Book contents
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- A Note on Translations
- Introduction
- 1 Costuming Colonial Resistance in the New World
- 2 Fanmi se dra: Cross-gender Fabrications of Identity in Des hommes et des dieux
- 3 Visual Dètours: Refracting the Blan Female Gaze in Haitian Vodou
- 4 Spectatorial Travestisme
- 5 Dressed to Kill: Opacity and Masquerade in Claire Denis's J'ai Pas Sommeil
- Conclusion: Past Scripts, Future Visions
- Bibliography
- Index
List of Figures
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- A Note on Translations
- Introduction
- 1 Costuming Colonial Resistance in the New World
- 2 Fanmi se dra: Cross-gender Fabrications of Identity in Des hommes et des dieux
- 3 Visual Dètours: Refracting the Blan Female Gaze in Haitian Vodou
- 4 Spectatorial Travestisme
- 5 Dressed to Kill: Opacity and Masquerade in Claire Denis's J'ai Pas Sommeil
- Conclusion: Past Scripts, Future Visions
- Bibliography
- Index
- Type
- Chapter
- Information
- Entangled OthernessCross-gender Fabrications in the Francophone Caribbean, pp. vii - viiiPublisher: Liverpool University PressPrint publication year: 2018