IT SEEMS UNLIKELY TO FIND WAR, its consequences and ethos, at home in the Grimms' fairy tales. In this chapter I contend that the ethical framework of three of the Grimms' tales with soldiers as protagonists reflects a contemporary culture of war. This reading of war stories inscribed within the larger discourse of populist fairy tales and military theory argues that a close connection exists between the soldier tales and the historical context, particularly with regard to gendered bourgeois identity. The daunting success of the post-revolutionary French army until the Russian campaign, the Wars of Liberation, and, finally, Waterloo prompted a sustained interrogation of military masculinity and the identity of the citizen-soldier in German-speaking Europe. In 1815, the publication year of the Grimms' “children's and household” tales, the issue of reintegrating discharged soldiers into civil society and the domestic sphere became urgent. In the immediate postwar context, the transition from a culture of war to a context of family and commerce was effected through reconfiguring military masculinity to incorporate alternative models of male identity.