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Chapter 7 - Terrorism

Terrorism as Context in DeLillo

from Part II - History and Politics

Published online by Cambridge University Press:  19 May 2022

Jesse Kavadlo
Affiliation:
Maryville University of Saint Louis, Missouri
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Summary

This chapter delves into one of DeLillo's frequently recurring themes, terrorism, yet develops the ways in which different novels' approaches to understanding terrorism significantly differ despite their surface similarities.

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Publisher: Cambridge University Press
Print publication year: 2022

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References

Works Cited

Begley, Adam. “Don DeLillo: The Art of Fiction.” Interview. The Paris Review, 128.135 (Fall, 1993).Google Scholar
Butler, Judith. Precarious Life: The Powers of Mourning and Violence. Verso, 2004.Google Scholar
DeLillo, Don. Falling Man. Scribner, 2007.Google Scholar
DeLillo, Don. “In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September,” Harper’s, Dec. 2001.Google Scholar
DeLillo, Don. Mao II. Penguin, 1991.Google Scholar
DeLillo, Don. Players.1977. Vintage, 1998.Google Scholar
Herren, Graley. “Flying Man and Falling Man: Remembering and Forgetting 9/11.” in Transatlanic Literature and Culture After 9/11: The Wrong Side of Paradise. Edited by Miller, Kristine A.. Palgrave-Macmillan, 2014 159–76.Google Scholar
Junod, Tom. “The Man Who Invented 9/11.” Esquire, May 7, 2007.Google Scholar
Nelson, Libby. “The US Once Had More Than 130 Hijackings in Four Years. Vox. Mar. 29, 2016.Google Scholar
Rauch, Jonathan. “In Hindsight, the War on Terror Began with Salman Rushdie.” The Atlantic Monthly, Mar. 2005.Google Scholar
Scanlan, Margaret. Plotting Terror: Novelists and Terrorists in Contemporary Fiction. University of Virginia Press, 2001.Google Scholar
Index on Censorship. “Thirty Years on: the Salman Rushdie Fatwa Revisited.” Index on Censorship, Feb. 13, 2019.Google Scholar
Watson Institute for International and Public Affairs. Brown University. “$5.9 Trillion Spent and Obligated on Post-9/11 Wars.”Google Scholar

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