Seen from Europe and America, exhibitions reinforce our understanding of World War I as watershed, marking a turn from the confident embrace of industry and empire to a world of economic anxiety, colonial ambivalence, and modernist experiment. Japan shared in these too, but the evidence of exhibitions also points to continuities, of municipal aspiration, ongoing commercialization, and colonial development. This chapter shows how ongoing urbanization and continental empire increased the demand for exhibitions from private companies, local governments, and colonial authorities, both to tie themselves to the nation and to find a distinctive place for themselves on the imperial map. They were also eager to cater to the emerging middle-class demand for the things that would provide them with a cultured but moral urban life. The demand, in turn, provided employment for a new breed of showmen (rankaiya), who were able to provide the attractions and advertising to make sure the visitors would come.