T. H. White's The Once and Future King is one of the most popular and enduring retellings of the Arthurian legend, in the Netherlands as well as in the Anglophone world. In his March 2011 column, on speed skating, Utrecht's city poet Ingmar Heytze refers to the Dutch translation of White's work as the most beautiful book he knows. He uses the description of Lancelot's superior way of jousting to present his admiration for the ease and commitment with which a famous Dutch skater tackles the 10,000 metres. According to White's narrator, spectators and opponents would always recognize Lancelot's style:

The Dutch translation gives the exclamation as: ‘Ai, Lancelot!’ Ah and Ai, the shared words of the onlookers and opponent, express a mixture of fear and admiration and perhaps even curiosity – where does he come from? – as well as sadness about the inescapable fall. Words do not come much smaller than Ay, yet the mini-word may give voice to a whole range of emotions, and the same goes for its medieval equivalents.

Words like ha and hélas in Old French, and, in Middle Dutch, words like ay, owi, and acharmen, are quite common in Arthurian romance. By means of these exclamations, characters, and sometimes also the narrator, give voice to sorrow, joy, fear, or curiosity. Their emotion is presented as strong and spontaneous, as in the following example from the translation of the Suite-Vulgate du Merlin by Lodewijk van Velthem, made in 1326.