Chapter 2 contests deeply entrenched assumptions about pastoral, arguing that the Eclogues do not evince nostalgia for a lost, idealized nature but nonetheless are deeply concerned with the nonhuman environment. The chapter shows that the local places so central to the Eclogues are networks and assemblages of human and nonhuman beings, and that the local dwelling valorized by the collection is dwelling as a part of a more-than-human community. The poetry figures this ecological dwelling through the trope of pastoral sympathy and through its focus on environmental sound. Ultimately, the chapter argues that Vergilian pastoral is best understood not as a representation of herdsmen’s songs but of entire bucolic soundscapes. The second part of the chapter considers the implications of this more-than-human acoustic world for our understanding of Vergil’s own poetry. It argues that nonhuman sound contributes to the sonic texture of Vergil’s language, identifying an acoustic ecopoetics in the Eclogues as Vergil manipulates his language to transmit and recreate nonhuman sound.