Book contents
- Frontmatter
- Contents
- Preface
- Introduction
- Glossary
- 1 JUG: Scarborough, Yorkshire, c. 1250–1300
- 2 DRINKING POT: probably English, c. 1545–60
- 3 FLAGON: probably Derbyshire or Staffordshire, c. 1630–60
- 4 BOTTLE: Christian Wilhelm, Southwark, 1628
- 5 DISH: Southwark, 1651
- 6 JUG: probably Harlow, Essex, c. 1630–60
- 7 TWO-HANDLED TYG: probably Henry Ifield, Wrotham, Kent, 1668
- 8 TULIP CHARGER: London, 1661
- 9 ‘NOBODY’: London, 1675
- 10 DISH: Thomas Toft, Staffordshire, c. 1662–85
- 11 POSSET POT AND SALVER: London or Bristol, 1685 and 1686
- 12 CISTERN: London, perhaps Norfolk House, Lambeth, c. 1680–1700
- 13 BOTTLE: John Dwight, Fulham, c. 1689–94
- 14 MUG: David and John Phillip Elers, probably Bradwell Wood, Staffordshire, c. 1691–8
- 15 JUG: Staffordshire c. 1680–1710
- 16 COVERED CUP WITH FOUR HANDLES AND A WHISTLE: probably South Wiltshire, 1718
- 17 DISH: Samuel Malkin, Burslem, c. 1720–30
- 18 SIX CHINOISERIE TILES: Bristol or London, c. 1720–50
- 19 PUNCH BOWL AND COVER: Liverpool, 1724
- 20 HUNTING MUG: probably Vauxhall Pottery, 1730
- 21 TWO-HANDLED LOVING CUP: probably Nottingham or Crich, 1739
- 22 MILK JUG AND TEAPOT: Staffordshire, c. 1725–45 and c. 1740–50
- 23 PEW GROUP: Staffordshire, c. 1740–50
- 24 BEAR JUG OR JAR: Staffordshire, c. 1740–70
- 25 CAMEL AND MONKEY OR SQUIRREL TEAPOTS: Staffordshire, c. 1750–5
- 26 JUG: Staffordshire, c. 1755–65
- 27 DISH: Liverpool, c. 1755–60
- 28 TEABOWL, SAUCER AND COFFEE POT: Staffordshire, c. 1750–65
- 29 COFFEE POT: Staffordshire, 1760
- 30 TEAPOT: probably Josiah Wedgwood, Burslem, c. 1759–66
- 31 TUREEN: Staffordshire, c. 1760–5
- 32 TEAPOT: Josiah Wedgwood, Etruria, printed in Liverpool by Guy Green, c. 1775–80
- 33 JUG: Yorkshire, 1780
- 34 CENTREPIECE: probably Leeds Pottery, Yorkshire, c. 1780–1800
- 35 STGEORGE AND THE DRAGON: Staffordshire, c. 1780–1800
- 36 TOBY JUG: c. 1790–1810
- 37 DEMOSTHENES: Enoch Wood, Burslem, c. 1790–1810
- 38 ERASMUS DARWINS PORTLAND VASE COPY: Josiah Wedgwood, Etruria, Staffordshire, c. 1789–90
- 39 TEAPOT: probably Sowter & Co., Mexborough, Yorkshire, c. 1800–11
- 40 OBELISK: Bristol Pottery, Temple Back, Bristol, 1802
- 41 DINNER PLATE: Spode, Stoke-on-Trent, c. 1806–33
- 42 GARNITURE OF FIVE COVERED VASES: Richard Woolley, Lane End Longton, c. 1810–12
- 43 JUG: probably Staffordshire or Liverpool, c. 1810–20
- 44 DISH: Leeds Pottery, Yorkshire, C. 1815-20
- 45 ‘PERSWAITION’: probably john Walton, Burslem, c. 1815–25
- 46 VASE AND COVER WITH PAGODA FINIAL Charles James Mason & Co., Fenton Stone Works, Lane Delph, Fenton, c. 1826–45
- 47 FLASK IN THE SHAPE OF A GIRL HOLDING A DOVE: James Bourne & Co., Denby or Codnor Park, c. 1835–40
- 48 THE ‘BULRUSH’ WATER JUG: Ridgway & Abington, Hanley, c. 1848–60
- 49 POT-LID: T.J. & J. Mayer, Dale Hall Pottery Longport, Burslem, 1851
- 50 EWER AND BASIN: Minton, Stoke-on-Trent, 1856
- 51 THE PRINCESS ROYAL AND PRINCE FREDERICK WILLIAM OF PRUSSIA: Staffordshire, 1857
- 52 JUG: John Phillips Hoyle, Bideford, North Devon, 1857
- 53 GIANT TEAPOT: probably Church Gresley or Woodville, Derbyshire, 1882
- 54 FLAGON: Doulton & Co., Lambeth; decorated by George Tinworth, 1874
- 55 TILE PICTURE: William De Morgan & Co., Sands End Pottery, Fulham, c. 1888–97
