further enhance and solidify their economic and political power through a material and cultural demonstration of their social status.Footnote ³⁴

Main Street and the Male Subculture

The reach of gentility in shaping the social order, however, only extended so far. Once they had gained a certain amount of confidence by creating genteel neighborhoods, establishing churches and fraternal lodges, and carving out genteel spaces on Main Street in hotel parlors, halls, and the better sort of saloon, many middle-class men who worked and lived on Main Street, aware that certain elements of town society – young men, workers, farmers, and the like remained wary of – if not openly hostile to – middle-class elites, felt they increasingly had little choice but to reach out across the diffuse class line that separated them from others and develop relationships with other townsmen. A decade or so before, when middle-class residents felt marooned amid a predominantly rowdy “border society,” this involved directly pinpointing specific individuals and establishing cooperative relations with them. By the 1850s, this strategy had broadened into an effort to cultivate a range of indirect male bonding behaviors associated with the working class and a rougher sort of border society, as part of middle-class life, as well as within a prevalent cross class male subculture across the middle ground of town society.

Early on some men from “good society” sought to defuse the frictions among the various gangs, cliques, and circles in “border society” by cultivating a culture of male sociability. Dubuque, like most frontier cities in the 1830s, had a resident population of ruffians and other disorderly men who tried to control the town. According to one account, there “were few men who did not indulge in drinking and gambling,” and “vice and immorality was prevalent in every form.” So, too, ad hoc and organized gangs ruled the town, and “lynchings were of frequent occurrence.” As I have argued elsewhere, men sought to divert a general tendency to solve issues with violence, by cultivating collective behaviors to blow off steam, deflect emotions, and undermine any tendency to come to blows. Verbal jousting, practical jokes, sarcastic rhetoric, mock or spoof trials, nicknames, roustabouting, “frolicking,” and gambling were all directed at defusing tensions and maintaining a semblance of law and order. The spread of such behavior was lubricated by a culture of collective drinking, situated in taverns, saloons, and grog shops along Main Street or the wharf, which often spilled into the streets in “jollifications,” or going “on a train,” or a “spree,” or a “bender.” Such behaviors would become commonplace among middle-class men in the bench and bar, business, and professional circles. These more orderly men would then, employing the open doors into the male subculture – supplant the last vestiges of ruffian justice, “people’s courts,” vigilante mobs, and lynch law possess, with the rule of law. As law and order was established, middle-class boosters then used these same male behaviors – and the connection they represented – to defuse tension among social groups, and construct a broad classless “male subculture” of relative camaraderie and shared values among men on which the civic culture of booster ethos – itself already strengthened by middle-class participation – could stand.Footnote ³⁵

The most prevalent realm in which men indulged in such behaviors was in the bench and bar. This was especially the case when they were riding the circuit. Spending considerable time together, working in teams, many of these lawyers naturally “flocked together” and many of them, like David S. Wilson employed wit, sarcasm, and irony in their “conviviality” to cultivate an indirection and dissimulation that helped vent pressures and sustain cordial friendly relations. In doing so, they openly drew practices of the town’s broader male subculture into their professional lives. The semi-annual court session, was, for any town, “the great event of the season, which was looked forward to by all, and afterwards proved the source of general conversation.” In Dubuque, William Barney, new to both the law and Dubuque, used his attendance at the1846 February term court, presided over by Thomas S. Wilson, as a way to “acquire a knowledge of legal practice,” get asked to “assist on some cases,” and “get very well acquainted with all the members of the bar” and “discover … their respective capacities.” There, like others, he observed how the local lawyers, viewing the court as a kind of public theater, “presented” themselves to each other and potential clients. Court sessions were usually followed by informal conversations that developed into debates. Sometimes these could spill over into “mock debates” or “moot tribunals” or “moot courts.” These were generally followed by “frolics,” and parties, “levees” or dances at the homes or living quarters of prominent local lawyers, such as General Jones’ or Judge Dyer’s, whose affairs Lincoln Clark thought were “awfully fashionable,” where practical jokes, lively and theatrical conversation, roustabouting, verbal jousting, and “indulg[ing] … freely” in the “flowing bowl” were the order of the evening. At the end of the legislature in Iowa City in 1846, for example, William Barney found “all the members” in the house “staying engaged in drinking,” engaging in a “frolic,” “or as they termed it ‘going on a train’” or “sprees” or “benders” with the “boys.” Another time some local lawyers threw a party with a “very imprudent,” “not very good … big woman” in the room. In addition they indulged in oyster suppers, Bachelor’s “balls” at which “members got drunk,” and, after ending a session of the legislature one time, a two night session of “the lobby,” a mock session of the legislature, in the hall outside the chamber. Other times “frolics” merged with “hunting parties,” and in 1857 the local bar association even arranged a “pleasure excursion.”

In between the circuit courts, or gatherings at the Supreme Court or state capitol, local lawyers held meetings to elect officers, collected dues, welcomed new members, issued resolutions or memorials for deceased members, and arranged annual or biannual, or even impromptu “bar suppers,” banquets, parties, excursions, or, to celebrate a new lawyer’s membership, “blow-outs.” Often one or two lawyers’ offices or the lobby or saloon next to a building in which many lawyers worked – in Dubuque this would be the Shine Block or the Globe Building - became informal gathering places for members of the bar.Footnote ³⁶

Through such close interactions members of the core group of “town lawyers” and judges forged deep friendships and, as “brethren of the bar,” joined a social fraternity founded on “mutual acquaintance” that became a “sort of a family to itself.” On the circuit these tendencies were intensified. Every member of the circuit “cavalcade” or coterie of “circuit riders” experienced “mutual hardships,” “uncomfortable experiences,” difficult travel, poor, and crowded accommodations – often necessitating them to sleep in “omnibuses,” with “five or six lawyers to a room with three beds,” forcing them to share a bed among “the promiscuous crowd of a tavern.” In this way, local lawyers intensified their connections with each other, while situating themselves within an emerging statewide or regional legal and political elite. By establishing these connections, members of the local bar in Dubuque and nearly every larger town, initiated the process out of which a regional bench and bar, state and regional political systems, and regional business and booster networks would emerge. Footnote ³⁷

All these various elements of Dubuque’s broader culture and society were on display at the Great Railroad of 18 July 1855. Each middle-class person there, in varying ways, pursued their own mix or emphasis of each of the middle-class agendas – gentility, boosterism, various aspects of professionalism, and cultivating male subculture connections – in different degrees – but always with a goal of establishing their middle-class credentials and influence. Alas, as the boom of the 1850s gathered steam, nearly everyone threw themselves into the efforts of boosters to promote and develop Dubuque as the future great metropolis of the northwest. Any sense of balance and order was abandoned in the rush for riches. They were drawn into a maelstrom of speculation that they themselves created and fueled, and, then, when it burst, were compelled to respond to. That story, and how they sought to recover through economic collapse, recession, deepening national crisis, and Civil War, is the story that follows.