Book contents
- Fauré Studies
- Cambridge Composer Studies
- Fauré Studies
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Acknowledgments
- Looking Back on a Journey
- 1 Patrons and Society
- 2 Keys to the Ineffable in Fauré
- 3 Fauré as Student and Teacher of Harmony
- 4 Romancing the mélodie, or Generic Play in the Early Hugo Settings
- 5 Lux aeterna
- 6 From Homer’s Banquet to Fauchois’ Feast
- 7 Orchestral Melody in Pénélope
- 8 Fauré the Practical Interpreter
- 9 Fauré, Orientalism, and Le voile du bonheur
- 10 Jankélévitch, Fauré, and the Thirteenth Nocturne
- Index
Looking Back on a Journey
Published online by Cambridge University Press: 17 April 2021
- Fauré Studies
- Cambridge Composer Studies
- Fauré Studies
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Acknowledgments
- Looking Back on a Journey
- 1 Patrons and Society
- 2 Keys to the Ineffable in Fauré
- 3 Fauré as Student and Teacher of Harmony
- 4 Romancing the mélodie, or Generic Play in the Early Hugo Settings
- 5 Lux aeterna
- 6 From Homer’s Banquet to Fauchois’ Feast
- 7 Orchestral Melody in Pénélope
- 8 Fauré the Practical Interpreter
- 9 Fauré, Orientalism, and Le voile du bonheur
- 10 Jankélévitch, Fauré, and the Thirteenth Nocturne
- Index
Summary
Let us begin by considering how Gabriel Fauré (1845–1924) made a way for himself in France between about 1855 and 1909. As for the posthumous international development of research into his music, that will be the focus of the latter part of this text.
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- Fauré Studies , pp. 1 - 12Publisher: Cambridge University PressPrint publication year: 2021