Book contents
- Frontmatter
- Contents
- Preface
- Part One Eighteenth Century
- Part Two Early Nineteenth Century
- Part Three Late Nineteenth Century
- 11 Half-Diminished-Seventh Openings in Brahms's Lieder
- 12 Motivic Enlargement in Dvořák's Symphony Op. 70
- 13 Deliverance and Compositional Design in the “Libera me” of Verdi's Messa da Requiem
- 14 Polyphony and Cacophony? A Schenkerian Reading of Strauss's “Dance of the Seven Veils”
- 15 A Force of Nature: Debussy and the Chromatically Displaced Dominant
- Appendix: An Interview with Edward Laufer
- List of Contributors
- Index
15 - A Force of Nature: Debussy and the Chromatically Displaced Dominant
from Part Three - Late Nineteenth Century
Published online by Cambridge University Press: 28 June 2018
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Book contents
- Frontmatter
- Contents
- Preface
- Part One Eighteenth Century
- Part Two Early Nineteenth Century
- Part Three Late Nineteenth Century
- 11 Half-Diminished-Seventh Openings in Brahms's Lieder
- 12 Motivic Enlargement in Dvořák's Symphony Op. 70
- 13 Deliverance and Compositional Design in the “Libera me” of Verdi's Messa da Requiem
- 14 Polyphony and Cacophony? A Schenkerian Reading of Strauss's “Dance of the Seven Veils”
- 15 A Force of Nature: Debussy and the Chromatically Displaced Dominant
- Appendix: An Interview with Edward Laufer
- List of Contributors
- Index
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- Explorations in Schenkerian Analysis , pp. 303 - 327Publisher: Boydell & BrewerPrint publication year: 2016