Chapter 3 turns to the stage, and to plays that transform stages into dining rooms and dining rooms into stages in ways that reveal the heightened theatricality inherent in the dinner party. Beginning with the failed courtship of Jim and Laura in The Glass Menagerie, it traces a recursive path through a set of dinner party plays that dramatize interpersonal processes of constructing a family, from courtship to marriage (Jane Bowles’s In the Summer House) to raising children (Thornton Wilder’s The Long Christmas Dinner). This chapter, “Commensality and Temporality at the Dinner Party,” intervenes in a discourse of commensality that understands the table simply as a space where genuine connection is made possible by the shared activity of eating, and demonstrates why the dinner party has become the exemplary subject of modern drama.