Book contents
- Frontmatter
- Dedication
- Contents
- List of Figures
- Acknowledgments
- Introduction
- 1 Things Fall Apart: Mukhamukham and the Failure of the Collective
- 2 The Domain of Inertia: Elippathayam and the Crisis of Masculinity
- 3 Master and Slave: Vidheyan and the Debasement of Power
- 4 The Server and the Served: Kodiyettam and the Politics of Consumption
- 5 The Search for Home: Swayamvaram and the Struggle with Conscience
- 6 Woman in the Doorway: Naalu Pennungal and Oru Pennum Randaanum
- 7 Making the Imaginary Real: Anantaram, Mathilukal and Nizhalkkuthu
- 8 The Dream of Emancipation: Kathapurushan and the Triumph of the Individual
- Filmography
- Notes
- Bibliography
- About the Author
- Index
- Frontmatter
- Dedication
- Contents
- List of Figures
- Acknowledgments
- Introduction
- 1 Things Fall Apart: Mukhamukham and the Failure of the Collective
- 2 The Domain of Inertia: Elippathayam and the Crisis of Masculinity
- 3 Master and Slave: Vidheyan and the Debasement of Power
- 4 The Server and the Served: Kodiyettam and the Politics of Consumption
- 5 The Search for Home: Swayamvaram and the Struggle with Conscience
- 6 Woman in the Doorway: Naalu Pennungal and Oru Pennum Randaanum
- 7 Making the Imaginary Real: Anantaram, Mathilukal and Nizhalkkuthu
- 8 The Dream of Emancipation: Kathapurushan and the Triumph of the Individual
- Filmography
- Notes
- Bibliography
- About the Author
- Index
Summary
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- Type
- Chapter
- Information
- The Films of Adoor GopalakrishnanA Cinema of Emancipation, pp. xi - xiiPublisher: Anthem PressPrint publication year: 2015