- 56 OWL: Martin Brothers, Southall, modelled by Robert Wallace Martin, September, 1903
- 57 HOP JUG: Belle Vue Pottery, Rye, Sussex, 1899
- 58 VASE: designed by William Moorcroft for James Macintyre & Co., Washington Works, Burslem, and made there or at Cobridge c. 1911–13
- 59 DISH: Josiah Wedgwood & Sons, Etruria; decorated by Alfred Powell, c. 1908
- 60 JUG: Royal Doulton, Burslem, c. 1930–40
- 61 DINNER PLATE: Josiah Wedgwood & Sons, Barlaston, 1955
- 62 PAGODA-LIDDED BOWL: Bernard Leach, StIves, Cornwall, c. 1960–5
- 63 VASE: Hans Coper, c. 1966–70
- 64 DEEP-SIDED BOWL ON A HIGH FOOT: Alan Caiger-Smith, Aldermaston Pottery, 1981
37 - DEMOSTHENES: Enoch Wood, Burslem, c. 1790–1810
Published online by Cambridge University Press: 07 September 2010
- Frontmatter
- Contents
- Preface
- Introduction
- Glossary
- 1 JUG: Scarborough, Yorkshire, c. 1250–1300
- 2 DRINKING POT: probably English, c. 1545–60
- 3 FLAGON: probably Derbyshire or Staffordshire, c. 1630–60
- 4 BOTTLE: Christian Wilhelm, Southwark, 1628
- 5 DISH: Southwark, 1651
- 6 JUG: probably Harlow, Essex, c. 1630–60
- 7 TWO-HANDLED TYG: probably Henry Ifield, Wrotham, Kent, 1668
- 8 TULIP CHARGER: London, 1661
- 9 ‘NOBODY’: London, 1675
- 10 DISH: Thomas Toft, Staffordshire, c. 1662–85
- 11 POSSET POT AND SALVER: London or Bristol, 1685 and 1686
- 12 CISTERN: London, perhaps Norfolk House, Lambeth, c. 1680–1700
- 13 BOTTLE: John Dwight, Fulham, c. 1689–94
- 14 MUG: David and John Phillip Elers, probably Bradwell Wood, Staffordshire, c. 1691–8
- 15 JUG: Staffordshire c. 1680–1710
- 16 COVERED CUP WITH FOUR HANDLES AND A WHISTLE: probably South Wiltshire, 1718
- 17 DISH: Samuel Malkin, Burslem, c. 1720–30
- 18 SIX CHINOISERIE TILES: Bristol or London, c. 1720–50
- 19 PUNCH BOWL AND COVER: Liverpool, 1724
- 20 HUNTING MUG: probably Vauxhall Pottery, 1730
- 21 TWO-HANDLED LOVING CUP: probably Nottingham or Crich, 1739
- 22 MILK JUG AND TEAPOT: Staffordshire, c. 1725–45 and c. 1740–50
- 23 PEW GROUP: Staffordshire, c. 1740–50
- 24 BEAR JUG OR JAR: Staffordshire, c. 1740–70
- 25 CAMEL AND MONKEY OR SQUIRREL TEAPOTS: Staffordshire, c. 1750–5
- 26 JUG: Staffordshire, c. 1755–65
- 27 DISH: Liverpool, c. 1755–60
- 28 TEABOWL, SAUCER AND COFFEE POT: Staffordshire, c. 1750–65
- 29 COFFEE POT: Staffordshire, 1760
- 30 TEAPOT: probably Josiah Wedgwood, Burslem, c. 1759–66
- 31 TUREEN: Staffordshire, c. 1760–5
- 32 TEAPOT: Josiah Wedgwood, Etruria, printed in Liverpool by Guy Green, c. 1775–80
- 33 JUG: Yorkshire, 1780
- 34 CENTREPIECE: probably Leeds Pottery, Yorkshire, c. 1780–1800
- 35 STGEORGE AND THE DRAGON: Staffordshire, c. 1780–1800
- 36 TOBY JUG: c. 1790–1810
- 37 DEMOSTHENES: Enoch Wood, Burslem, c. 1790–1810
- 38 ERASMUS DARWINS PORTLAND VASE COPY: Josiah Wedgwood, Etruria, Staffordshire, c. 1789–90
- 39 TEAPOT: probably Sowter & Co., Mexborough, Yorkshire, c. 1800–11
- 40 OBELISK: Bristol Pottery, Temple Back, Bristol, 1802
- 41 DINNER PLATE: Spode, Stoke-on-Trent, c. 1806–33
- 42 GARNITURE OF FIVE COVERED VASES: Richard Woolley, Lane End Longton, c. 1810–12
- 43 JUG: probably Staffordshire or Liverpool, c. 1810–20
- 44 DISH: Leeds Pottery, Yorkshire, C. 1815-20
- 45 ‘PERSWAITION’: probably john Walton, Burslem, c. 1815–25
