Dublin: A Writer’s City begins with a personal introduction, in which the author reflects on his arrival in the city in the mid-1980s, and his realization during his very first hours there that he was living a few doors down from where Oscar Wilde had been born, on a street that features in Ulysses, in the stories of Samuel Beckett, and in the poetry of Thomas Kinsella – and around the corner from the site of the first production of what would become the Abbey Theatre. This initial stroll down an apparently innocuous street – Westland Row – provides the basis for a reflection on the ways in which being aware of the literature of a city influence our experience of urban living. These reflections are framed in the context of the empty city during the pandemic that began in the spring of 2020.