Book contents
- Engaging Bach
- Series page
- Engaging Bach
- Copyright page
- Contents
- Illustrations
- Musical examples
- Tables
- Preface
- Abbreviations
- Part I The posthumous reassessment of selected works
- Part II Divergent streams of reception in the early nineteenth century
- Chapter 4 AbürgerlicherBach: turn-of-the-century German advocacy
- Chapter 5 The virtuous fugue: English reception to 1840
- Chapter 6 Bach for whom? Modes of interpretation and performance, 1820–1850
- Epilogue
- Select bibliography
- Index
Chapter 6 - Bach for whom? Modes of interpretation and performance, 1820–1850
from Part II - Divergent streams of reception in the early nineteenth century
Published online by Cambridge University Press: 05 April 2012
- Engaging Bach
- Series page
- Engaging Bach
- Copyright page
- Contents
- Illustrations
- Musical examples
- Tables
- Preface
- Abbreviations
- Part I The posthumous reassessment of selected works
- Part II Divergent streams of reception in the early nineteenth century
- Chapter 4 AbürgerlicherBach: turn-of-the-century German advocacy
- Chapter 5 The virtuous fugue: English reception to 1840
- Chapter 6 Bach for whom? Modes of interpretation and performance, 1820–1850
- Epilogue
- Select bibliography
- Index
Summary
- Type
- Chapter
- Information
- Engaging BachThe Keyboard Legacy from Marpurg to Mendelssohn, pp. 143 - 168Publisher: Cambridge University PressPrint publication year: 2012