Book contents
- Frontmatter
- Contents
- Introduction
- Literarische Anthropologie und Groteske. Johann Karl Wezels Tobias Knaut und die Anfänge einer literarischen Darstellung von „Behinderung“ um 1800
- Misreading the Body: E. T. A. Hoffmann’s Klein Zaches, genannt Zinnober
- Exzentrische Empfindung. Raoul Hausmann und die Prothetik der Zwischenkriegszeit
- Bridging the Silence: Towards a Literary Memory of Nazi Euthanasia
- “Die gräßliche Blume des Grinds”: Disfigurement, Disablement, and Discrimination in Soma Morgenstern’s Jewish Trilogy Funken im Abgrund
- Schöne blinde Geigerinnen und mürrische blinde Bauern
- „Wenn Sie bereit sind, in mir einen Menschen zu sehen“. Behinderung und die Macht des Blickes in Günter Grass’ Die Blechtrommel
- „Der hinkende Vogel verfremdet den Flug“ — Heiner Müllers „Philoktet“ im Kontext der Disability Studies
- From Impairment to Empowerment: A Re-Assessment of Libuše Moníková’s Representation of Disability in Pavane für eine verstorbene Infantin
- Thalidomide as Spectacle and Capital
Bridging the Silence: Towards a Literary Memory of Nazi Euthanasia
Published online by Cambridge University Press: 02 March 2023
- Frontmatter
- Contents
- Introduction
- Literarische Anthropologie und Groteske. Johann Karl Wezels Tobias Knaut und die Anfänge einer literarischen Darstellung von „Behinderung“ um 1800
- Misreading the Body: E. T. A. Hoffmann’s Klein Zaches, genannt Zinnober
- Exzentrische Empfindung. Raoul Hausmann und die Prothetik der Zwischenkriegszeit
- Bridging the Silence: Towards a Literary Memory of Nazi Euthanasia
- “Die gräßliche Blume des Grinds”: Disfigurement, Disablement, and Discrimination in Soma Morgenstern’s Jewish Trilogy Funken im Abgrund
- Schöne blinde Geigerinnen und mürrische blinde Bauern
- „Wenn Sie bereit sind, in mir einen Menschen zu sehen“. Behinderung und die Macht des Blickes in Günter Grass’ Die Blechtrommel
- „Der hinkende Vogel verfremdet den Flug“ — Heiner Müllers „Philoktet“ im Kontext der Disability Studies
- From Impairment to Empowerment: A Re-Assessment of Libuše Moníková’s Representation of Disability in Pavane für eine verstorbene Infantin
- Thalidomide as Spectacle and Capital
Summary
IT HAS BEEN thirty years since the American TV series Holocaust was first shown on West German television — a highly controversial event that has come to be seen as a pivotal moment in the history of German Vergangenheitsbewältigung. In the United States, the four-part mini-series had attracted around 120 million viewers the year before, and even at that time there was heated debate as to whether it had done justice to its delicate topic. In Germany, it was criticized even before its broadcast for its alleged trivialization and commercialization of the fate of the Jews in the Third Reich. A sentimentalized, melodramatic treatment of complex historical processes, scholars and journalists agreed, would not be able to help Germans come to terms with their recent past. Thus, the overwhelming success of the series and the totally unexpected eruption of emotional responses among its viewers baffled critics and scholars alike. More than twenty million Germans watched the mini-series, and more than 25,000 called or wrote to the West Deutscher Rundfunk with comments and questions. These viewers were not afraid to show their emotions: they spoke of the tears they had shed, the shame and guilt they had felt, and the discussions the series had triggered. “Bei den ersten drei Folgen war ich noch bewegt und erschüttert,” a forty-seven-year-old mother wrote to the WDR, “bei der vierten Folge jedoch überkamen mich Verzweiflung und Trauer so sehr, dass ich dem hemmungslosen Weinen nur schwer widerstehen konnte. Plötzlich identifizierte ich mich mit jener jüdischen Mutter.[…] In diesem Augenblick wusste ich, dass die grausamen Verbrechen […] nicht verjähren dürfen.” There had been attempts before Holocaust at finding fictional forms of representation that would make a larger audience aware of Nazi crimes, e.g. Max Frisch's play Andorra (1961), Rolf Hochhuth's Der Stellvertreter (1963), or Peter Weiss's Die Ermittlung (1965). The estranging and formalized Bewältigungsdramatik of these plays, however, failed to overcome denial and repression and did not mobilize the Germans.
Holocaust traces the stories of the different members of the Jewish family Weiss, who are each linked to a different phase of the Final Solution.
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- Edinburgh German Yearbook 4Disability in German Literature, Film, and Theater, pp. 83 - 104Publisher: Boydell & BrewerPrint publication year: 2010
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