Book contents
- Frontmatter
- Table of Contents
- Acknowledgements
- Doing (Audio-Visual) Things with Words – From Epistolary Intent to Epistolary Entanglements: An Introduction
- 1 Performance and Power : The Letter as an Expression of Masculinity in Game of Thrones
- 2 ‘My dearest little girl, I just got your letter and I hope that you will continue to write to me often’: Epistolary Listening in News from Home (Chantal Akerman, 1976)
- 3 Dead Letters: Epistolary Hauntology and the Speed of Light in Personal Shopper (Olivier Assayas, 2016)
- 4 Attention to Detail: Epistolary Forms in New Melodrama
- 5 The Spiritual Intimacies of The Red Hand Files: How Long Will I Be Alone?
- 6 Video Authenticity and Epistolary Self-Expression in Letter to America (Kira Muratova, 1999)
- 7 Epistolary Affect and Romance Scams: Letter from an Unknown Woman
- 8 Delivering Posthumous Messages : Katherine Mansfield and Letters in the Literary Biopic Leave All Fair (John Reid, 1985)
- 9 The Interactive Letter : Co-Authorship and Interactive Media in Emily Short’s First Draft of the Revolution
- 10 Epistolary Distance and Reciprocity in José Luis Guerín and Jonas Mekas’s Filmed Correspondences
- 11 Instagram and the Diary : The Case of Amalia Ulman’s Excellences & Perfections (2014)
- 12 Civil War Epistolary and the Hollywood War Film
- 13 Epistolarity and Decolonial Aesthetics in Carola Grahn’s Look Who’s Talking (2016)
- 14 Epistolary Relays in Fatih Akin’s Auf der anderen Seite (On the Other Side/On the Edge of Heaven) (2007)
- Index
14 - Epistolary Relays in Fatih Akin’s Auf der anderen Seite (On the Other Side/On the Edge of Heaven) (2007)
Published online by Cambridge University Press: 20 June 2023
- Frontmatter
- Table of Contents
- Acknowledgements
- Doing (Audio-Visual) Things with Words – From Epistolary Intent to Epistolary Entanglements: An Introduction
- 1 Performance and Power : The Letter as an Expression of Masculinity in Game of Thrones
- 2 ‘My dearest little girl, I just got your letter and I hope that you will continue to write to me often’: Epistolary Listening in News from Home (Chantal Akerman, 1976)
- 3 Dead Letters: Epistolary Hauntology and the Speed of Light in Personal Shopper (Olivier Assayas, 2016)
- 4 Attention to Detail: Epistolary Forms in New Melodrama
- 5 The Spiritual Intimacies of The Red Hand Files: How Long Will I Be Alone?
- 6 Video Authenticity and Epistolary Self-Expression in Letter to America (Kira Muratova, 1999)
- 7 Epistolary Affect and Romance Scams: Letter from an Unknown Woman
- 8 Delivering Posthumous Messages : Katherine Mansfield and Letters in the Literary Biopic Leave All Fair (John Reid, 1985)
- 9 The Interactive Letter : Co-Authorship and Interactive Media in Emily Short’s First Draft of the Revolution
- 10 Epistolary Distance and Reciprocity in José Luis Guerín and Jonas Mekas’s Filmed Correspondences
- 11 Instagram and the Diary : The Case of Amalia Ulman’s Excellences & Perfections (2014)
- 12 Civil War Epistolary and the Hollywood War Film
- 13 Epistolarity and Decolonial Aesthetics in Carola Grahn’s Look Who’s Talking (2016)
- 14 Epistolary Relays in Fatih Akin’s Auf der anderen Seite (On the Other Side/On the Edge of Heaven) (2007)
- Index
Summary
Abstract
Fatih Akin's 2007 film Auf der anderen Seite follows its protagonists’ diasporic trajectories between Germany and Turkey. The film constructs a complex narrative in three interlaced segments that pit narrated against narrative time, sound against image. This chapter explores how cinematography, editing, and sound design construct an epistolary relay system in which characters cross paths unbeknownst to them, in which a scene is restaged from ‘the other side’ to unsettle spectatorial assumptions in order to reflect on trans-European migration along with German and Turkish histories of oppression.
Keywords: Fatih Akin; diasporic cinema; trans-European migration; postal relay
Fatih Akin's 2007 film Auf der anderen Seite (On the Other Side/On the Edge of Heaven) traces seven characters’ liminal lives as they venture across or are caught between national, political, cultural, gender, and familial boundaries. Two young star-crossed lovers, Ayten (Nurgül Yeşilçay) and Charlotte/Lotte (Patrycia Ziolkowska), find and lose each other in the process of transgressing national, political, and heterosexual boundaries. Ali (Tuncel Kurtiz), a first-generation Turkish migrant, lives in Bremen, where his love interest, Yeter (Nursel Köse), has been working in the red-light district. Yeter is Ayten's estranged mother. After a drunk Ali hits Yeter and the fall kills her, he ends up in prison and is subsequently expelled to Turkey. Ali's adult son Nejat (Baki Davrak), a professor of German literature at the University of Hamburg, opens and closes the film in the form of a road trip to his father's village along the Black Sea coast. In Istanbul, the expat Markus (Lars Rudolph) runs a German bookstore. He turns it over to Nejat, who in turn asks Lotte's grieving mother Susanne (Hannah Schygulla), to mind it during his trip to reconnect with his father.
In Auf der anderen Seite, mobility and migration are multi-sourced and multi-directional, demonstrably rewarding and lethal at the same time. Akin does not depict mobility and migration ‘as one way traffic from country of origin to host society, but rather as more mobile scenarios, axial stories, multisited lives and itinerant identities, each of which nevertheless maintains a sense of situated actors and of agency’. The film's characters display an identity concept that Deniz Göktürk defines as ‘itinerant’. Migration is a response to an existential crisis that forces individuals to adapt to rapidly changing contexts and situations.
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- Information
- Epistolary Entanglements in Film, Media and the Visual Arts , pp. 259 - 274Publisher: Amsterdam University PressPrint publication year: 2023