- 46 VASE AND COVER WITH PAGODA FINIAL Charles James Mason & Co., Fenton Stone Works, Lane Delph, Fenton, c. 1826–45
- 47 FLASK IN THE SHAPE OF A GIRL HOLDING A DOVE: James Bourne & Co., Denby or Codnor Park, c. 1835–40
- 48 THE ‘BULRUSH’ WATER JUG: Ridgway & Abington, Hanley, c. 1848–60
- 49 POT-LID: T.J. & J. Mayer, Dale Hall Pottery Longport, Burslem, 1851
- 50 EWER AND BASIN: Minton, Stoke-on-Trent, 1856
- 51 THE PRINCESS ROYAL AND PRINCE FREDERICK WILLIAM OF PRUSSIA: Staffordshire, 1857
- 52 JUG: John Phillips Hoyle, Bideford, North Devon, 1857
- 53 GIANT TEAPOT: probably Church Gresley or Woodville, Derbyshire, 1882
- 54 FLAGON: Doulton & Co., Lambeth; decorated by George Tinworth, 1874
- 55 TILE PICTURE: William De Morgan & Co., Sands End Pottery, Fulham, c. 1888–97
- 56 OWL: Martin Brothers, Southall, modelled by Robert Wallace Martin, September, 1903
- 57 HOP JUG: Belle Vue Pottery, Rye, Sussex, 1899
- 58 VASE: designed by William Moorcroft for James Macintyre & Co., Washington Works, Burslem, and made there or at Cobridge c. 1911–13
- 59 DISH: Josiah Wedgwood & Sons, Etruria; decorated by Alfred Powell, c. 1908
- 60 JUG: Royal Doulton, Burslem, c. 1930–40
- 61 DINNER PLATE: Josiah Wedgwood & Sons, Barlaston, 1955
- 62 PAGODA-LIDDED BOWL: Bernard Leach, StIves, Cornwall, c. 1960–5
- 63 VASE: Hans Coper, c. 1966–70
- 64 DEEP-SIDED BOWL ON A HIGH FOOT: Alan Caiger-Smith, Aldermaston Pottery, 1981
Summary
Pearlware, decorated overglaze in enamels. Mark: ‘E WOOD’ impressed on the back of the base. Height 48.2 cm. C.900–1928.
Enoch Wood (1759–1840) was one of the most prominent Staffordshire potters in the late eighteenth and early nineteenth centuries. In his youth he was a skilful modeller, and in middle age was respected as an astute businessman and an active participant in local affairs. After collaborating with his cousin Ralph Wood for an undefined period about 1784, he entered into a partnership with a lawyer, James Caldwell, which lasted from 1793 until 1818. Wood made several types of pottery during the early part of his career but is best known for his figures. Some of these were pearlware, an off-white earthenware with bluish glaze, described by contemporaries as ‘china glaze’. They were decorated overglaze with enamels which included shades of pink, yellow and turquoise. This figure of the great Athenian orator, Demosthenes (384–322 BC), also known as Eloquence, may have been made during the 1790s or in the early nineteenth century, as Wood apparently continued to use his own mark after the commencement of his partnership with Caldwell.
Like other potters, Wood based some of his figures on earlier sculpture by making moulds from plaster casts, which were obtainable in several sizes from London sculptors. Demosthenes had started life in the early 1750s as a fullsized plaster statue by John Cheere (1709–87), who later sold reduced size casts of it. Wood could also have obtained this model from another London castmaker, Charles Harris (d.1795?), whose undated catalogue of casts of about 1790 included a Demosthenes and several other subjects produced as figures by Wood, such as Fortitude.
- Type
- Chapter
- Information
- English Pottery , pp. 84 - 85Publisher: Cambridge University PressPrint publication year: 1995